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"In this wide-ranging book, renowned philosopher and cultural theorist Peter Sloterdijk examines art in all its rich and varied forms: from music to architecture, light to movement, and design to typography. Moving between the visible and the invisible, the audible and the inaudible, his analyses span the centuries, from ancient civilizations to contemporary Hollywood. With great verve and insight he considers the key issues that have faced thinkers from Aristotle to Adorno, looking at art in its relation to ethics, metaphysics, society, politics, anthropology and the subject. Sloterdijk explores a variety of topics, from the Greco-Roman invention of postcards to the rise of the capitalist art market, from the black boxes and white cubes of modernism to the growth of museums and memorial culture. In doing so, he extends his characteristic method of defamiliarization to transform the way we look at works of art and artistic movements. "

"Manifesto mural dibuat oleh kaum Fasis sebagai pernyataan atas kesenian yang mereka bangun, yaitu seni fasis. Mural dipilih karena memiliki akar kuat dalam tradisi Romawi. Selain itu, mural dibuat di dalam ruang publik yang memungkinkan masyarakat untuk menerima pesan Fasisme lebih mudah. Dalam cara pandang estetika Marxis yang menggunakan seni sebagai alat perjuangan kelas, mural dalam Fasisme ini digunakan sebagai alat perjuangan kelompok Fasis. Mural dibuat sebagai alat perjuangan dan propaganda ideologi. Moralitas terhadap seni dijadikan sebagai bagian yang penting dalam membuat mural.

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AbstractManifesto of mural created by Fascist as a statement of the art of Fascist. Mural was choosen because it had a strong root in a Roman tradition. Beside, mural uses public sphere as its gallery, so that it makes possible for people to receive the message of Fascism easily. On the view of Marxist aesthetic which makes art as a mean of class struggle, mural is used by Fascism as a mean of Fascist struggle. Mural is created as a mean of struggle and propaganda of ideology. Morality on art is an important thing to create a mural."

"This book brings together eminent international philosophers to discuss the inter-dependence of critical communities and aesthetic practices. Their contributions share a hermeneutical commitment to dialogue, both as a model for critique and as a generator of community.Two conclusions emerge. The first is that one’s relationships with others will always be central in determining the social, political, and artistic forms that philosophical self-reflection will take. The second is that our practices of aesthetic judgment are bound up with our efforts as philosophers to adapt ourselves and our objects of interest to the inescapably historical and indeterminate conditions of experience."

"Gagasan seni zaman modern erat kaitannya dengan kondisi sosial kala itu yang memperuntukkan seni untuk golongan tertentu, sehingga membawa status seni pada dikotomi seni tinggi dan rendah. Adanya hierarki dalam seni ini kemudian membagi antara mana seni dan bukan seni, antara seni dan kehidupan, serta memisahkan antara seni dan terapi secara implisit. Gagasan modern mengenai seni acapkali selalu dikaitkan dengan nilai-nilai artistik serta kualitas keindahan dalam karya seni-nya. Di lain hal, muncul fenomena terapi seni yang lahir dan berakar pada ranah psikologi. Prosesnya menggunakan medium seni sebagai alat terapeutik tanpa mempertimbangkan nilai keindahan dalam proses berkarya-nya. Hal ini bertentangan dengan definisi seni yang lahir sejak zaman modern dan tidak benar-benar runtuh sampai saat ini. Dalam artikel ilmiah ini, melalui metode analisis kritis, penulis akan menganalisis fenomena terapi seni berdasarkan proses berkarya pasien dengan teori ekspresi emosi oleh Collingwood dan komunikasi emosi oleh Tolstoy, sehingga suatu karya dalam proses terapi seni dapat diakui sebagai karya seni, yang kemudian pun diakui pula menjadi karya seni yang layak. Dengan bertumpu pada ekspresi dan komunikasi emosi ini maka kemudian nilai keindahan dalam karya seni terapi bukanlah terdapat pada kualitas artistik karya seni tersebut, melainkan pada proses ekspresi dan komunikasi emosi serta makna internal yang terkandung pada karya seni-nya.

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The idea of modern-day art is closely related to the social conditions of the time which destined art for certain groups, thus bringing the status of art to the dichotomy of high and low art. The existence of a hierarchy in art then divides between art and not art, between art and life, and separates art and therapy implicitly. Modern ideas about art are often associated with artistic values and the quality of beauty in their art. On the other hand, there is a phenomenon of art therapy that was born and has its roots in the realm of psychology. The process uses the medium of art as a therapeutic tool without considering the value of beauty in the process of his work. This is contrary to the definition of art that was born since modern times and did not really collapse until now. In this scientific article, through the method of critical analysis, the author will analyze the phenomenon of art therapy based on the patient's work process with the theory of emotional expression by Collingwood and emotional communication by Tolstoy, so that a work in the art therapy process can be recognized as a work of art, which is then also recognized into a proper art. By relying on emotional expression and communication, then the value of beauty in therapeutic artwork is not found in the artistic quality of the artwork, but in the process of expression and communication of emotions and internal meanings contained in the artwork."

"Gagasan seni zaman modern erat kaitannya dengan kondisi sosial kala itu yang memperuntukkan seni untuk golongan tertentu, sehingga membawa status seni pada dikotomi seni tinggi dan rendah. Adanya hierarki dalam seni ini kemudian membagi antara mana seni dan bukan seni, antara seni dan kehidupan, serta memisahkan antara seni dan terapi secara implisit. Gagasan modern mengenai seni acapkali selalu dikaitkan dengan nilai-nilai artistik serta kualitas keindahan dalam karya seni-nya. Di lain hal, muncul fenomena terapi seni yang lahir dan berakar pada ranah psikologi. Prosesnya menggunakan medium seni sebagai alat terapeutik tanpa mempertimbangkan nilai keindahan dalam proses berkarya-nya. Hal ini bertentangan dengan definisi seni yang lahir sejak zaman modern dan tidak benar-benar runtuh sampai saat ini. Dalam artikel ilmiah ini, melalui metode analisis kritis, penulis akan menganalisis fenomena terapi seni berdasarkan proses berkarya pasien dengan teori ekspresi emosi oleh Collingwood dan komunikasi emosi oleh Tolstoy, sehingga suatu karya dalam proses terapi seni dapat diakui sebagai karya seni, yang kemudianpun diakui pula menjadi karya seni yang layak. Dengan bertumpu pada ekspresi dan komunikasi emosi ini maka kemudian nilai keindahan dalam karya seni terapi bukanlah terdapat pada kualitas artistik karya seni tersebut, melainkan pada proses ekspresi dan komunikasi emosi serta makna internal yang terkandung pada karya seni-nya.

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The idea of modern-day art is closely related to the social conditions of the time which destined art for certain groups, thus bringing the status of art to the dichotomy of high and low art. The existence of a hierarchy in art then divides between art and not art, between art and life, and separates art and therapy implicitly. Modern ideas about art are often associated with artistic values and the quality of beauty in their art. On the other hand, there is a phenomenon of art therapy that was born and has its roots in the realm of psychology. The process uses the medium of art as a therapeutic tool without considering the value of beauty in the process of his work. This is contrary to the definition of art that was born since modern times and did not really collapse until now. In this scientific article, through the method of critical analysis, the author will analyze the phenomenon of art therapy based on the patient's work process with the theory of emotional expression by Collingwood and emotional communication by Tolstoy, so that a work in the art therapy process can be recognized as a work of art, which is then also recognized into a proper art. By relying on emotional expression and communication, then the value of beauty in therapeutic artwork is not found in the artistic quality of the artwork, but in the process of expression and communication of emotions and internal meanings contained in the artwork."

"Humor pada dasarnya dipahami sebagai hal-hal lucu yang dapat membangkitkan rasa gembira dan memicu gelak tawa bagi setiap individu tanpa menyakiti perasaan individu lainnya, tetapi di sisi lain terdapat jenis humor yang justru bersifat offensive dan cenderung dapat menyakiti perasaan, humor seperti itu biasa dikenal dengan istilah Dark joke atau humor gelap. Mayoritas orang tidak menyukai jenis humor tersebut, karena cenderung bersifat kasar, tabu, dan melanggar norma-norma yang ada dalam kehidupan. Sigmund Freud yang merupakan seorang pendiri aliran Psikoanalisis melihat bahwa adanya keterkaitan antara humor dengan mimpi yang sama-sama dapat terbentuk dari keinginan terlarang yang terletak pada alam tidak sadar, yang sewaktu-waktu dapat muncul ke alam sadar. Melalui penelitian ini, penulis akan menggunakan metode kajian literatur dalam memperoleh sumber data yang terkait dengan tema penelitian, yakni dapat berupa buku, artikel, jurnal, karya ilmiah, dan sumber literatur lainnya. Lalu setelah itu penulis akan melakukan analisis kritis melalui pendekatan Estetika Psikoanalisis Sigmund Freud yang akan dikaitkan dengan Teori Humor Pelepasan dan Inkongruitas dalam upaya untuk menjelaskan keterkaitan antara humor dengan trauma yang terdapat pada alam tidak sadar. Hasil penelitian ini menemukan bahwa pengalaman traumatik yang pernah dialami oleh seseorang akan mempengaruhi selera humor mereka menjadi lebih gelap. Hal itu dikarenakan humor sebagai sebuah seni mampu berperan sebagai mekanisme koping dan katharsis terhadap emosi-emosi negatif yang ditimbulkan dari pengalaman traumatis yang pernah dialami.

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Humor is basically understood as funny things that can arouse feelings of joy and trigger laughter without hurting each other, on the other hand there are types of humor that are actually offensive and tend to hurt each other, this humor is usually known as Dark joke or dark humor. Many people don't like this type of humor, because it tends to be rude, taboo and violates existing norms in life. Sigmund Freud, who was the founder of Psychoanalysis, saw that there was a connection between humor and dreams, which were both formed from forbidden desires in the unconscious, which at any time could emerge into the conscious. Through this research, the author will use the literature review method to obtain data sources related to the research theme, which can be books, journals, articles, scientific papers and other literature sources. After that the author will make a critical analysis through Sigmund Freud Psychoanalytic Aesthetic Theory which will be linked to the Humor Theory Relief and Incongruity with the intention to explain the relations between humor and trauma that exists in the unconscious. The results of this research found that the traumatic experiences in a person will influence their sense of humor to become darker. This is because humor as an art is able to act as a coping mechanism and catharsis for negative emotions which appear from traumatic experiences."

"Perilaku makan menyimpang merupakan penyimpangan psikologis yang melibatkan perilaku dan komplikasi yang berhubungan dengan gizi dan atlet putri memiliki resiko untuk mengalaminya. Tujuan penelitian ini adalah untuk mengetahui faktor yang berhubungan dengan perilaku makan menyimpang yang meliputi faktor internal yaitu citra tubuh, rasa percaya diri, riwayat diet, dan tingkat stress serta faktor eksternal yaitu pengaruh dari pelatih, teman, keluarga, durasi olahraga dan tuntutan sebagai atlet. Desain penelitian yang digunakan adalah cross sectional dengan total responden sebanyak 97 atlet putri DKI Jakarta cabang olahraga estetik, ketahanan, dan bela diri. Penelitian dilaksanakan pada bulan April-Mei 2014. Pengumpulan data menggunakan kuesioner termasuk EDDS untuk melihat perilaku makan menyimpang serta pengukuran tinggi dan berat badan responden. Analisis data menggunakan uji chi square dan uji t independen. Hasil penelitian menunjukkan 37,1% responden memiliki perilaku makan menyimpang dengan spesifikasi anoreksia nervosa 0%, bulimia nervosa 12,4%, binge eating disorder 10,3% dan EDNOS 14.4%. Hasil analisis bivariat menunjukkan terdapat hubungan bermakna antara citra tubuh (p=0.000), riwayat diet (p=0.034), tingkat stress (p=0.019) sebagai faktor internal dan pengaruh pelatih (p=0.001), teman (p=0.047), keluarga (p=0.005), durasi olahraga (p=0.005), tuntutan sebagai atlet (p=0.000) sebagai faktor eksternal dengan perilaku makan menyimpang. Berdasarkan hasil tersebut, diharapkan KONI DKI Jakarta dapat memberikan intervensi terhadap atlet dan pelatih mengenai citra tubuh dan gizi untuk mencegah atlet memiliki perilaku makan menyimpang.

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Eating disorders is psychological aberrations that involve behavior and complications associated with nutrition and female athletes have a high risk to have it. The purpose of this study is to know the factors related to eating disorders that include internal factors namely, body image, self-esteem, diet history and level of stress as well as the external factors that include influence from coaches, friends, family, duration of excercise and presssure as athletes. The study design used was cross sectional with total respondents as much as 97 DKI Jakarta aesthetic, endurance, and martial art female athletes.

This study conducted in April-May 2014. Data collected using the questionnaire including EDDS to see distorted eating behavior as well as measurement of height and weight of the respondents. Data analysis using the chi square test and t-test. The results showed 37,1% of respondents have distorted eating behavior with specification of anorexia nervosa 0%, bulimia nervosa 12.4%, binge eating disorder 10.3% and EDNOS 14.4%.

Results of bivariate analysis showed there were significance relationship between body image (p=0.000), diet history (p=0.034), stress level (p=0.019) as internal factors and the influence of coaches (p=0.001), friends (p=0.047), family (p=0.005), duration of exercise (p=0.043), and pressure as athletes (p=0.000) as external factors with eating disorders. Based on those results, KONI Jakarta is expected can provide interventions for athletes and coaches about body image and nutrition to prevent athlete develop eating disorders."

"Streets,particularly those located in urban areas,are multifaceted . It is an entity,which can be vieved not only through its physical form as channels of movements at it was originally designed for,but it has been regarded as one of the important component of urban fabrics consituting the quality of the urban areas....."