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Ditemukan 3142 dokumen yang sesuai dengan query
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Richardson, Kay
London: Routledge , 1999
302.23 RIC w
Buku Teks  Universitas Indonesia Library
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Gladya Senandini
"Gagalnya proses denazifikasi Jerman Barat, biasnya media massa, serta terlihatnya dukungan pemerintah terhadap memicu ketidakpercayaan publik. Ketidakpuasaan masyarakat terhadap kinerja pemerintah pun mulai memunculkan kelompok radikal kiri yang intensi awalnya adalah menyuarakan pendapat. Namun, karena tidak ada perbubahan, kelompok tersebut berubah menjadi kelompok teroris yang meresahkan. Skripsi ini akan membahas tentang bagaimana film Der Baader Meinhof Komplex (2008) digambarkan melalui penokohan Ulrike Meinhof. Tujuan penelitian ini adalah bagaimana penggambaran positif dan Ideologi awal RAF melalui tokoh Ulrike Meinhof. Metode yang digunakan dalam penelitian adalah metode kualitatif dengan pendekatan argumentative berdasarkan tinjauan Pustaka. Untuk mengkaji penggambaran RAF yang direpresentasikan oleh Ulrike Meinhof dalam kerangka budaya, adegan dan dialog dari film Der Baader Meinhof Komplex (2008) akan dianalisis menggunakan teori representasi Stuart Hall. Analisis menunjukan bahwa RAF merupakan kelompok yang memiliki tujuan yang baik namun tidak terkendali dalam perkembangannya.

The failure of the West German denazification process, the bias of the mass media. And the appearance of government support sparked public distrust. The public's dissatisfaction with the government's performance has also begun to create radical leftist group, whose initial intention was to voice opinions. However, because nothing has changed, the group has turned into a troubling terrorist group. This thesis will discuss how the film Der Baader Meinhof Komplex (2008) is depicted through the characterization of Ulrike Meinhof. The purpose of this research is how to describe the positive and initial ideology of the RAF through the character Ulrike Meinhof. The method used in this research is a qualitative method with an argumentative approach based on a literature review. To study the RAF depiction represented by Ulrike Meinhof in a cultural framework, scenes and dialogues from the Der Baader Meinhof Komplex (2008) film will be analysed using Stuart Hall's theory of representation. The analysis shows that the RAF is a group that has good goals but is not controlled in its development."
Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2021
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UI - Skripsi Membership  Universitas Indonesia Library
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Kay, Michael H.
New York: Prentice-Hall, 1993
658.403 8 KAY i
Buku Teks  Universitas Indonesia Library
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New York: Routledge , 1992
910.014 WRI
Buku Teks  Universitas Indonesia Library
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New York: The Academy of Political Science, 1977
341.237 3 CHA
Buku Teks  Universitas Indonesia Library
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Richardson, John E.
"Abstract:
Analysing Newspapers provides students of journalism, communication studies and discourse analysis with a systematic, discourse-based framework for the critical study of newspaper reporting. Assuming no prior knowledge of discursive theory, the book explores how the language of journalism works--its power, its function and its effects. Using wide-ranging and highly topical case studies and examples, students are shown discourse analysis of journalism "in action". Identifying and exploring key linguistic concepts and tools, Richardson provides a detailed introduction to a practical model of critical discourse analysis which students will be able to apply to their own newspaper research"
Basingstoke [England] ; New York: Palgrave Macmillan, 2007
302.23 RIC a
Buku Teks  Universitas Indonesia Library
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London: E & FN Spon, 1999
333.91 WAT
Buku Teks  Universitas Indonesia Library
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Jelnikar, Ana
"In 1913, Rabindranath Tagore received the Nobel Prize in Literature. World famous overnight, he was translated into numerous languages. Meanwhile, in Slovenia, a young, still anonymous poet felt strongly drawn to the newly available works of the Indian bard. This young man was Srecko Kosovel, who is today hailed as Slovenias leading avant-garde poet of the interwar period. But what could Kosovel, then barely out of his teens, have in common with a figure of Tagores stature? Deeply affected by Italys conquest of parts of Slovene-populated territory, Kosovel was able to identify with Tagore and relate to the historical predicament of colonial subjugation. Despite coming from different backgrounds, they were kindred spirits-a dynamic, creative ideal of universalism lay at the core of their concerns, as opposed to the more readily available nationalisms of the time. What is interesting about Kosovels reading of Tagore is not that he took inspiration from Tagore, but that the two writers shared a similar set of preoccupations. The contours of an expanding internationalist stage of the 1920s also united the two writers-who never met-in their world view as Kosovel identified with Tagore. Moreover, as a true universalist, in the sense of feeling empathy with the less fortunate, it was more in the spirit of equality that Kosovel approached Tagore rather than as an Eastern guru or an inferior Oriental. This book is the first comparative study of the writings of these two poets who lived worlds apart but spoke in strikingly similar voices. It explores the links between India and East-Central Europe in the early decades of the twentieth century and gives voice to responses from within Europe that have largely been overlooked in postcolonial and cultural studies."
Oxford: Oxford University Press, 2016
e20470211
eBooks  Universitas Indonesia Library
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