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Abstrak :
Penelitian mengenai kebenaran informasi yang ada dalam novel sejarah. Tujuannya adalah melihat kemungkinan penggunaan karya sastra modern sebagai sumber informasi sejarah guna mendukung usaha pemahaman sejarah Indonesia. Pengumpulan data dilakukan dari berbagai sumber tertulis dan wawancara. Sistematika penulisan, metode penelitian dan penulisan dijelaskan. Pembahasan dilakukan terhadap enam buah novel sejarah. Berdasarkan pengamatan yang telah dilaksanakan dapat disimpulkan bahwa, jika dipergunakan secara kritis dan dipadukan dengan sumber-sumber lain, maka novel-novel sejarah dapat dipergunakan sebagai satu sumber pengetahuan dan pemahaman sejarah. Sedangkan untuk mendapat informasi yang tepat mengenai suatu peristiwa sebaiknya menggunakan studi-studi sejarah, arsip-arsip dan dokumen-dokumen. Novel sejarah lebih berguna bagi mereka yang tertarik untuk meneliti segi-segi psikologis dan keadaan kejiwaan masyarakat di suatu tempat dam kurun waktu tertentu. Selain itu, juga berguna untuk menelusuri biografi dan nilai-nilai yang mempengaruhi pandangan hidup pengarangnya. Tema dari suatu novel sejarah juga bisa dijadikan sumber sejarah karena mencerminkan atau mengkritik pendapat dari berbagai kelompok sosial di sekitar pengarangnya.

Abstrak :
From an investigation on a number of Banten archives recorded in the archives list of the National Archives of the Republic Indonesia (ANRI) it is found that there area only two letters of the Sultan of Banten in ANRI. One letter bears the number Banten archive no 18 and the other one in no. 61. The letter in archive no. 18 is a receipt for a payment made by ....

Abstrak :
This article addresses the research on media history in Indonesia. The VOC (Vereenigde Oost-Indische Compagnie) period of the seventeenth/eighteenth century, also known as the early modern period, is regarded as a starting point in this study. It was during this time that printing machines were imported from Europe by the VOC authorities. The availability of paper and printing ink also made it possible for the production of printed matter such as forms, books, and other material. The first known printed media was the Bataviasche Nouvelles, which served as a kind of newspaper. This period saw three types of publishing houses: (1) urban publishing; (2) publishing houses working under contract; and (3) royal publishing houses. Basically however, all these different publishing activities were aimed at supporting the existence of the VOC. Publishing companies were generally engaged in providing service to the Church and meeting the VOC?s administrative requirements. Communication media, based on enhancing freedom of opinion and disseminating information, would pose a problem as it would come face to face with VOC?s power monopoly.

Abstrak :
ABSTRAK
This paper discusses strategies of appropriation of narrative heritage in literate and narrative histories on the island of Kisar. It shows that notwithstanding their sometimes literate characteristics, storytelling in competitive contexts still follows strategies that are typical for oral performances. This paper questions in how far literate and narrative historiographies can and ought to be separated from each other in Southwest Maluku. This paper has been written in the framework of the project The Orphans of the Dutch East Indies Company, funded by The Dutch Culture Centre for International Cooperation. We like to thank Gerlov van Engelenhoven, Charles Katipana, and Geert Snoeijer for the much needed discussions and reflections. Of course, we are the only ones to blame for any shortcomings in the text.

Abstrak :
This paper describes a Saribas Iban rite of healing called the Sugi sakit. What distinguished this rite from other forms of Saribas Iban healing was that it incorporated within its performance a long narrative epic concerned with the adventures and love affairs of an Iban culture hero named Bujang Sugi. Here I explore the language used by Iban priest bards both in telling the Sugi epic and in performing the larger ritual drama in which it was set, and look, in particular, at how the Sugi epic, which was otherwise told for entertainment, was integrated into this drama and recast by the priest bards as they performed the ritual, so that it not only entertained their listeners, but also served as a serious instrument of healing.

Abstrak :
Cities are places full of symbols. In the past decades, Indonesian cities have become the cradle of urban symbolism studies. In this article, the author presents the results of these studies. The cities researched differ tremendously, ranging from the national capital to provincial capitals and small towns; some of them, such as Jakarta, are purely colonial in origin, while others are more or less traditional in character. Some of them have a top-down symbolic structure, largely the product of government activities, while others have symbolic configurations which have a more grassroots character and are based in the religious domain. The methodological aspect of urban symbolism fieldwork is explored by the introduction of the concept of flâneur.

Abstrak :
Drama noh berkembang sekitar pertengahan abad ke-14 dipelopori oleh Kan'ami. Kan'ami dan Zeami, dianggap paling berjasa dalam pembentukan drama noh yang dikenal pada saat ini. Hasil pemikiran Kan'ami dan Zeami kemudian dijadikan konvensi dalam perkembangan drama noh selanjutnya.Salah satu konvensi dalam drama noh adalah mengenai penulisan lakon noh. Unsur intrinsik terpenting dalam lakon noh adalah tokoh dan alur. Penekanan tokoh dalam drama noh terdapat pada fungsi tokoh dalam cerita bukan perwatakan. Berdasarkan fungsinya, tokoh dalam lakon noh terdiri dari shite (tokoh utama), wake (tokoh utama yang menjadi pengamat shite), tsure (tokoh bawahan yang mengikuti shite atau wake), dan ai-kyOgen (tokoh bawahan).Alur dalam sebuah lakon noh tersusun dalam pola jo (pengenalan), ha (penggawatan), dan kyu (leraian). Ha dibagi lagi menjadi ha 1, ha 2, dan ha 3. Penyusunan lakon-lakon noh berikutnya biasanya mengikuti konvensi tersebut. Akan tetapi dalam lakon noh Kanawa ternyata ditemukan pergeseran dari konvensi tersebut. Dalam skripsi ini penulis akan menganalisis mengenai pergeseran yang terjadi dalam struktur alur dan tokoh lakon noh Kanawa. Selain untuk memperkenalkan drama noh, khususnya struktur alur dan tokoh dalam lakon noh yang tipikal, analisis dalam skripsi ini dilakukan untuk mengungkapkan pergeseran yang terjadi dalam lakon noh Kanawa. Dari hasil analisis ditemukan bahwa pergeseran dalam alur terjadi pada bagian jo, ha 1, dan ha 2, sedangkan pergeseran fungsi tokoh terjadi pada tokoh arkyagen, wakizure, dan waki.Ditinjau dari cerita dalam lakon noh Kanawa, disimpulkan bahwa pergeseran terjadi karena adanya kebutuhan untuk membangun cerita yang dramatis. Dengan demikian, aturan mengenai alur dan tokoh dalam lakon noh tidak mutlak harus diikuti jika pergeseran tersebut dibutuhkan.