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"Siaran radio tuah suara murni (TSM) bagian dari program kampanye hak-hak perempuan yang dilakukan HAPSARI (Himpunan Serikat Perempuan Indonesia) yang dimulai pada tahun 1995 di Perbaungan. Namun 1997, menjelang Pemilu, radio itu diberedel karena tidak memiliki izin. Saat ini ,Radio TSM berada di frekuensi AM .Mereka pernah mengurus izin untuk pindah frekuensi tetapi tidak berhasil,tanpa alasan yang jelas...."

"Feminism refers to the social ideological trends that women ask for equal rights as well as the results of ideology when women know the world, the ego, and the sexual relationship in their process of seeking self liberation This starts with describing the in which Indonesian women acknowledged and was associated with western feminism periods as well as analyzing its period of development This paper aims at researching the feminism ideology of Pramoedya Ananta Toer, a leading Indonesian writer including the factors which affect his opinion on women and the expression of his feminism, which is richly displayed throughout his works. The finding of research shows that in Pramoedya Ananta Toer's perspective, equality between men and omen is manifested in the partnership between men and women that this partnership is applied in every aspect of lives, which is advanced-throught in Indonesian patriarchal society."

"Pramoedya Ananta Toer rewrote the tragic story of Ki Ageng Mangir into aply in 1976 while he was imprisoned in Buru Island and finally saw its publication, entitled Mangir, in 2000. This work owes its importance to pramudya's ability to use the framework of the story to expose the similarities between the Mataram era and the new order era,particularly their manipulations of power. In the traditional story, the tragig hero, Ki Ageng Mangir, is betrayed by his wife and killed by his father-in-law Panembahan Senopati, but Pramoedya reconstructured these myths in a series of "corrections" that move the story closer into history. These"corrections are deconstruction of traditional Javanese symbolisms . This paper explains and explores the historical paradigm that Pramoedya Ananta Toer employs in his rewriting of the story."