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"The Little Prince 2005 , film animasi anak yang diadaptasi dari novel Perancis dengan judul yang sama yang ditulis oleh Antoine de Saint-Exup ry, menceritakan tentang hubungan Little Girl dengan ibu tunggalnya, Mother, dan tetangganya yang bijaksana, Aviator. Film ini dapat dijadikan korpus analisis untuk mengeksplor stereotip gender dalam studi gender, khususnya dalam stereotip terhadap ibu dalam pandangan patriarki. Walaupun beberapa studi tentang pencarian jati diri dan identitas dalam novel dan ulasan-ulasan dalam film adaptasinya sudah dibuat, studi terhadap isu gender belum pernah dilakukan. Dengan menggunakan ide dari De Beauvoir tentang ibu dalam pandangan patriarki dan stereotip umum terhadap ibu oleh Green, penelitian ini bertujuan untuk menelusuri bagaimana penokohan dari Mother mengikuti stereotip gender terhadap ibu dalam pandangan patriarki dari adaptasi film ini.

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The Little Prince 2015 , a children animated film adapted from the French novel with the same name written by Antoine de Saint-Exup ry, talks about the Little Girl rsquo;s relationship with her single mother, the Mother, and her wise neighbor, the Aviator. This film could be taken as a corpus of analysis to explore gender stereotype in gender studies, specifically on stereotypes towards motherhood in patriarchal view. While several studies on identity and self-discovery on the novel and film reviews on the film adaptation have been conducted, studies on gender issues have not been found. By using De Beauvoir rsquo;s idea of motherhood in patriarchy and Green rsquo;s general stereotypes toward the mother, this paper intends to discover how characterization of the Mother follows the gender stereotype of motherhood in patriarchy from the film adaptation. "

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ABSTRACTA Little Life by Hanya Yanagihara is an immensely powerful and heartbreaking novel of brotherly love and the limits of human endurance. When four graduates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their centre of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he'll not only be unable to overcome - but that will define his life forever. "