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"Lanskap adalah assemblage dari komunitas-komunitas berbeda yang membentuknya. Komunitas-komunitas itu terbangun dari manusia maupun selain-dari-manusia. Studi ini melihat bagaimana komunitas-komunitas itu saling berinteraksi dalam relasi-relasi multispesies dan bagaimana mereka membentuk lanskapnya. Dengan menggunakan teknik pengumpulan data berupa pengamatan terlibat, wawancara mendalam, dan penelusuran pada sejarah komodifikasi di pesisir Sawai, studi ini mencoba untuk melacak jejak-jejak itu. Skripsi ini mengkritik pendekatan-pendekatan yang melihat antroposen dan kapitalisme sebagai fenomena singular dan linier. Dalam skripsi ini, Saya berargumen bahwa kapitalisme sebagai pengaturan ekonomi tidak bisa dipisahkan dari transformasi lanskap. Sebabnya, kategori-kategori sosial dan biologis berada dalam kelindan-kelindan dan assemblage yang saling bertumpuk dan mewujud dalam lanskap. Lanskap dengan itu tersusun dari bentuk-bentuk praktik sosial yang terdiri dari berbagai dunia yang berbeda; kapitalisme yang plural, modernitas yang plural, dan sejarah lanskap yang plural. Praktik penerjemahan dan mediasi atas pluralitas itu yang kemudian menghasilkan komoditas dan kekerasan kapitalis dan kekerasan lingkungan.

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Landscape is an assemblage of plural communities. These communities consist of both human and more-than-human. This study sees how those communities interact within multispecies relations and how they form their landscape. Using participant observation, in-depth interview, and historical tracing of commodification in Sawai, this study aims to trace landscape formation. This study argues against the singular and linear anthropocene and capitalism. In this thesis I propose that capitalism as economic system cannot be separated from landscape transformation since both nature and culture consists of mutual entanglement within overlapping assemblages that are observable in landscape formation. Landscape then, consists of worlds: plural capitalism, plural modernity, plural histories of landscape. Capitalist commodity and both capitalist and environmental violence then, are the results of translation and mediation of those plural practices. "

"Max Weber famously argued that the rise of capitalism in early modern Europe was premised on the emergence of a distinctive set of attitudes - including the pursuit of profit for its own sake - which he called 'the spirit of capitalism'. Today, when capitalism has spread across the globe, the spirit of capitalism would appear to reign supreme. In this important book Bernard Stiegler takes a very different view: what we are witnessing today is not the triumph of the spirit of capitalism but rather its demise, as our contemporary 'hyper-industrial' societies become increasingly uncontrollable, profoundly irrational and incapable of inspiring hope. Disenchantment and despair have become the everyday lived experiences of countless individuals. Far from being a moment of liberation, May '68 was just the first symptom of our increasing disenchantment and 'spiritual misery'. The libidinal energy that originally underpinned capitalism has become an unbound force, unleashing drives that can no longer be contained. Is there an alternative? Stiegler argues that the development of alternatives must begin with a new industrial policy, designed to recognize that technologies are what Plato called pharmaka, meaning both poison and cure. Industrial society has a future only if we can create technologies that foster relations of care (otium) for people whose spirit has been exhausted by contemporary consumerism. We must develop an ecology not only to protect the planet but also to renew the exploited energies of human desire. This volume - the third in a trilogy that includes The Decadence of Industrial Democracies and Uncontrollable Societies of Disaffected Individuals - will consolidate Stiegler's reputation as one of the most original philosophers and cultural theorists of our time."

"The book presents an interdisciplinary collection of analyses that discuss the impact of market economy on our culture in the post-Berlin Wall era. It contains two parts. The first focuses on the commercialisation of science and education. The second elaborates on the multiple and diverse relation between art and capital."