Hasil Pencarian  ::  Simpan CSV :: Kembali

"Penelitian ini dilakukan untuk membahas rekonstruksi identitas dalam masyarakat dystopia dengan cara menganalisa Tris sebagai tokoh utama dalam novel Divergent (2011) karya Veronica Roth. Novel ini dipilih karena Divergent (2011) secara garis besar mengangkat isu identitas remaja dalam masyarakat masa kini dengan menggunakan media masyarakat dystopia. Tris mengubah identitasnya dari kelompok Abnegation ke kelompok Dauntless yang memiliki perbedaan sifat yang cukup besar dari kelompok sebelumnya. Tris mengalami beberapa konflik seperti konflik dengan lingkungan barunya dan konflik dengan dirinya sendiri agar Ia diterima dalam kelompok Dauntless.Tujuan dari penelitian ini adalah meneliti konflik yang Tris alami di dalam kelompok Dauntless dan bagaimana konflik yang dialami Tris dengan teman dan lingkungannya dapat membantunya mengonstruksikan kembali identitas barunya dalam kelompok Dauntless dari pada membatasi atau menghambat dirinya dalam mengonstruksi kembali identitasnya.Hasil penelitian ini menunjukan bahwa setelah tokoh Tris menghadapi beberapa konflik dalam kelompok Dauntless, akhirnya Ia dapat mengonstruksi kembali identitasnya yang baru sebagai seorang perempuan Dauntless.

---

This study sets out to examine youth reconstruction of identity in a dystopian society by analyzing Tris as the main character in Veronica Roth?s Divergent (2011). This novel is chosen because Divergent (2011) mainly explains the issue of youth?s identity in today?s society by using a dystopian society. Tris changes her identity from Abnegation faction to Dauntless faction which totally has a different virtue from her previous factions. In Dauntless, Tris experiences some conflicts such as conflict with her new surrounding and with herself in order to be accepted in Dauntless.The objective of this research is to examine the conflicts that Tris experiences in Dauntless and how her conflict with her friends and surroundings can help construct her new identity in Dauntless rather than limiting her in reconstructing identity.This study reveals that after some conflicts that Tris has to face in Dauntless, finally she can reconstruct her new identity as a Dauntless girl."

"Dystopia: a natural history is the first monograph devoted to the concept of dystopia. Taking the term to encompass both a literary tradition of satirical works, mostly on totalitarianism, as well as real despotisms and societies in a state of disastrous collapse, this book redefines the central concepts and the chronology of the genre and offers a paradigm-shifting understanding of the subject. Part I assesses the theory and prehistory of dystopia. Utopia and dystopia are portrayed not as opposites, but as extremes on a spectrum of sociability, defined by a heightened form of group identity. The prehistory of the process whereby enemies are demonized is explored from early conceptions of monstrosity through Christian conceptions of the devil and witchcraft, and the persecution of heresy. Part II surveys the major dystopian moments in twentieth-century despotisms, focusing in particular upon Nazi Germany, Stalinism, the Chinese Cultural Revolution, and Cambodia under Pol Pot. The concentration here is upon the political religion hypothesis as a key explanation for the chief excesses of communism in particular. Part III examines literary dystopias. It commences well before the usual starting point in the secondary literature, in anti-Jacobin writings of the 1790s. Two chapters address the main twentieth-century texts usually studied as representative of the genre, Aldous Huxleys Brave New World and George Orwells Nineteen Eighty-Four. The remainder of the section examines the evolution of the genre in the second half of the twentieth century to the present."