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Abstrak :
Prinsen Park merupakan sebuah saksi sejarah bagaimana masa kejayaan seni dan budaya yang terjadi di wilayah mangga besar, dan berkaca dari hal yang terjadi pada saat ini, mangga besar dapat dikatakan cukup jauh dari masa jayanya dari segi Seni Budaya dan secara perlahan lahan tergantikan dengan “Hiburan Malam” yang secara langsung mengubah image dari wilayah Prinsen Park ini. Sehingga dibutuhkan sebuah ruang dimana kemudian dapat menjadi pengingat bahwa wilayah ini pernah berjaya dan juga dibutuhkan pula ruang untuk nantinya wilayah ini dapat memulai chapter barunya untuk dapat mengulangi masa jayanya yaitu sebagai sentral kesenian di Jakarta.  ......Pada Wilayah pembangunan ini, terdapat beberapa bangunan yang kemudian dapat menunjang kegiatan kreatif di dalamnya, yaitu adanya Gallery Prinsen, Prinsen Jazz, dan Retro Cinema. Tujuan utama dari Cluster ini adalah mencoba Menjadikan Wilayah Prinsen Park menjadi salah satu Art & Cultural Hub di Jakarta dan mencoba untuk mengembalikan identitas yang pernah hilang dari wilayah ini yaitu wilayah Prinsen Park sebagai sentral dari seni dan budaya di Jakarta. Dengan adanya MRT Fase 2 yang menggunakan konsep Transit Oriented Development (TOD), Maka Harapan Tersebut akan semakin dekat karena dibantu dengan adanya moda transportasi yang dapat mengkoneksikan Prinsen Park dengan wilayah lain di Jakarta. Desain Gallery Prinsen mencoba untuk membuat suatu Historical Reminder dimana wilayah Prinsen Park merupakan sebuah Hub bagi para penggiat kreatif di kawasan Jakarta pada masa 1890-1970an, dan desain ini ditujukan untuk meng-uplifting kawasan ini dengan cara mengingatkan dan mencoba menghidupkan kembali identitas masa kejayaan masa lalu wilayah ini sebagai Creative Hub di Wilayah Jakarta dengan menggunakan sentuhan teknologi yang berorientasi masa depan. ......Prinsen Park is a historical area that witnessed the heyday of art and culture in the Mangga Besar area. However, at the moment, Mangga Besar is quite far from its heyday in terms of arts and culture. It is slowly being replaced with "Night Entertainment," which has directly changed the image of the Prinsen Park area. Therefore, Mangga Besar needs a space that can act as a reminder of its great artistic history and help the region start a new chapter to regain its past glory as the center of arts in Jakarta. In this development area, several buildings support creative activities: Prinsen Gallery, Prinsen Jazz, and Retro Cinema. The main goal of this cluster is to make the Prinsen Park area one of the Art & Cultural Hubs in Jakarta and restore its lost identity as the center of art and culture in the city. The construction of The Second Phase of Jakarta MRT will help connect Prinsen Park with other areas in Jakarta. The design of the Prinsen Gallery aims to create a historical reminder of how the Prinsen Park area was a hub for creative activists in Jakarta from the 1890s to the 1970s. This design intends to uplift the area by reminding people of its heyday and reviving its past identity. The goal is to transform this area into a creative hub in the Jakarta region, incorporating a future-oriented touch of technology.

Abstrak :
In this essay we present three case studies of Peru, Jamaica and Indonesia to illustrate the use of the concept of race in daily life in relation to labour, popular culture and beauty respectively. These cases demonstrate how the use of the concept of race changes in the transition from a colonial into a postcolonial setting, depending on the role of the state and nation building. In Peru, we see a clear continuation of racialized thinking; thinking and speaking in terms of ?race? is still the norm. In Jamaica we find a process of inversion: the concept of race is maintained as a frame of societal analysis, but blackness is revalidated and has become a prerequisite for national and cultural belonging. In Indonesia racialized categorizations have disappeared almost completely as "race" has become subjected to the development rhetoric, which just allows limited space for ethnic manifestations. However, discrimination on other rhetorical basis, such as non-citizenship, remains.

Abstrak :
Bushido is most often translated as the way of the warrior caste in Japan. Bushi refers to warriors in feudal Japan while do means several things including: the correct way, the path, or the road. Another interpretation of Bushido could be the way of preserving peace through the use of force. Bushido comes out of Buddhism, Confucianism, and Shintoism. The combination of these schools of thought and religions has formed the code of warrior values known as Bushido. A key to our understanding of how the concepts of Bushido fit into Japanese modern lives is to understand the historical and societal aspects of Bushido. Today, this meaning can be modernized to include minimizing violent conflict. The code of Bushido, the Samurai's code of honor, upholds loyalty, discipline, total dedication, honor and valor, and numerous examples of these elements can be witnessed today or in recent history.