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"Perlindungan terhadap warisan budaya pada awalnya bersifat relatif sempit yaitu perlindungan hanya terhadap benda cagar budaya. Namun seiring dengan jalannya waktu, timbul suatu kesadaran yang berpendapat bahwa folklor yang merupakan bagian dari warisan budaya juga layak untuk mendapatkan suatu perlindungan. Hal ini dikarenakan folklor merupakan salah satu kunci dalam memberikan suatu bangsa identitas yang khusus. Oleh karena itu, folklor suatu bangsa harus dilindungi dan dilestarikan oleh bangsa itu sendiri. Namun dalam perwujudannya, perlindungan dan pelestarian juga dapat diberikan oleh organisasi internasional melalui pembentukan berbagai instrumen hukum internasional. Saat ini Indonesia telah mengatur perlindungan folklor di bahwa rezim Hak Cipta. Namun pada kenyataannya, perlindungan tersebut jauh dari tujuannya. Karakteristik yang berakar dalam folklor dan Hak Cipta saling bertolak belakang, sehingga diperlukan suatu perlindungan yang lebih efektif terhadap folklor. Upaya-upaya perlindungan yang diberikan melalui berbagai instrumen hukum internasional bertujuan untuk mengurangi tindakan pengklaiman folklor yang tidak sah oleh pihak asing.

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The protection against cultural heriage was relatively narrow at first, which only includes the protection of tangible cultural heritage. But along the course of time, arising from a conciousness that believes that folklore is a part of the cultural heritage, then folklore should also be eligible to obtain protection. This is because folklore is one of the key in providing a nation its own specific identity. Therefore, the folklore of a nation must be protected and preserved by the nation itself. However, in realization, protection and preservation can also be provided by international organizations through the establishment of various international legal instruments. Indonesia has set the protection of folklore in the copyright regime. But in reality, the protection is far from its objetive. The chacaracteristics that are rooted in folklore and copyright are conflicting. As a result, there`s a necessity for a more effective protection of folklor. The protection efforts that are provided trough various international legal instruments seek to reduce illicit claims of folklore done by a foreign partty."

"Collective representations of ?time? do not passively reflect time, but time and space are mediated by society. By our social practices, such as making music and dancing, we create time. Different cultural groups may experience and perceive time in different ways, and also within one cultural group the quality of time is not always experienced in the same way. Anthropological studies have shown that in each cultural group different perceptions of time co-exist. For instance, time generally tends to be perceived as both a linear flow and as repetitive. We should not confuse metaphysical and sociological arguments about time: time in music and other performing arts operates at the social and not at the metaphysical level. The essay discusses a variety of social qualities of time and space as it becomes manifest in some performing arts of West Java and the implications for their safeguarding."

"Dengan menerapkan prinsip pelestarian in situ dan eksploitasi non-komersial UNESCO menyusun standar umum pelindungan warisan budaya bawah air yang tertuang dalam The UNESCO Convention on the Protection of Underwater Cultural Heritage/Konvensi UNESCO (2001). Indonesia belum meratifikasinya. Bahkan, kebijakan nasional terbaru membuka kembali peluang pengangkatan Benda Berharga Asal Muatan Kapal yang Tenggelam (BMKT). Selain opsi pengangkatan BMKT, diterapkan pula model pengelolaan dalam konsep Kawasan Konservasi Maritim dan wisata bahari/selam. Tesis ini bermaksud menjawab permasalahan utama tentang kebijakan pengelolaan yang dapat diterapkan oleh Indonesia terhadap kapal karam beserta muatannya di wilayah perairan Indonesia yang memenuhi kriteria sebagai warisan budaya bawah air yang dilindungi oleh hukum internasional. Penelitian ini menggunakan metode penelitian yuridis-normatif dan interdisipliner untuk melihat koeksistensi nilai-nilai dan kepentingan masyarakat dalam arena yang multi-sited, lokal maupun global. Terkait warisan budaya bawah air, meskipun telah banyak diatur dalam hukum internasional, namun menyisakan beberapa isu yang tidak diatur secara eksplisit sehingga menimbulkan persepsi dan perspektif yang saling bertentangan dan menjadi persoalan yang diperdebatkan. Terdapat koeksistensi antara hukum nasional dan internasional serta kepentingan- kepentingan yang berimplikasi pada kebijakan pengelolaan warisan budaya. Maka, konsep pelestarian berwawasan Cultural Resources Management (CRM) dapat diterapkan sebagai jalan tengah bagi para kelompok kepentingan, melalui kebijakan pengelolaan warisan budaya bawah air yang mengakomodasi beragam nilai dan kepentingan dalam pemanfaatan kapal karam beserta muatannya.

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By applying the principles of in situ conservation and non-commercial exploitation, UNESCO has developed general standards for the protection of underwater cultural heritage as set out in The UNESCO Convention on the Protection of Underwater Cultural Heritage/UNESCO Convention (2001). Indonesia has not ratified it. In fact, the latest national policy has reopened opportunities for the removal of valuable objects from sunken ships (BMKT). In addition to the option of appointing BMKT, a management model in the concept of Maritime Conservation Areas and marine/diving tourism is also applied. This thesis aims to answer the main problem regarding management policies that can be applied by Indonesia to shipwrecks and their cargo in Indonesian waters that meet the criteria as underwater cultural heritage protected by international law. This study uses a normative legal research method with interdisciplinary approach to see the coexistence of community values and interests in a multi-sited, local and global arena. Regarding underwater cultural heritage, although it has been widely regulated in international law, there are still some issues that are not explicitly regulated so that it creates conflicting perceptions and perspectives and becomes a matter of debate. There is a coexistence between national and international laws and interests that have implications for cultural heritage management policies. Thus, the concept of Cultural Resources Management (CRM)-based conservation can be applied as a middle ground for interest groups, through a policy of managing underwater cultural heritage that accommodates various values and interests in the use of shipwrecks and their cargo."

"Penelitian ini bertujuan menggambarkan bagaimana proses pemugaran kedua Candi Borobudur selama periode tahun 1973-1983. Candi Borobudur merupakan cagar budaya nasional yang harus terjaga nilai budaya. Kerusakan yang menimpa Candi Borobudur yang diakibatkan oleh iklim tropis menaruh perhatian khusus Pemerintah Indonesia. Metode penelitian yang digunakan adalah metode sejarah melibatkan tahapan pememilihan topik, heuristik, verifikasi, interpretasi, dan historiografi. Sumber primer, berupa foto dan surat kabar, ditemukan di Perpustakaan Universitas Indonesia, Perpustakaan Nasional Republik Indonesia dan kanal online Arsip Konservasi Borobudur. Sementara sumber sekunder berupa buku dan artikel jurnal ilmiah berasal dari Perpustakaan Universitas Indonesia, Jstor, dan beberapa website resmi lainnya. Hasil penelitian menggambarkan bahwa penyebab utama kerusakan Candi Borobudur adalah karena terkena air hujan yang masuk ke dalam tubuh candi, serta terkena paparan langsung sinar matahari. Pemerintah Indonesia Bersama UNESCO berhasil melakukan upaya pemugaran secara menyeluruh candi pada tahun 1973-1983. Kemudian dukungan para ahli dari dalam negeri serta pekerja dari komunitas lokal telah memainkan peran penting dalam mencegah kerusakan lebih lanjut pada Candi Borobudur.

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This research aims to describe the restoration process of Borobudur Temple during the period of 1973-1983. Borobudur Temple is a national cultural heritage that must preserve its cultural value. The damage suffered by Borobudur Temple due to the tropical climate attracted special attention from the Indonesian Government. The research method used is the historical method involving the stages of topic selection, heuristics, verification, interpretation, and historiography. Primary sources, such as photos and newspapers, were found in the Library of Universitas Indonesia, the National Library of the Republic of Indonesia, and the online channel of the Borobudur Conservation Archive. Meanwhile, secondary sources, such as books and scientific journal articles, were obtained from the Library of Universitas Indonesia, Jstor, and several other official websites. The research results indicate that the main causes of damage to Borobudur Temple are due to rainwater entering the temple’s structure and direct exposure to sunlight. The Indonesian Government, together with UNESCO, successfully carried out a comprehensive restoration of the temple from 1973 to 1983. Furthermore, the support of domestic experts and workers from the local community has played a crucial role in preventing further damage to Borobudur Temple.Keywords: Borobudur Temple, Cultural Heritage, National Cultural Heritage, World Cultural Heritage, UNESCO, The Significance of Borobudur."

"Skripsi ini membahas peran sentral dari pemasaran berbentuk viral marketing dalam mendorong keterlibatan dari Generasi Z dalam gerakan konservasi budaya berbasis digital yang diinisiasi oleh Swara Gembira, khususnya kain tradisional Indonesia atau wastra. Selanjutnya, pembahasan akan difokuskan pada penggunaan call-to-action hashtag yakni #BerkainBersama dan #BerkainGembira yang dimaksudkan untuk mendorong komunitas online di Instagram agar kembali mengenakan kain tradisional pada kehidupan sehari-hari. Teori terkait marketing communication, cultural awareness, dan intention to wear digunakan untuk memahami isu yang akan diteliti. Penelitian dilakukan menggunakan pendekatan campuran dengan alat bantu berupa kuesioner tertutup yang disebarkan secara online melalui Google Form dan wawancara semi terstruktur. Data yang didapatkan dari survei online lalu dianalisis menggunakan structural equation modeling (SEM) pada software SmartPLS 4 sedangkan data hasil in-depth interview dianalisis menggunakan analisis tematik.

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This thesis discusses the central role of marketing in the form of viral marketing in encouraging the involvement of Generation Z in the digital-based cultural conservation movement initiated by Swara Gembira, especially for Indonesian traditional cloth or wastra. Furthermore, the discussion will focus on the use of call-to-action hashtag, namely #BerkainBersama and #BerkainGembira which is intended to encourage the online community on Instagram to return to wearing traditional clothing in everyday life. Theories related to marketing communication, cultural awareness, and intention to wear are used to understand the issue at hand. The research was conducted using a mixed method approach with tools in the form of closed questionnaires distributed online via Google Forms and semi-structured interviews. Data obtained from online surveys were then analyzed using structural equation modeling (SEM) on SmartPLS 4 software, while data from in-depth interviews were analyzed using thematic analysis."