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Abstrak :
Lagu campursari merupakan hasil karya sastra yang menampilkan kebudayaan dan gambaran sosial kehidupan dalam lirik lagunya. Gambaran sosial kehidupan dapat berupa permasalahan dalam rumah tangga. Salah satu lagu campursari yang menggambarkan fenomena tersebut adalah lagu yang berjudul Aja Njaluk Pegat karya Rony Jembuk. Dalam lagu tersebut mengandung tema budaya patriarki yang terdapat pada lirik lagu yang dipaparkan secara tidak langsung. Masalah penelitian ini adalah bagaimana representasi sikap dan pandangan seniman Jawa muda terhadap budaya patriarki pada lagu Aja Njaluk Pegat dalam masyarakat Jawa. Tujuan dari penelitian ini untuk membuka perspektif baru khususnya bagi masyarakat Jawa, berdasarkan paparan makna terkait budaya patriarki dalam tersebut. Penelitian ini menggunakan pendekatan deskriptif kualitatif dengan teori sosiologi sastra yang dikemukakan oleh Alan Swingewood, sumber data dibaca menggunakan kritik sastra feminis oleh Peter Barry. Hasil penelitian ini mengungkapkan bahwa adanya budaya patriarki dalam kehidupan berumah tangga memiliki efek samping pada perempuan sebagai seorang istri. Dengan hasil penelitian tersebut, disimpulkan bahwa adanya transformasi budaya patriarki terhadap kaum perempuan, kemudian penelitian ini dapat dijadikan pemecahan masalah atas kesetaraan gender. ......The campursari genre is a literary work that displays cultural and social images of life inside its lyrics. The social picture of life can be found in the form of domestic issues. One of the campursari songs that describes this phenomenon is titled Aja Njaluk Pegat by Rony Jumbuk. The song contains patriarchal culture themes which is found in its lyrics presented indirectly. The problem of this research is how to represent the attitudes and views of young Javanese artists towards patriarchal culture in the song Aja Njaluk Pegat in Javanese society. The purpose of this research is to open a new perspective, especially for Javanese people, based on the explanation of meaning related to patriarchal culture within the song. This study uses the qualitative descriptive approach with the Sociology Literature Theory by Alan Swingewood, then the song lyrics are analyzed using Feminist Literary Criticism by Peter Barry. This study found that the existence of a patriarchal culture in household life has side effects on women as wives. It is concluded that there is a transformation of patriarchal culture towards women, afterwards this research could be used as a solution to the problem of gender equality.

Abstrak :
This edited collection captures the expertise of scholars from the US, the UK, Australia, and Canada to catalog the rise in visual approaches in criminology. It presents examples of visual methods, uses, and approaches in criminology; assesses the potential for new graphic approaches to collect, analyze, and present data; and provides some analysis of the use of images in teaching, to spur social critique, and guide policy translation. The collection visually connects theory and practice by highlighting the work of criminologists who have embraced the visual turn. Contributors explore the use of cognitive maps, concept and mind maps, life history calendars, CCTV, life plots, GIS and hot spot research, policy graphs, visual abstracts and research summaries,and other visual tools in the context of criminology. Approaches building on visual sociology are also featured, including a discussion of developments in documentary photography and film, visual ethnography, and sensory phenomenology. The book is organized thematically, with each chapter following logically upon the last, introducing readers to a variety of visual approaches and their application in criminology. The goals of this collected volume are three-fold. The first is to highlight how the visual has been used in criminology historically to present data, contest meaning and complicate social control, and make more transparent the research process. The second is to work toward some sort of definitional consistency. While a worthy endeavor, this remains elusive given the assortment of uses and varying traditions from which visual criminology has emerged. The third is to try to think clearly about the role of humility. This means a willingness to acknowledge an epistemological framework and note the variety of limitations associated with trying to understand in deep and meaningful ways. For visual criminology specifically, it involves the recognition that part of the power of images (whatever their construction), comes from whether we think they are beautiful or whether and/or to what extent they disrupt our understanding in one way or another. This interdisciplinary book will be of interest to criminologists, sociologists, visual ethnographers, historians and those engaged with media studies. It is a valuable supplementary text for courses in introductory criminology and criminal justice, criminological theory, research methods, and other upper-level and senior capstone courses.