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Abstrak :
ABSTRAK Karya Akhir ini membahas mengenai upaya sineas perempuan melalui film perempuan untuk melakukan upaya counter-culture terhadap budaya patriarkis. Karya akhir ini berusaha melihat sejarah bagaimana pemerintah Orde Baru membentuk hegemoni budaya dominan yang patriarkis melalui kebijakan, ideologi, dan media massa pada saat itu. Termasuk juga konteks perfilman nasional saat itu, yang dikekang oleh penyensoran oleh BSF (Badan Sensor Film) dan kuatnya dominasi laki-laki di dalam industri film. Setelah era Orde Baru berakhir, nilai dan norma masyarakat yang bersifat patriarkis mulai ditentang oleh kelompok feminis, termasuk oleh para sineas perempuan. Melalui film-film perempuan, upaya counter-culture terhadap budaya patriarki dilakukan. Analisa mengenai counter-culture dalam karya akhir ini dilakukan bedasarkan definisi counter-culture dari Keith A. Roberts. Melalui pemikiran Roberts, penulis menemukan bahwa counter-culture yang dilakukan oleh sineas perempuan dilakukan dengan cara menawarkan budaya alternatif, yaitu feminisme.

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ABSTRACT This thesis discusses about an attempt of woman filmmakers through woman's films in order to make a counter-culture towards patriarchy. This thesis attempts to see the history of how our government in the New Order, known as 'Orde Baru', developed a dominant (which is patriarchal) culture hegemony through policies, ideology, and mass media including national films which was limited by the censors known as Badan Sensor Film? and man's domination which was strong in film industry. Feminists, including woman filmmakers, started to against the patriarchal value. The attempt of the counter-culture towards patriarchy was done through their films. The analysis is done using definition of counter-culture by Keith A. Roberts. Through Roberts? thoughts, we find that the counter-culture done by woman filmmakers is done by offering the alternative culture, which is feminism.

Abstrak :
This book explores the question : does migration empower women? Through wide-ranging topics on theorizing feminism in migration, contesting identities and agency, resistance and social justice, and religion for change, well-known and emerging scholars provide in-depth analysis of how social, cultural, political, and economic forces shape new modalities and perspectives among women upon migration. It highlights the centrality of the various meanings and interpretations of feminism(s) in the lives of immigrant and migrant women in Australia, Belgium, Brazil, Eastern Europe, France, Greece, Japan, Italy, Mexico, Morocco, Papua New Guinea, Spain, and the United States. The well-researched chapters explore the ways in which feminism and migration across cultures relate to women’s experiences in host societies, as women, wives, mothers, exiles, nuns, and workers and the avenues of interactions for change. Cross-cultural engagements point to the convergence and even disjunctures between (im)migrant and non-immigrant women that remain unrecognized in contemporary mainstream discourses on migration and feminism.