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"Tulisan ini mengkaji tentang Aliran Bratakesawa dan kesinambungannya dengan konsep Memayu Hayuning Bawana. Kajian ini menggunakan metode pustaka. Aliran Bratakesawa merupakan salah satu aliran kebatinan masyarakat Jawa, melalui aliran kebatinan ini masyarakat Jawa akan menemukan keselarasan dengan lingkungan dan hati nuraninya. Dalam proses tersebut masyarakat Jawa akan melalui tahapan Sangkan Paraning Dumadi, Manunggaling Kawula Gusthi, dan Kasampurnaning Dumadi. Manusia yang sudah mencapai kesempurnaan hidup, segala tindakannya merupakan perwujudan dari Memayu Hayuning Bawana.

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This paper examines the mysticism of Bratakesawa and continuity to the concept Memayu Hayuning Bawana. This study uses the method library. Bratakesawa is one of the Javanese mysticism, through of this mysticism the Javanese community will find harmony with the environment and conscience. In that process, the Javanese community will going through the stages Sangkan Paraning dumadi, Manunggaling Kawula Gusthi and Kasampurnaning Dumadi. The people who has reached perfection in life, every action of them is a manifestation of Memayu Hayuning Bawana."

"ABSTRAK Film adalah salah satu dari banyak sarana komunikasi masyarakat yang digunakan untukmenyampaikan pesan melalui simbol-simbol yang ada di dalam film. Film juga seringdijadikan sebagai sarana untuk melestarikan budaya, legenda, dan mitologi yang dimiliki dandipercayai oleh masyarakat tertentu. Film The Sorcerer and The White Snake adalah salahsatu film yang menjadi visualisasi dari legenda ular putih yang ceritanya telah begitu terkenal,baik di kalangan orang Cina hingga orang luar Cina. Melalui pendekatan semiotik, penulisanjurnal ini bermaksud untuk menjelaskan dan menganalisis simbol tokoh ular putih yangmerupakan tokoh utama dalam film ini dan kaitannya dengan mitologi dan kepercayaan Cina. ABSTRACT Film is one of the mediums of society communication to deliver messages through symbols that be present in a movie scene. Film is also often made as a medium to preserve andconserve culture, legend, and mythology that certain society believed. The Sorcerer and TheWhite Snake film is one of films that being a visualization from white snake legend whichstory is so famous, both in Chinese or non Chinese. Through a semiotic approach, this journalaims to explain and analyze the symbol of white snake character who being a main characterof this film and its relevancy to Chinese?s mythology and belief. ;Film is one of the mediums of society communication to deliver messages through symbols that be present in a movie scene. Film is also often made as a medium to preserve andconserve culture, legend, and mythology that certain society believed. The Sorcerer and TheWhite Snake film is one of films that being a visualization from white snake legend whichstory is so famous, both in Chinese or non Chinese. Through a semiotic approach, this journalaims to explain and analyze the symbol of white snake character who being a main characterof this film and its relevancy to Chinese?s mythology and belief. ;Film is one of the mediums of society communication to deliver messages through symbols that be present in a movie scene. Film is also often made as a medium to preserve andconserve culture, legend, and mythology that certain society believed. The Sorcerer and TheWhite Snake film is one of films that being a visualization from white snake legend whichstory is so famous, both in Chinese or non Chinese. Through a semiotic approach, this journalaims to explain and analyze the symbol of white snake character who being a main characterof this film and its relevancy to Chinese?s mythology and belief. ;Film is one of the mediums of society communication to deliver messages through symbols that be present in a movie scene. Film is also often made as a medium to preserve andconserve culture, legend, and mythology that certain society believed. The Sorcerer and TheWhite Snake film is one of films that being a visualization from white snake legend whichstory is so famous, both in Chinese or non Chinese. Through a semiotic approach, this journalaims to explain and analyze the symbol of white snake character who being a main characterof this film and its relevancy to Chinese?s mythology and belief. "

"ABSTRAKJurnal ini membahas tentang ?? Ch ng 39; , sebagai mitos dewi bulan dalam mitologi Cina. Dewi bulan merupakan salah satu dari sekian banyak dewi yang dipercaya oleh masyarakat Cina. Dalam mitos Cina, Chang rsquo;E dikisahkan sebagai manusia biasa yang terbang ke bulan setelah meminum obat keabadian. Malam pertengahan musim gugur dianggap sebagai malam dengan bulan purnama paling terang sepanjang tahun. Oleh karena itu, setiap tahun pada pertengahan musim gugur selalu dilakukan pemujaan pada dewi bulan. Pemujaan tersebut diwariskan secara turun-temurun sejak masa dinasti, sehingga saat ini sudah menjadi tradisi dalam masyarakat Cina. Pemujaan dewi bulan dilakukan karena dipercaya dapat membawa kemakmuran.

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ABSTRACTThis journal examines the myth of Chang rsquo E as moon goddess in Chinese mythology. Moon Goddess is one of the Goddesess that is worshipped by most of Chinese people. In Chinese mythology, Chang 39 E was a human who flew to the moon after drinking the immortal elixir. A full moon night in the Mid Autumn is believed to be the brightest full moon among others. Therefore, every full moon night in the Mid Autumn, Chinese people always do a ritual in order to worship Moon Goddess. The ritual is done from generation to generation since the dynasty period in China, hence it is already become a tradition among Chinese people. These days, this ritual is still done by many people because they believe that it can bring prosperity to their life. "

"Penelitian ini membahas teks drama Izis karya Taufiq al-Hakim, seorang sastrawan yang terkenal sebagai tokoh pelopor drama Arab Modern di Mesir. Dalam penelitian ini, teks drama Izis dihubungkan dengan cerita dalam mitologi Mesir karena adanya kemiripan antara kedua teks tersebut. Penelitian ini bertujuan untuk memaparkan unsur-unsur intrinsik dan perbandingannya dengan mitologi Mesir melalui pendekatan struktural dan sastra banding. Melalui teori struktural, dapat disimpulkan bahwa hubungan antar unsur intrinsik terjalin dengan baik sehingga memudahkan pembaca dalam memahami keseluruhan cerita. Sedangkan melalui pendekatan sastra banding, penelitian ini menyimpulkan bahwa drama Izis mendapat pengaruh dari mitologi Mesir. Taufiq al-Hakim berhasil memodifikasi mitologi yang sangat kental dengan unsur dewa-dewi menjadi sebuah teks drama yang lebih rasional dan dapat diterima oleh akal manusia. Setidaknya ada tiga pesan yang ingin disampaikan oleh Taufiq al-Hakim melalui teks drama Izis. Pertama, pengarang ingin menggambarkan keadaan sosial dan politik yang sedang terjadi pada tahun 1950-an. Kedua, pengarang ingin menyampaikan bahwa rakyat adalah pemegang kedaulatan tertinggi dalam suatu negara atau wilayah. Ketiga, melalui sosok Izis dalam perjuangannya mencari keadilan, pengarang ingin mengangkat derajat perempuan yang sering direndahkan dalam sistem patriarki di dunia Arab.

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This research discusses the texts of Izis drama by Taufiq al Hakim, a well known poet as a pioneer of modern Arabic dramas in Egypt. In this study, Izis drama is related to the story in Egyptian mythology because of the similarity between the two texts. This study aims to expose the intrinsic elements and their relevance to Egyptian mythology through structural and comparative study. Through structural theory, it can be concluded that the relationship between intrinsic elements well established so as to facilitate the reader in understanding the whole story. While through the comparative approach, this study concludes that the drama Izis got the influence of Egyptian mythology.

Taufiq al Hakim successfully modified a very thick mythology with the elements of the gods became a more rational and acceptable text by the human reason. There are at least three messages to be conveyed by Taufiq al Hakim through the Izis drama text. First, the author wants to describe the social and political circumstances of the 1950s. Secondly, the author wishes to convey that the people are the ultimate sovereign holders in a country or territory. Thirdly, through the figure of Izis in his struggle for justice, it can be interpreted as an author who wants to raise the degree of women who are often degraded in the patriarchal system in the Arab world. "

"Perkembangan eksponensial gim video dalam budaya populer telah menarik perhatian cendekiawan selama bertahun-tahun. Dibanding media lain, gim video unik karena mereka memberikan pengalaman interaktif untuk para pemain dengan cara memberi pemain kekuasaan untuk memilih. Keberadaan mitologi dan sistem kepercayaan dalam gim video telah diperdebatkan sebagai peran yang penting, di mana mitologi dan sistem kepercayaan bertindak sebagai referensi yang menjadi dasar gim itu sendiri.Penelitian ini bertujuan untuk meneliti bagaimana sistem kepercayaan utama di Dragon Age: Origins (2009) saling berhubungan dengan hirarki ras dalam game. Narasi dan mekanik dalam him dipelajari guna menunjukkan dengan tepat hubungan lembaga agama dengan rasisme. Hasil temuan menunjukkan bahwa ada hubungan yang kompleks antara rasisme dan lembaga agama. Dari waktu ke waktu, studi soal rasisme berlandaskan agama dan pemahaman kita akan religiusitas berkembang. Meskipun tidak ada korelasi eksplisit yang menyatakan bahwa lembaga agama dan rasisme itu berkaitan, bukan berarti keduanya sepenuhnya tidak terkait. Kita harus berhati-hati untuk tidak menentang agama itu sendiri, tetapi mengkritik dinamika lain yang ikut bermain seperti kekuasaan dan harta.

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The exponential growth of video games in popular culture has been piquing scholars' attention for years. Video games are unique compared to other media as they provide interactive experience for the users by giving them the power to choose. It has been argued that mythologies and belief systems play an important role in video games, wherein they act as referents to which video games are based on. This study aims to research how the major belief system in Dragon Age: Origins (2009) is interconnected with the in-game racial hierarchy. Using textual analysis as the method, the game narrative and mechanics are studied in order to pinpoint the connection between institutionalized religion and racism. The findings show that there are complex relations between racism and institutionalized religion. Through time, the study of religious racism and our understanding of religosity evolved. Although there are no explicit positive corelation between the two, it is not entirely unrelated either. We must be careful to not to oppose religion itself, but to criticize the other dynamics that come into play such as power and money."