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"This paper examines international causes of South Korean dramatic political changes and the assompanying shift in national policy priorities during the early 1960s...."

"Introduction -- New woman, romance, and railroads: the paradox of colonial modernity -- Burden of the past: confessional writings in the space of decolonization -- Literature of instability and despair: woman and masculinity in postwar fiction -- - Nation re-building and postwar South Korean cinema: The coachman and The stray bullett."

"Isu ketidaksetaraan gender pada perempuan masih menjadi persoalan yang kompleks di masyarakat Korea, salah satunya berdampak pada perempuan bekerja. Meskipun persentase perempuan pekerja secara relatif meningkat, namun diskriminasi masih dirasakan oleh banyak working mom. Melalui drama Korea 18 Again (2020), penelitian ini mencoba untuk membongkar bagaimana isu marginalisasi working mom direpresentasikan dalam tontonan telvisi Korea. Peneliti menggunakan teori sinema Boggs dan Petrie (2008) untuk menganalisis narasi teks film dan mise en scene yang menghadirkan permasalahan working mom. Kemudian, teori peran gender dan ketidakadilan gender dari Fakih (2013) digunakan untuk melihat konstruksi pemaknaan working mom yang coba dibangun oleh drama ini. Hasil analisis menunjukkan bahwa terdapat beberapa praktik marginalisasi pada working mom dalam drama, yaitu: domestifikasi perempuan, beban kerja ganda, stereotip usia, dan stigma bercerai pada perempuan. Drama juga memperlihatkan bahwa meskipun dikonstruksi sebagai super mom, namun tokoh working mom nyatanya masih membutuhkan bantuan suara dari tokoh lain dalam menyuarakan marginalisasi yang dialaminya. Hal ini berkaitan dengan realitas masyarakat Korea yang masih banyak didominasi oleh sistem patriarki.

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The issue of gender inequality among women is still a complex issue in Korean society, one of which has an impact on working women. Even though the percentage of working women is relatively increasing, many working moms still feel discrimination. Through the Korean drama 18 Again (2020), this study tries to uncover how the issue of marginalization of working moms is represented in Korean television viewing. The researcher uses the cinema theory of Boggs and Petrie (2008) to analyze the narrative text of the film and the mise en scene that presents the problem of working moms. Then, the theory of gender roles and gender inequality from Fakih (2013) is used to see the construction of the meaning of the working mom that this drama is trying to build. Results of the analysis show that there are several marginalization practices for working moms in dramas, namely: domestication of women, double workload, age stereotypes, and the stigma of divorce on women. The drama also shows that even though it is constructed as a super mom, the working mom character still needs voice assistance from other characters in voicing the marginalization she is experiencing. This is related to the reality of Korean society which is still dominated by a patriarchal system."