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"Mitos telah menjadi inspirasi karya fiksi di seluruh dunia. Mitos dengan kisah-kisah fantastis dan mistis dapat membuat kisah yang menarik sehingga dapat memikat pembaca. Penelitian ini bertujuan untuk mengkaji mitos Korea yang muncul dalam novel "The Girl Who Fell Beneath the Sea" karya Axie Oh. Penelitian ini dilakukan dengan cara menganalisis kutipan dialog dan penggambaran cerita untuk menentukan keberadaan mitos dalam novel. Temuan penelitian menunjukkan bahwa novel ini mengandung berbagai mitos Korea, seperti dewa laut, dewi wanita dan anak, imugi, kirin, dan sebagainya. Penelitian ini diharapkan dapat memperluas wawasan mengenai mitos Korea dalam fiksi fantasi modern dan memberikan kontribusi terhadap studi literatur tentang adaptasi mitologi dalam karya tulis kontemporer.

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Myths have inspired works of fiction throughout the world. Myths with its fantastical and mystical stories can create interesting stories that can captivate readers. This research aims to examine the Korean myths that have appeared in the novel “The Girl Who Fell Beneath the Sea" by Axie Oh. This research was carried out by analyzing dialogue and describing stories to determine the presence of myths in the novel. Research findings show that this novel contains various aspects of Korean myths, such as the sea god, goddess of women and children, imugi, kirin, and so on. It is hoped that this research can broaden insight into Korean myths in modern fantasy fiction and contribute to literary studies regarding mythological adaptations in contemporary written works."

"Penelitian tentang masalah trafficking dilakukan untuk mendiskripsikan permasalahan dasar terjadinya trafficking ,karakteristik daerah asal korban trafficking yang telah dilakukan oleh lembaga sosial

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"Summary: Every year, the people of the Protectorate leave a baby as an offering to the witch who lives in the forest. They hope this sacrifice will keep her from terrorizing their town. But the witch in the Forest, Xan, is in fact a good witch who shares her home with a wise Swamp Monster and a Perfectly Tiny Dragon. Xan rescues the children and delivers them to welcoming families on the other side of the forest, nourishing the babies with starlight on the journey. One year, Xan accidentally feeds a baby moonlight instead of starlight, filling the ordinary child with extraordinary magic. Xan decides she must raise this girl, whom she calls Luna, as her own. As Luna's thirteenth birthday approaches, her magic begins to emerge - with dangerous consequences. Meanwhile, a young man from the Protectorate is determined to free his people by killing the witch"

"Girls Generation yang merupakan grup K-pop generasi kedua kembali muncul pada era grup K-pop generasi ke-empat saat ini. Dalam mengkomunikasikan kembalinya Girls Generation saat ini perlu menggunakan strategi yang sesuai dengan yang dilakukan oleh grup K-pop generasi ke-empat yaitu memaksimalkan penggunaan berbagai media. Dalam tulisan ini, penulis ingin mendeskripsikan penggunaan transmedia storytelling yang tampak dalam comeback-nya Girls Generation. Penelitian ini bertujuan untuk melihat media yang digunakan, jenis konten pada media tersebut, dan bagaimana Girls Generation menggunakan khalayaknya. Penelitian ini menggunakan metode kualitatif dengan pengumpulan data melalui desk research. Hasil penelitian menunjukkan bahwa pendekatan transmedia storytelling tampak dalam comeback-nya Girls Generation, namun narasi transmedianya belum dapat mendorong khalayak membuat bentuk transmedia baru.

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Girls Generation, which is the second generation of K-pop groups, has re-emerged in the era of this fourth generation of K-pop groups. In communicating the return of Girls' Generation, it has to use a strategy that is usually use in the fourth generation K-pop group, by maximizing the use of various media. In this paper, the author wants to describe the use of transmedia storytelling that appears in Girls Generation's comeback. This study aims to look at what media to used, the type of content on the media, and how Girls' Generation uses their audience. This study uses qualitative methods with data collection through desk research. The result show that transmedia storytelling appears in Girls Generation's comeback, but the story on transmedia has not been able to encourage the audience to create new forms of transmedia.

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"n the tradition of The Girl on the Train, The Silent Wife, and Gone Girl comes an enthralling psychological thriller that spins one woman's seemingly good fortune, and another woman's mysterious fate, through a kaleidoscope of duplicity, death, and deception. Please make a list of every possession you consider essential to your life. The request seems odd, even intrusive--and for the two women who answer, the consequences are devastating. EMMA Reeling from a traumatic break-in, Emma wants a new place to live. But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant--and it does. JANE After a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street she is instantly drawn to the space--and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home's previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror, as the girl before."

"A poor fisherman named Cenzo comes across a girl's body, floating in the lagoon. He carries her into his boat and soon discovers that she is very much alive, and very much in trouble. Born to a wealthy Jewish family who has been captured and deported by the Nazis, Guilia is on the run after she was found hiding in a local hospital. Cenzo decides it's the right thing to do to help her escape, never anticipating an innocent act of chivalry would quickly turn to love as the two grow closer."