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"Tulisan ini mengkaji sikap penduduk desa -yang tinggal di suatu kampung di Yogyakarta-terhadap dakwah, dan bagaimana aktivitas-aktivitas penyebaran agama dimanifestasikan dalam kehidupan di desa. Penduduk desa ternyata enggan untuk menggunakan cara-cara langsung dalam melaksanakan dakwah, seperti mengunjungi penduduk desa yang tidak aktif guna mempengaruhinya untuk berpartisipasi dalam aktivitas keagamaan, dan menyarankan mereka untuk tidak melaksanakan perbuatan terlarang. Sebaliknya, merekacenderung untuk memberikan contoh melalui tingkah laku. Metode-metode dakwah yang toleran dan tidak bersifat langsung yang dikembangkan oleh Muhammadiyah, tidak adanya tokoh-tokoh agama yang otoriter, serta adanya norma-norma yang secara dominan melarang keterlibatan mereka dalam kehidupan orang lain, telah menunjang pembentukan sikap tersebut. Sikap ini memungkinkan dipertahankannya keharmonisan beragama, dan tidakmenyebabkan timbulnya tekanan dan perpecahan sosial sebagai akibat dari perbedaan agama. Tetapi, dengan kurangnya kesempatan untuk memperkecil perbedaan agama, perbedaan-perbedaan di antara orang-orang Islam dalam hal pandangan agamanya terasa lebih menonjol dalam kehidupan sosial, lebih dari masa-masa sebelumnya."

"ABSTRACTThe "everydayness" of the modern life, "unthinking, mundane reality" as described by Lukács in History and Class Consciousness, is often associated with the reified state of consciousness in bourgeois society. Also, linked with repetitive, uncreative, and contingent qualities of housework, the everyday tends to be gendered feminine, as Henri Lefebvre declares that "women symbolizes everyday life in its entirety" and that women are its "active critique". However, if women immerse themselves in everyday life so as to be the symbol of it, the question is: how can women acquire the revolutionary consciousness that enables them to perceive, theorize, and alter the everyday? How can women's creative work such as poetry be both the symbol and at the same time an active critique of their everyday life?This paper will examine how postwar and contemporary women poets writing in Japanese and in the proletariat literary tradition - such as Ishigaki Rin, Chong Chuwol, Park Kyongmi - have been seeking for an alternative poetic language in which they could represent and critique women's everyday life. Particular focus will be given to the interconnections between women, their domestic work, and objects used for their work, as typically seen in Ishigaki's famous poem, "In Front of me the Pot and Rice-Pot and Burning Flames" (1959). Where as Ishigaki follows realistic methods to portray women's life, Chong and Park, being second- generation Korean poets and ever uncomfortably affiliated with the Japanese language, are visibly more experimental. As a contemporary "postmodern" poet, Park argues that in poetic language, words should carefully be arranged and combined so that they cannot invoke sentiments that are attached to so-called "mother tongue". This alienated state of language, or language as butsu (thing/ object), becomes analogous to women's body, labour, and their everyday life."

"The 722 cantos and 247,766 lines of poetry in the Sĕrat Cĕnthini, composed in Surakarta by Ki Ng. Ronggasutrasna, R.Ng. Yasadipura II, and Ki Ng. Sastradipura under the direction of the Crown Prince of Surakarta (later Pakubuwana V, r.1820-1823) in 1815 during the British occupation of Java (1811- 1816), are arguably the greatest expression of literary art ever written in Javanese. The earliest version of the Sĕrat Cĕnthini comes from Cirebon at the beginning of the seventeenth century. When the poem reached Surakarta in the late eighteenth to early nineteenth century, court poets rewrote it, greatly expanding the number of episodes and characters, as well as the kinds of information and literary style to be found in the text. My interest in the excerpt I have translated from Canto 364 focuses on two aspects of this process of literary revision: characterization and the representation of everyday life."

"Buku yang berjudul "The consumer's good chemical guide : a jargon-free guide to the chemicals of everyday life" ini ditulis oleh John Emsley. Buku ini merupakan sebuah buku panduan mengenai bahan kimia untuk para konsumen."