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Abstrak :
Keterkaitan antara arsitektur dan fesyen merupakan topik yang menarik untuk dikaji. Akan tetapi, pembahasan mengenai keterkaitan antar keduanya relatif belum banyak dilakukan oleh para peneliti. Arsitektur dan fesyen merupakan perwujudan gaya yang berkembang pada suatu zaman. Keduanya akan terus berubah dan digantikan oleh gaya yang baru. Gaya dapat dicerminkan dalam wujud dan bentuk, maupun elemen lain yang menciptakan karakteristik berbeda antara gaya satu dengan yang lainnya. Saat ini, bentuk bangunan menjadi lebih dinamis, sedangkan fesyen justru berkembang menurut prinsip arsitektonik, karena perkembangan teknologi. Hal tersebut menunjukkan perkembangan terhadap gaya keduanya. Menoleh ke masa sebelumnya, perkembangan arsitektur dan fesyen menciptakan gaya yang berbeda dalam suatu masa. Terdapat faktor-faktor yang mempengaruhi perkembangannya, dan menciptakan ciri pada gaya dalam kurun waktu tertentu. Dengan menelaah perkembangan arsitektur dan fesyen dari masa lampau, hingga masa kini, dapat disimpulkan adanya keterkaitan antara gaya keduanya serta dampak signifikan akibat keterkaitan tersebut sebagai perwujudan dari kebudayaan masyarakat.

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The relations between architecture and fashion are interesting topics to be studied. However, the discussion on the relationship between the two, relative has not been carried out by researchers. Architecture and fashion are embodiment of style which grow at a time. Both will always and replaced by new style. Style can be reflected in object and form, also in another element which creating different character between one style with another. Currently, building forms become more dynamic, while fashion grows according architectonic principal because of technological development. It shows the developments of both styles. Turned to the past, the development of architecture and fashion was creating different style in period. There are factors which affect its development, and create characteristic of style within certain time. By examining the development of architecture and fashion from the past until the present, we can conclude there is correlation between their style as well as significant impacts due to these linkages as reflection of social culture.

Abstrak :
"Art &​ Today" is an innovative and extensive survey of international contemporary art from the 1980s to the present. Over four hundred of the most significant contemporary artists from around the world are represented in this comprehensive overview - some emerging, some mid-career, and others long established. Each of the book's sixteen chapters address recurring and relevant themes as diverse as "Art &​ Popular Culture," "Art &​ Its Institutions," and "Art &​ Globalism," rather than follow a strict chronological, geographical, or stylistic structure. Lively and up-to-date, "Art &​ Today" explores an era in which art defies simple categorization. The result is a surprising and original yet clear and reasoned perspective on contemporary art that breaks from prescribed classifications to offer a survey as expansive as the art it describes.

Abstrak :
Charting over 45 years of feminist debate on the significance of gender in the making and understanding of art, this archival anthologyh gathers together 88 indicative texts from North America, Edurope and Australasia, and elsewhere. -- The volume embraces a broad range of threads and perspectives, from diverse national and global approaches, lesbian and queer theory, and postmodernism to education and aesthetics. The writings of artists and activists are juxtaposed with those of academics, creating an entertaining and provacative web of ideas. Some of the texts are now regarded as classic, but the anthology is particulary notable for its inclusion of rare and significant material not reprinted elsewhere. -- The scale and structure of the volume make it a uniqauely flexible resource for study and research. Each of the seven sections focuses on a specific area of debate and is introduced by a descriptive summary. The texts within each chapter are then presented in chronological order, indexing differing positions as they developed over time. -- Hilary Robinson is Dean of the School of Art and Design and Professor of Visual Culture at Middlesex University London, having previously held positions at Carnegie Mellon University, USA, and the University of Ulster, Norhern Ireleand. --Book Jacket.

Abstrak :
Charting over 45 years of feminist debate on the significance of gender in the making and understanding of art, this archival anthologyh gathers together 88 indicative texts from North America, Edurope and Australasia, and elsewhere. -- The volume embraces a broad range of threads and perspectives, from diverse national and global approaches, lesbian and queer theory, and postmodernism to education and aesthetics. The writings of artists and activists are juxtaposed with those of academics, creating an entertaining and provacative web of ideas. Some of the texts are now regarded as classic, but the anthology is particulary notable for its inclusion of rare and significant material not reprinted elsewhere. -- The scale and structure of the volume make it a uniqauely flexible resource for study and research. Each of the seven sections focuses on a specific area of debate and is introduced by a descriptive summary. The texts within each chapter are then presented in chronological order, indexing differing positions as they developed over time. -- Hilary Robinson is Dean of the School of Art and Design and Professor of Visual Culture at Middlesex University London, having previously held positions at Carnegie Mellon University, USA, and the University of Ulster, Norhern Ireleand