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Abstrak :
Manusia merupakan makhluk yang terus menerus berkembang, terutama dari segi pengetahuannya. Dari masa ke masa manusia selalu berusaha untuk menciptakan hal baru yang memudahkan kehidupan mereka. Sama halnya dengan manusia, arsitektur sebagai wadah bagi mannusia pun turut berkembang mengikuti segala macam perubahan, baik dari segi sosial maupun estetika. Modernity muncul ditandai oleh perkembangan sosial masyarakat, teknologi, dan industri. Pada masanya, dwelling, sebagai kebutuhan paling dasar mengalami perubahan. Skripsi ini mencoba mengkaji mengenai kontroversi makna dwelling dan kebutuhan manusia di era modern serta bagaimana arsitektur mewadahi dwelling sebagai home di era modern. Pada akhirnya, setting yang appropriate akan menjadi hal yang paling utama. ......Human is a being that keeps developing from time to time, especially their knowledge. From time to time human always try to create something new which will help them doing their everyday life and make it easier. Same thing with human, architecture as a ‘container’ for human activity also develops following all kinds of changes, in terms of social and aesthetic. Modernity was marked by the changing of society, technologies, and industries. At the time, dwelling, as a fundamental needs also changed. This thesis is studying the controversy of the real meaning of dwelling and the human needs in this modern era, also how architecture mediates dwelling as home in modern era. In the end, appropriate settings will be the most important thing.

Abstrak :
Arsitektur dalam pandangan umum adalah usaha manusia untuk membangun tempat tinggal yang aman dan nyaman. Proses penciptaan bangunan yang dikenal selama ini selalu melibatkan ukuran matematis, tetapi sesungguhnya keseluruhan rangkaian usaha ini merupakan proses yang sangat kompleks. Arsitektur, secara konseptual, didefinisikan sebagai usaha untuk membangun ruang bagi manusia, yang melibatkan penambahan satu dimensi tertentu, yaitu dimensi kemanusiaan. Penciptaan bangunan didasari oleh relasi kuasa yang terjadi dalam lingkungan sosial. Hal inilah yang melahirkan berbagai gaya arsitektur bangunan secara kultural. Keberadaan bangunan memberi peluang bagi penghuni untuk memacu inteligensi melalui adaptasi dan desain menjadi mediasi bagi intensionalitas penghuni terhadap bangunan. ......Architecture in general is a human’s effort to build a secure and comfort home. The creation of a building as we know, is always involving the mathematical measure, however, the whole sequence of these efforts is a complicated process. In a conceptual understanding, architecture is defined as a matter of making a human space, which is adding a particular dimension, i.e. humanistic dimension. The creation of a building is based on the relation of power, which is happened in a social environment. This is what produce so many different style of architectur in culture. The exsistence of a building gives the probability to the dweller for boosting his/her intelligence through the adaptation and the design stance, which is become a mediation for the dweller’s intentionality to the building.

Abstrak :
The Philosophy of Design is an introduction to the fundamental philosophical issues raised by the contemporary practice of design. The first book to systematically examine design from the perspective of contemporary philosophy, it offers a broad perspective, ranging across key philosophical areas such as aesthetics, epistemology, metaphysics and ethics. The first part of the book explores central issues about the nature of design and its products, and the rationality of design methods. A central theme is that Modernist ideas, such as those offered by Loos and Gropius, provide important responses to these philosophical issues. In the second part of the book, these Modernist ideas serve as touchstones in the exploration of key issues for design, including: the place of aesthetics in design; design's relation to personal expression; the meaning of function; and design's relation to consumerism. The social responsibility of designers, and the impact of design practice on ethical reasoning are also discussed. Written in an accessible style, The Philosophy of Design presents a new perspective on design and a provocative reassessment of the Modernist legacy. It will engage students and designers with current philosophical debates, helping them to bring into clearer focus the meaning of contemporary design, and its unique challenges and possibilitie.

Abstrak :
This book presents an attempt to understand the nature of technical artefacts and the way they come into being. Its primary focus is the kind of technical artefacts designed and produced by modern engineering. In spite of their pervasive influence on human thinking and doing, and therefore on the modern human condition, a philosophical analysis of technical artefacts and engineering design is lacking. Among the questions addressed are, How do technical artefacts fit into the furniture of the universe? In what sense are they different from objects from the natural world, or from the social world? What kind of activity is engineering design and what does it mean to say that technical artefacts are the embodiment of a design? Does it make sense to consider technical artefacts to be morally good or bad by themselves because of the way they influence human life?

Abstrak :
Origin(s) of design in nature is a collection of over 40 articles from prominent researchers in the life, physical, and social sciences, medicine, and the philosophy of science that all address the philosophical and scientific question of how design emerged in the natural world. The volume offers a large variety of perspectives on the design debate including progressive accounts from artificial life, embryology, complexity, cosmology, theology and the philosophy of biology.