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"Makalah non-seminar ini membahas representasi Indonesia yang terdapat dalam tiga buah lagu karya Wieteke van Dort yaitu Arm Den Haag (1975), Geef Mij Maar Nasi Goreng (1991), dan Terug Naar Soerabaja (1991).  Wieteke van Dort adalah seorang Indo yang lahir dan menghabiskan masa kecilnya di Indonesia, tepatnya di Surabaya. Penulis ingin melihat bagaimana seorang Indo merepresentasikan Indonesia melalui karyanya.  Ketiga lagu tersebut dianalisis menggunakan teori semiotik Ferdinand de Saussure. Kesimpulan yang ingin dicapai adalah bagaimana lirik dari ketiga lagu tersebut memiliki makna yang merepresentasikan Indonesia.This non-seminar paper discusses the representation of Indonesia contained in three songs by Wieteke van Dort namely Arm Den Haag (1975), Geef Mij Maar Nasi Goreng (1991), and Terug Naar Soerabaja (1991). Wieteke van Dort is an Indisch who was born and spent her childhood in Indonesia, precisely in Surabaya. The author wants to see how an Indisch represents Indonesia through his work. All three songs were analyzed using the semiotic theory of Ferdinand de Saussure. The conclusion to be reached is how the lyrics of the three songs have a meaning that represents Indonesia."

"ABSTRAKJurnal ini membahas mengenai karya lagu dari Wieteke van Dort, seorang penyanyi yang terkenal di Belanda. Di Belanda, dia dikenal sebagai penyanyi dengan ciri khas orang Indo. Dia meninggalkan Indonesia akibat adanya Imigrasi besar-besaran warga Belanda yang tinggal di Indonesia. Wieteke van Dort menggunakan ciri khas orang Indo dalam karirnya di Belanda. Masalah dalam jurnal ini adalah karakteristik budaya Indis yang bagaimana yang tercermin dalam lagu-lagu karya Wieteke van Dort. Tujuan penelitian ini adalah untuk mendeskripsikan karakteristik budaya Indis dalam lagu-lagu karya Wieteke van Dort. Hasil penelitian menunjukkan bahwa lagu-lagu karya Wieteke van Dort mencerminkan kenangan kehidupannya ketika berada di Hindia-Belanda. Kenangan itu seolah mengurung dirinya.

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ABSTRACTThis journal discusses the songwriting of Wieteke van Dort, a famous singer in the Netherlands. In the Netherlands, she is known as a singer with the characteristics of the Indo. She left Indonesia due to massive migration of Dutch citizens living in Indonesia to return to the Netherlands. Wieteke van Dort used the characteristics of the Indo people in her career. The problem in this journal is how Indis cultural characteristics are reflected in songs by Wieteke van Dort. This study aims to describe characteristics of Indies culture through Wieteke van Dorts songs. The results showed that the songs by Wieteke van Dort reflect memories of her life when she was in the Dutch East Indies. The memories seemed to lock her up."

"Penelitian ini membahas mengenai representasi Indonesia menurut karya lagu para artis, yaitu Wieteke Van Dort, Anneke Gronloh, dan grup band Rosy & Andres (Rosy Pereira dan Dries Holten) yang merupakan artis keturunan Indo-Belanda dan lahir di era 1930-1945. Penelitian ini menggunakan metode analisis deskriptif kualitatif dan akan menganalisis pemaknaan secara detonasi dan konotasi dari lirik lagu tersebut berdasarkan teori semiotika yang dikemukakan oleh Roland Barthes. Tujuan dari penelitian ini adalah mendapatkan pemaparan tentang Indonesia di mata penyanyi Indo-Belanda yang pernah tinggal di awal kemerdekaan Belanda dan kini menetap di Belanda. Dalam penelitian ini makna yang terdapat pada lagu ketiga artis dianalisis secara komparatif dan asosiatif untuk mendapatkan gambaran tentang Indonesia. Lirik lagu yang dianalisis merupakan lima lagu yang mengandung asosiasi denganIndonesia baik secara indera maupun nilai-nilai emosional. Dapat disimpulkan dari analisa bahwa Indonesia digambarkan positif oleh semua artis dan direpresentasikan dalam lagu mereka lewat kata-kata atau frasa yang berasosiasi dengan kekayaan budaya, keindahan alam, sifat karakter bangsa atau pesona masyarakatnya dan hasil budayanya.

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This study discusses the representation of Indonesia according to the songs of the artists, namely Wieteke Van Dort, Anneke Gronloh, and the band Rosy & Andres (Rosy Pereira and Dries Holten) who are artists of Indo-Dutch descent and born in the 1930-1945 era. This study uses a qualitative descriptive analysis method and will analyze the denotation and connotation of the meaning of the song lyrics based on the semiotic theory proposed by Roland Barthes. The purpose of this study is to get an explanation of Indonesia in the eyes of Indo-Dutch singers who lived in the early days of Dutch independence and now live in the Netherlands. In this study, the meanings contained in the songs of the three artists were analyzed comparatively and associatively to get an overview of Indonesia. The song lyrics analyzed are five songs that contain associations with Indonesia, both sensory, and additional values. It can be concluded from the analysis that Indonesia is described positively by all artists and is represented in their songs through words or phrases associated with cultural richness, natural beauty, the character of the nation, or the charm of its people and cultural products."

"Penelitian ini membahas mengenai gaya bahasa dari lirik empat lagu berbahasa Belanda terpopuler Wieteke van Dort versi Spotify beserta keterkaitannya dengan identitas Indo. Wieteke van Dort adalah artis berdarah Belanda yang lahir dan pernah tinggal di Indonesia (dahulu kala masih Hindia Belanda). Wieteke van Dort adalah penyanyi Belanda yang lahir dan besar di Hindia Belanda. Fokus penelitian ini terletak pada jenis-jenis gaya bahasa dalam lagu-lagu tersebut dan korelasinya dengan identitas Indo sesuai dengan teori identitas Stuart Hall. Penelitian ini menggunakan metode deskriptif kualitatif yang analisisnya disesuaikan dengan teori gaya bahasa Braet untuk mengidentifikasi jenis-jenis gaya bahasa dan teori identitas menurut Hall untuk menjelaskan dinamika identitas van Dort. Tujuan penelitian ini adalah untuk memaparkan jenis gaya bahasa serta keterkaitannya dengan identitas Indo dalam lirik empat lagu-lagu Wieteke van Dort. Hasil dari penelitian ini adalah jenis gaya bahasa yang ada banyak mengandung kesan mengenai kenangan dan keindahan Hindia Belanda dan membandingkannya dengan Belanda. Jenis gaya bahasa pada lagu-lagu tersebut mengungkap identitas Indo dari sudut pandang Wieteke van Dort, terutama bagaimana van Dort merangkul identitasnya sebagai seorang Indo setelah ia pindah ke Belanda.

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This paper explains the figure of speech in four most popular songs in Dutch by Wieteke van Dort according to her Spotify page and its correlation with her identity as an Indo. Wieteke van Dort is a Dutch singer born and grew up in Indonesia (it was Dutch Indies back then). The focus of this paper lies on the types of figure of speech in said songs and their correlations with the Indo identity that van Dort holds according to Stuart Hall’s theory of identity. The methodology used in this paper is qualitative-descriptive which analysis is based on Antoine Braet’s figure of speech theory to identify the styles used in the songs and the identity theory from Hall to describe the dynamics of van Dort’s identity of being an Indo. The results of this paper is that the types of figure of speech used in the song lyrics sung by Wieteke van Dort emphasize more in the memories and the beauty of Dutch Indies and compare them to the conditions in the Netherlands. These figures of speech lead to exposing how van Dort embraces her identity as explained by Hall, especially after she moved to the Netherlands."

"In search of a path, An analysis of the foreign policy of Suriname from 1975 to 1991, Roger Janssen The foreign policy of small states is an often neglected topic, which is particularly the case when it comes to Suriname. How did the young Republic deal with its dependency on the Netherlands for development aid after 1975? Was Paramaribo following a certain foreign policy strategy or did it merely react towards internal and external events? What were the decision making processes in defining the foreign policy course and who was involved in these processes? And why was a proposal discussed to hand back the right of an independent foreign and defence policy to a Dutch Commonwealth government in the early 1990s? These questions are examined here in depth, in the first comprehensive analysis of Suriname's foreign policy from 1975 to 1991. The book provides readers interested in Caribbean and Latin American affairs with a detailed account of Suriname's external relations. Moreover, the young Republic may stand as a case study, as it confronted the difficulties and challenges that small developing states often face. Roger Janssen (1967), born in the Dutch-German border region of Cleve, migrated to Australia in 1989. He received his education as a historian at the University of Western Australia where he obtained a Ph.D. in 1999. During his graduate and post-graduate studies, the main focus of his research was directed towards the social-economic and political developments of the Dutch Caribbean after the Second World War. Currently he lives and works in the Netherlands."

"In search of a path, An analysis of the foreign policy of Suriname from 1975 to 1991, Roger Janssen The foreign policy of small states is an often neglected topic, which is particularly the case when it comes to Suriname. How did the young Republic deal with its dependency on the Netherlands for development aid after 1975? Was Paramaribo following a certain foreign policy strategy or did it merely react towards internal and external events? What were the decision making processes in defining the foreign policy course and who was involved in these processes? And why was a proposal discussed to hand back the right of an independent foreign and defence policy to a Dutch Commonwealth government in the early 1990s? These questions are examined here in depth, in the first comprehensive analysis of Suriname's foreign policy from 1975 to 1991. The book provides readers interested in Caribbean and Latin American affairs with a detailed account of Suriname's external relations. Moreover, the young Republic may stand as a case study, as it confronted the difficulties and challenges that small developing states often face. Roger Janssen (1967), born in the Dutch-German border region of Cleve, migrated to Australia in 1989. He received his education as a historian at the University of Western Australia where he obtained a Ph.D. in 1999. During his graduate and post-graduate studies, the main focus of his research was directed towards the social-economic and political developments of the Dutch Caribbean after the Second World War. Currently he lives and works in the Netherlands"

"Artikel ini tentang analisis dari bangunan Mauritshuis di Den Haag dan Paleis op De Dam di Amsterdam yang bergaya arsitektur Hollandse Classicisme. Tujuan artikel ini adalah memaparkan perkembangan fungsi bangunan Mauritshuis dan Paleis op De Dam serta menjelaskan ciri Hollandse Classicisme pada bangunan Gouden Eeuw (Abad Keemasan), Mauritshuis di Den Haag dan Paleis op de dam di Amsterdam karya Jacob van Kampen. Penelitian ini menggunakan metode kajian pustaka dan disajikan secara deskriptif disertai dengan analisis data berdasarkan buku-buku arsitektur dan internet. Hasil penelitian menunjukan bahwa kedua bangunan tersebut berubah fungsi seiring perkembangan zaman. Ciri bangunan Gouden Eeuw pada bangunan Mauritshuis dan Paleis op de dam karya Jacob van Kampen dipengaruhi oleh gaya Hollandse Classicisme yang merupakan ciri khas gaya pada abad keemasan di Belanda.

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This article analyses The Dutch Classicism of Maurits house in Den Haag and Paleis op de Dam in Amsterdam Both of the buildings were designed by Jacob van Campen. The Dutch Classicism in Dutch version is Hollandse Classicisme.

The purpose of this article is to show the functions and to describe the characteristics of The Dutch Classicism on those buildings in the Golden Age. This research use literature review with descriptive analysis based on the architectural books and sites.

The results show that the functions of those buildings had changed throughout decades. The characters of the Dutch Classicism on Maurits house and Paleis op de Dam are tipically the major style of architecture during the Golden Age."