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London: Routledge , 1997-1999
410 ARC
Buku Teks SO  Universitas Indonesia Library
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Skousen, Royal
Dordrecht : Kluwer, 1989
410 SKO a
Buku Teks SO  Universitas Indonesia Library
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Amsterdam : John Benjamins B.V. , 1980
401 AMS
Buku Teks SO  Universitas Indonesia Library
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Cambridge, UK: Cambridge University Press , 1996
930.1 ARC
Buku Teks  Universitas Indonesia Library
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Whaley, Lindsay J.
Seoul: Sotong, 2010
KOR 495.7 WHA o (1)
Buku Teks  Universitas Indonesia Library
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Irene Lamria
"ABSTRAK
Pada abad 21, jumlah penampilan tokoh wanita yang kuat atau tangguh di film-film Hollywood mengalami
kenaikan. Terdapat sejumlah jalan cerita di mana tokoh wanita berperan sebagai pahlawan atau sosok yang kuat
atau tangguh menghadapi tokoh-tokoh lainnya di film-film Hollywood. Menganalisa ?The Girl with the Dragon
Tattoo? dan ?Gone Girl? karya David Fincher, jurnal ini menyampaikan argumen bahwa representasi tokoh wanita
di kedua film tersebut hanya sampai pada titik tertentu. Memberikan sejumlah analisis mengenai hubungan antara
karakter pria dan wanita di kedua film tersebut, jurnal ini menunjukkan bahwa representasi tokoh wanita kuat atau
tangguh di ?The Girl with the Dragon Tattoo? dan ?Gone Girl? karya David Fincher sangat berkaitan dengan
terjadinya ketidakseimbangan kekuasaan atau power imbalance di dalam hubungan, dan hanya jatuh pada konsep
binary opposition, di mana tokoh wanita dilihat sebagai sosok yang kuat atau tangguh hanya di saat mereka
mengalami pembalikkan kekuasaan atau reversal of power di dalam hubungan.ABSTRACT
In the 21st century, the number of appearances of strong female characters in Hollywood movies is increasing.
There are a lot of circumstances in which female characters play as heroines or are powerful over other characters
in Hollywood movies. Examining David Fincher?s ?The Girl with the Dragon Tattoo? and ?Gone Girl?, this paper
argues that the portrayal of strong female characters in the two films is only to a particular extent. By presenting a
number of analyses of how relationships go between male and female characters in the two films, the paper shows
that the representation of strong female characters in David Fincher?s ?The Girl with the Dragon Tattoo? and
?Gone Girl? is strongly related with the occurrence of power imbalance in relationships yet only falls under the
concept of binary opposition, in which female characters are seen as strong or powerful only when they undergo
reversal of power in relationships.;In the 21st century, the number of appearances of strong female characters in Hollywood movies is increasing.
There are a lot of circumstances in which female characters play as heroines or are powerful over other characters
in Hollywood movies. Examining David Fincher?s ?The Girl with the Dragon Tattoo? and ?Gone Girl?, this paper
argues that the portrayal of strong female characters in the two films is only to a particular extent. By presenting a
number of analyses of how relationships go between male and female characters in the two films, the paper shows
that the representation of strong female characters in David Fincher?s ?The Girl with the Dragon Tattoo? and
?Gone Girl? is strongly related with the occurrence of power imbalance in relationships yet only falls under the
concept of binary opposition, in which female characters are seen as strong or powerful only when they undergo
reversal of power in relationships.;In the 21st century, the number of appearances of strong female characters in Hollywood movies is increasing.
There are a lot of circumstances in which female characters play as heroines or are powerful over other characters
in Hollywood movies. Examining David Fincher?s ?The Girl with the Dragon Tattoo? and ?Gone Girl?, this paper
argues that the portrayal of strong female characters in the two films is only to a particular extent. By presenting a
number of analyses of how relationships go between male and female characters in the two films, the paper shows
that the representation of strong female characters in David Fincher?s ?The Girl with the Dragon Tattoo? and
?Gone Girl? is strongly related with the occurrence of power imbalance in relationships yet only falls under the
concept of binary opposition, in which female characters are seen as strong or powerful only when they undergo
reversal of power in relationships.;In the 21st century, the number of appearances of strong female characters in Hollywood movies is increasing.
There are a lot of circumstances in which female characters play as heroines or are powerful over other characters
in Hollywood movies. Examining David Fincher?s ?The Girl with the Dragon Tattoo? and ?Gone Girl?, this paper
argues that the portrayal of strong female characters in the two films is only to a particular extent. By presenting a
number of analyses of how relationships go between male and female characters in the two films, the paper shows
that the representation of strong female characters in David Fincher?s ?The Girl with the Dragon Tattoo? and
?Gone Girl? is strongly related with the occurrence of power imbalance in relationships yet only falls under the
concept of binary opposition, in which female characters are seen as strong or powerful only when they undergo
reversal of power in relationships."
Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2016
MK-PDF
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Djoko Susanto
Malang: UIN-Malang Press, 2009
499.221 DJO t
Buku Teks SO  Universitas Indonesia Library
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Barnard, Alan
""For ninety per cent of our history, humans have lived as 'hunters and gatherers', and for most of this time, as talking individuals. No direct evidence for the origin and evolution of language exists; we do not even know if early humans had language, either spoken or signed. Taking an anthropological perspective, Alan Barnard acknowledges this difficulty and argues that we can nevertheless infer a great deal about our linguistic past from what is around us in the present. Hunter-gatherers still inhabit much of the world, and in sufficient number to enable us to study the ways in which they speak, the many languages they use, and what they use them for. Barnard investigates the lives of hunter-gatherers by understanding them in their own terms, to create a book which will be welcomed by all those interested in the evolution of language"--"
Cambridge, United Kingdom: Cambridge University Press, 2016
417.7 BAR l
Buku Teks SO  Universitas Indonesia Library
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Crowley, Tony
London : Macmillan, 1989
420 CRO p
Buku Teks SO  Universitas Indonesia Library
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Kinsella, Anna R.
"Evolution has not typically been recognised by linguists as a constraining factor when developing linguistic theories. This book demonstrates that our theories of language must reflect the fact that language has evolved. It critiques a currently dominant framework in the field of linguistics, the Minimalist Program, by showing how it fails to take evolution into account. It approaches the question of the evolution of human language in a novel way by applying findings from the field of evolutionary biology to language. Key properties associated with typically evolving systems are identified in language, and the shortcomings of the Minimalist Program in its outright rejection of these features are exposed. "
Cambridge, UK: Cambridge University Press, 2009
e20394907
eBooks  Universitas Indonesia Library
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