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"ABSTRAKSkripsi ini membahas mengenai pergerakan republikanisme yang telah lama ada di Australia sejak tahun 1960an ketika mulai kembali bangkitnya republikanisme hingga referendum 1999. Pada tahun 1963 Geoffrey Dutton menerbitkan sebuah artikel yang membawa semangat republikanisme, ia menghimbau Australia untuk menghilangkan British Subject dalam sumpah kewarganegaraan Australia serta mengajak untuk berdirinya Republik Australia. Hampir satu tahun berselang Donald Horne menerbitkan buku The Lucky Country yang mengkritik nilai konservatisme serta kemandegan yang ada di pemerintahan Australia , seharusnya pemerintah bisa beradaptasi dengan perubahan zaman dan menghilangkan cara lama yang sudah ada sejak zaman kolonial. Selanjutnya adalah Les Murray seorang penyair yang membawa nilai republikanisme khas Australia yaitu membawa suasana ala pedesaan dan melibatkan masyarakat pedesaan dan suku Aborigin yang kadang dilupakan oleh masyarakat kulit putih Australia. Hingga pada akhirnya di tahun 1988 Perdana Menteri Keating mencoba untuk membawa Australia ke bentuk republik di awal millenium nanti melalui referendum walaupun pada akhirnya gagal.

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ABSTRACTThis undergraduate thesis discusses about republican movement which already exist since the re emergence of republicanism in 1960s in Australia until public referendum in 1999. In 1963 Geoffrey Dutton publish an article which contains spirit of republicanism, he appealed to Australian government to remove British Subject in Oath to become Australian citizen. Almost one year later Donald Horne publish The Lucky Country, a critic social book which critic the existing conservatism value in Australian government. Les Murray who are an acclaimed poet brings a new flavour to Australian republicanism, that is bringing a bush like republikanism and involving rural people and aboriginal culture which are forgotten by the white society in Australia. Republicanism moves to the serious stage when in 1988, Prime Minister Keating promised to bring Australia to a Republic in the new millenium which was gained by holding a referendum, however the referendum failed to pass."

"The French Revolution remade the system of property-holding that had existed in France before 1789. This book engages with this historical process not from an economic or social perspective, but from the perspective of the laws and institutions of property. The revolutionary changes aimed at two fundamental goals: the removal of formal public power from the sphere of property and the excision of property from the realm of sovereignty. The revolutionaries accomplished these two aims by abolishing privately owned forms of power, such as feudalism, seigneurialism, and venal public office, and by dismantling the Crown domain, thus making the state purely sovereign. This brought about a Great Demarcation: a radical distinction between property and power from which flowed the critical distinctions between the political and the social, state and society, sovereignty and ownership, the public and private. This destroyed the conceptual basis of the Old Regime, laid the foundation of Frances new constitutional order, and crystallized modern ways of thinking about polities and societies. These monumental changes were consolidated by the Napoleonic Code. By tracing how the French Revolution sought to make the Great Demarcation a legal and institutional reality, this book shows how the revolutionary transformation of Old Regime property helped define key categories of political modernity."

""Russia's size, the diversity of its peoples and its unique geographical position straddling East and West have created a culture that is both inward and outward looking. Its history reflects the tension between very different approaches to what culture can and should be, and this tension shapes the vibrancy of its arts today. The highly successful first edition of Rzhevsky's Companion has been updated to include post-Soviet trends and new developments in the twenty-first century. It brings together leading authorities writing on Russian cultural identity, its Western and Asian connections, popular culture and the unique Russian contributions to the arts. Each of the eleven chapters has been revised or entirely rewritten to take account of current cultural conditions and the further reading brought up to date. The book reveals, for students, academic researchers and all those interested in Russia, the dilemmas, strengths and complexities of the Russian cultural experience"--"