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"This book is the ultimate guide to who's who in the world of fashion design. Fully illustrated, it presents 125 of the key design practitioners from the beginning of the 20th century to the present day, the people and companies who have shaped the world of fashion and those who define the modern perception of style. It features established designers such as Valentino, charts the evolution of long-standing couture houses such as Chanel, and signals the success of rising stars including Christopher Kane and Rodarte."

"Industri busana mode adalah permintaan pasar yang penting untuk kebutuhan manusia yang telah berbudaya menuju kemajuan baru. Kemajuan di industri ini sebagai salah satu bagian pokok dalam industri kreatif Indonesia telah berkembang ke kemajuan yang lebih tinggi, namun hukum Indonesia terhadap industri ini dalam UU No. 31 Tahun 2000 tentang Desain Industri sebagai landasan hukum dalam Ketentuan Pemeriksaan Substantif atas Asas Kebaruan masih menimbulkan permasalahan dalam implementasinya. Tujuan utama dari penelitian ini, selain permasalahan ini belum diangkat secara detil oleh penelitian-penelitian sebelumnya, topic ini akan mempertegas pentingnya proses Pemeriksaan Substantif atas Asas Kebaruan dalam hukum Desain Industri terhadap jenis Industri ini.

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The fashion garment industry is an essential market demand for human necessity as it has cultured towards new advancements into the minds of the modern human as a form of personal self-expression, asserting itself as a requirement as well as means to selfactualization towards its buyers and customers. The progression of this industry as one of the staples in the Indonesian creative industry has cultivated to higher advancements, however the Indonesian supporting law towards this industry in Law No. 31 year 2000 Regarding Industrial Design as a legal foundation attracts criticism in its implementations. The provisions of Substantive Examination of the Novelty Principle is not a necessary administrative process unless there is opposition – due to this, industrial design rights registration towards fashion garments has exposed legal issues where garment manufacturers holding Industrial Design Rights are being alleged by the public for using designs from other designers which are arguably not inline with the Novelty Principle and/or considered as “Public Domain”. The main purpose of this research is that prior authors have not highlighted the importance of the Novelty Principle in Industrial Design law towards this type of Industry as a solution towards this issue."

"Jurnal penelitian ini memberi kontribusi untuk bidang studi gender, khususnya mengenai liberal feminisme dalam menuntut kesetaraan gender antara laki-laki dan perempuan di dunia fashion seperti dalam film Coco Chanel (2009). Film tersebut memperlihatkan bagaimana Chanel berjuang melawan sistem patriarki melalui dominansi para desainer pria di Prancis sekitar tahun 1890-1919 di bawah pengaruh era Victoria (1837-1901) dan era Edwardian (1901-1910). Jurnal penelitian ini membahas isu liberal feminisme yang dapat dilihat melalui karakter utama dalam film ini, Coco Chanel (Gabriella Chanel). Perempuan ketika itu diatur tidak hanya dalam tata cara mereka berpakaian, namun juga bahan pakaian yang mereka gunakan dan bentuk dari gaun yang mereka kenakan. Film ini memperlihatkan bagaimana Chanel datang sebagai desainer wanita yang melanggar aturan dalam industri fashion karena wanita membutuhkan kebebasan untuk mengekspresikan diri dengan memakai pakaian yang ingin mereka kenakan dan bagi Chanel fashion adalah kebebasan. Menggunakan konsep liberal feminisme dari Hughes, jurnal penelitian ini berkesimpulan bahwa perjuangan Chanel di industri fashion dapat dilihat sebagai perjuangan seorang feminis liberal karena dia berhasil berjuang melawan dominansi sistem patriarki dalam industri fashion.

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This research paper gives contribution to the field of gender studies, particularly concerning to liberal feminism in demanding the equality between men and women in fashion as depicted in the movie Coco Chanel (2009). This can be seen on how she struggled against the patriarchal system through the dominant of male fashion designers in France around 1890-1919 under the influence of Victorian Era (1837-1901) and Edwardian Era (1901-1910). This paper examines the issue of liberal feminism that could be seen through the main character, Coco Chanel. Women had been ruled in the way they dressed even with the materials and the shapes of the dresses. The movie shows how Chanel came as a new female designer who broke the rules in the fashion industry because women needs freedom to express themselves by wearing what they want to wear and for Channel fashion is freedom. Using the concept of Hughes’ concept of liberal feminism, this research paper concludes that Chanel’s struggles in the fashion industry can be seen as a struggle of a liberal feminist because she successfully fought against the dominant of patriarchal system in the fashion industry."

"Learning a new discipline is similar to learning a new language; in order to master the foundation of fashion design, you must first master the basic building blocks of its language, the definitions, function, and usage. The Language of Fashion Design provides students and fashion designers with the basic elements of fashion design, divided into twenty-six easy-to-comprehend chapters. This visual reference includes an introductory, historical view of the elements, as well as an overview of how these elements can and have been used across multiple design disciplines."

"Berkembangnya budaya konsumsi serta persaingan brand fesyen dalam menarik konsumen menjadikan adanya kebutuhan akan ruang yang representatif untuk memperkenalkan produknya. Tak jarang saat ini seorang perancang busana bekerjasama dengan seorang arsitek khususnya dalam merancang sebuah event space, yaitu ruang yang dirancang atau direncanakan sesuai tujuan yang ingin dicapai dengan menghadirkan pengalaman-pengalaman diluar kebiasaan/rutinitas yang biasa terjadi sehari-hari sehingga dianggap menjadi hal yang spesial atau istimewa. Dalam penulisan skripsi ini saya ingin menelaah lebih lanjut bagaimana sebuah event space yang dirancang oleh arsitek dapat menjadi media penyampaian ide karya fesyen serta menghubungkan antara perancang busana dengan konsumennya. Dengan kajian teori terkait fesyen dan arsitektur serta studi kasus dua pagelaran busana kerjasama perancang busana dan arsitek, dapat disimpulkan bahwa event space dapat menjadi media penyampaian ide karya fesyen dengan menghadirkan pengalaman ruang terkait konsep karya fesyen melalui indra, narasi, serta persepsi yang dapat disampaikan secara eksplisit/harafiah maupun hanya sebagai trigger awal desain event space.

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The consumerism and fashion brand competition in attracting consumers call up the need of representative space to introduce their products. Not infrequently, fashion designers work with architects, especially in designing an event space, a temporal space that is designed or planned according objectives to be achieved by presenting experiences that are different with common experiences in everyday life, so considered to be a special case.

By writing this essay I want to examine how an event space designed by architect serves as a medium in delivering fashion ideas, connecting fashion designer with their consumers. With studies related to fashion and architectural theory and case studies of two fashion runway designed by fashion designers and architects, it can be concluded that event space can be a medium for delivering of fashion ideas by presenting spatial experience related to the concept of fashion through the senses, narration, and perceptions that can be delivered explicitly/literal or simply as initial trigger of event space design."

"Tells the Jimmy Choo founder's account of her life in the fashion business. This is a memoir from one of the most successful and self-made British businesswomen of her generation"