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"The Anthem Companion to Georg Simmel brings together new interpretations of the work of this sociologist and philosopher. It discusses how Simmel’s work is relevant, interesting and significant for advancing contemporary discussions and debates. Compared to the volumes of works on other sociological giants like Émile Durkheim, Karl Marx and Max Weber, the Anglophone secondary literature on Simmel has remained relatively scarce until recently."

"The Anthem Companion to Talcott Parsons offers the best contemporary work on Talcott Parsons, written by the best scholars currently working in this field. Original, authoritative and wide-ranging, the critical assessments of this volume will be useful to graduate students, faculty, and Parsons scholars."

"The Anthem Companion to Max Weber is a study of the ideas and career of the German sociologist and founder of classical social theory. Including contributions by accomplished Weber scholars, this companion provides the latest scholarly interpretations of the sociologist’s vast body of socioeconomic and political writings which continue to inspire new scholarship and debate on global politics, comparative religion, social class relationships, social science methods and law and society. This book serves as a handy introduction for beginners and a tidy commentary for advanced scholars."

"The Anthem Companion to C. Wright Mills offers the best contemporary work on C. Wright Mills, written by the best scholars currently working in this field. Original, authoritative and wide-ranging, the critical assessments of this volume will make it ideal for Mannheim students and scholars alike."

"Fast fashion yang merupakan salah satu konsep adibusana (fashion) yang digandrungi masyarakat luas memang efisien untuk dijalankan secara global, namun dalam konsep tersebut dijumpai berbagai permasalahan sosial serta lingkungan yang dimana dibutuhkan sebuah alternatif cara untuk menjalankan adibusana. Slow fashion di satu sisi merupakan alternatif keberlanjutan dari fast fashion yang menyediakan cara-cara menjalankan adibusana yang mampu mengatasi permasalahan yang timbul, namun nyatanya dalam penerapan slow fashion masih kurang ditemukan efektivitas serta efisiensi sehingga itu menjadi tantangan bagi slow fashion untuk diterima masyarakat luas dan menandingi konsep fast fashion. Pada penelitian terdahulu terungkap kesenjangan antara intensi dan tindakan dari konsumen berkesadaran akan dampak dari tindakan fashion yang dilakukannya, namun dijumpai bahwa masing-masing konsumen dari fast fashion maupun slow fashion memiliki justifikasi untuk mengadopsi produk adibusana tertentu. Dari sini muncul sebuah persoalan sejauh apa justifikasi tersebut mampu untuk dilakukan oleh konsumen adibusana di dalam tindakannya. Dalam artikel ini dibandingkan bentuk penerimaan konsumen terhadap kedua konsep tersebut dengan merefleksikannya kepada konsep klasik mengenai imitasi adibusana dari pemikiran Georg Simmel, yang akan mengungkap sebuah evaluasi mengenai intensi dasar dari adibusana itu sendiri.

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Fast fashion, which is a fashion concept that is loved by the wider community, is indeed efficient to run globally, but in this system various social and environmental problems are encountered which require an alternative way to run fashion. Slow fashion on the one hand is a sustainable alternative to fast fashion which provides ways of running fashion that are able to overcome the problems that arise, but in fact the implementation of slow fashion is still lacking in effectiveness and efficiency so that it becomes a challenge for slow fashion to be accepted by the wider community and compete with fast fashion concept. In previous research, it was revealed that there was a gap between the intentions and actions of consumers who were aware of the impact of their fashion actions, but it was found that each consumer from fast fashion and slow fashion had justifications for adopting certain fashion products. From this, an issue arises as to how far this justification can be carried out by fashion consumers in their actions. This article compare the forms of consumer acceptance of these two concepts by reflecting on the classic concept of fashion imitation from Georg Simmel's thought, which will reveal an evaluation of the basic intentions of fashion itself."