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"ABSTRAKTesis ini mengkaji tentang teks Serat Kangsa Adu-Adu Macapat koleksi perpustakaan Reksapustaka Pura Mangkunegaran Surakarta. Teks ini termasuk karya sastra Jawa berkategori cerita wayang. Fokus kajian ini terbagi menjadi dua. Pertama kajian filologis yaitu menyajikan edisi teks Serat Kangsa Adu-Adu Macapat yang telah dibersihkan dari kesalahan dan diterjemahkan sehingga kandungannya dapat dipahami oleh masyarakat masa sekarang. Kedua secara kesastraan, memfokuskan genre teks yang berbentuk puisi tradisional Jawa atau macapat yang digunakan di dalam teks melalui metrum-metrumnya tersusun dalam rangkaian pupuh menggambarkan watak atau karakter tembang. Metrum macapat yang terdapat di dalam teks yaitu Asmaradana berwatak keprihatinan, kesedihan, nelangsa, kebahagiaan, dan kasmaran; Sinom berwatak menggebu-gebu, antusias, cekatan, lincah; Pangkur berwatak memuncak: puncak amarah, puncak rasa cinta, Pocung berwatak santai, jenaka, sendau gurau, dan tidak terlalu serius; Durma berwatak menggurui: peyampaian perintah, curahan perasaan marah, sedih; Mijil berwatak nasihat, himbauan, perencanaan; Dhandhanggula berwatak lentur, senang, sedih; Gambuh berwatak akrab, dekat; Kinanthi berwatak asih, bahagia, bersama, bergandengan.

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ABSTRACT This research examines the text of Sêrat Kangsa Adu-Adu Macapat from the collection of the Reksapustaka Pura Mangkunegaran Surakarta library. This text includes Javanese literary works categorized wayang stories. The focuses of this study is divided into two. The first philological study is presenting the edition of the text of Sêrat Kangsa Adu-Adu Macapat which has been cleansed of mistakes and translated so that its contents can be understood by nowadays society. Second literally, focusing on the genre of text in the form of traditional Javanese poetry or macapat used in the text through the metrums arranged in a series of pupuh depicting the character of the song. The macapat metrum contained in the text of Asmaradana is of concerned, sadness, misfortune, happiness, and love; Sinom is passionate, enthusiastic, nimble, lively; Pangkur is peaked: the peak of anger, the peak of love, Pocung relaxed character, witty, pleasantry, and not too serious; Durma is patronizing: commanding orders, outbursts of anger, sadness; Mijil has the character of advices, appeal, planning; Dhandhanggula is flexible, happy, sad; Gambuh is familiar, close; Kinanthi has a loving, happy, shared character, hand in hand."

"The behavior of UO2 powder from ADU, AUC,IDR AND modified adu processes during sintering using dilatometer. Research on the bahavior of UO2 powder during sintering has been performed. Observation of the powder bahavior is conducted on four types of UO2 powder prepared from ADU,AUC,IDR and modified ADU routes. The purpose is to determine UO2 powder that has good sinterability without pre-conditioning treatment on the powder...."

"Skripsi ini membahas tentang hakikat dan fungsi permainan sabung ayam yang ada di dalam Serat Adu Jago. Penelitian ini adalah penelitian kualitatif dengan menggunakan metode analisis data pustaka dengan mengambil dari sumber data dan melakukan observasi wawancara.Hasil penelitian mengungkapkan bahwa hakikat dari permainan sabung ayam adalah permainan rakyat yang hanya dapat dimainkan oleh kaum laki-laki saja, karena permainan ini memiliki arti bahwa si empunya lah yang sebenarnya bermain dalam permainan sabung ayam ini.Ayam merupakan perwujudan dari salah satu bagian tubuh si empunya yang dapat dilepas lalu dipertarungkan di depan khalayak ramai. Bagian tubuh tersebut ibaratkan penis, karena penis merupakan lambang dari kejantanan seorang pria. Permainan sabung ayam masih dilakukan oleh sebagian orang di Desa Jatinom. Hal ini berkaitan karena adanya fungsi-fungsi yang telah melekat, yaitu fungsi sosial, fungsi psikologis, dan yang terakhir yang begitu dominan adalah adanya fungsi ekonomi.

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The focus of this study is about essence and function of cockfight games on Serat Adu Jago. This research is a qualitative and using analysis divining manual method by taking the source data and make observations interviews.Research results reveal that the essence of cockfight games is a game that people can only be played by men only, because this game has the meaning that the owner is the actual game play in this cockfight.Chicken is a manifestation of a part of the body of the owner can be dipertarungkan ago in front of the multitude. That's body it's like a penis, because it is a symbol of male virility. Cockfight is still done by some people in the Jatinom village. This is because of the related functions that have been attached, the social function, psychological function, and the last is so dominant is the economic function."