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""One guiding principle of this cycle of the Aga Khan Award for Architecture is the importance of plurality. Since its inception the Award has aimed to be inclusive and to embrace the engagement of a diverse group of users. But equally, it has sought projects that explore a plurality of methods and architectures in achieving that goal. Here, the authors of the essays use that productive tension between architecture and plurality not only to provide a framework for the examination of the projects but also to explore the intellectual and projective means by which architecture and plurality can find other common grounds in the future." -- P. 4 of cover."

"ABSTRAKIsu mengenai migran, terutama dalam proses penyesuaian diri di lingkungan tempat tinggal baru dan konflik kultural yang terjadi sebagai akibatnya, banyak diangkat menjadi tema film Jerman dekade terakhir ini. Salah satunya adalah film berjudul Shahada 2010 karya Burhan Qurbani. Film bergenre melodrama dengan durasi 88 menit ini menceritakan tiga orang anak muda muslim yang tinggal di Berlin dan harus berhadapan dengan hal-hal yang baru sehingga terjadi konflik dalam diri dan identitas mereka. Adegan dalam film akan dianalisis menggunakan konsep mengenai konstruksi identitas dari Stuart Hall. Konstruksi identitas yang dilihat adalah Islam sebagai keyakinan para migran dan pluralitas identitas muslim yang ditunjukkan mengenai Islam dari negosiasi yang terjadi antara ldquo;roots ldquo; dan ldquo;routes ldquo; para migran muslim dalam film ini. Melalui analisis film Shahada 2010 akan dilihat bagaimana konstruksi identitas migran muslim di Jerman ditampilkan.

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ABSTRACT

The issues of migrant, mainly on the adaptation process and cultural conflict, have been used as Germany movie themes in the last decades. This undergraduate thesis focus on the identity construction of muslim migrant in a film named Shahada 2010 by Burhan Qurbani. This 88 minute melodrama genre film tells about three young Muslims who are living in Berlin and has to deal with new things, causing inter cultural clashes and causing conflicts within themselves and their identity. Each scene in this film will be analyzed using the concept of identity construction by Stuart Hall. The results of identity construction is pluralism in muslim identity shown by negotiation process between the ldquo roots ldquo and the ldquo routes ldquo of muslim migrant in this film. Through the analysis of Shahada film will be seen how the construction of Muslim migrant identity in Germany is represented."

"Oposisi biner adalah metafisika kehadiran. Oposisi biner ini terdapat dalam struktur sehingga memunculkan hierarki. Hierarki ini merupakan sejarah filsafat barat. Oposisi biner memunculkan makna yang stabil dan pasti. Hal inilah yang didekonstruksi oleh Derrida. Dekonstruksi Derrida ini memunculkan konsekuensi tentang makna teks. Metode dekonstruksi digunakan untuk menemukan dan menunjukkan konsekuensi dekonstruksi Derrida itu. Dekonstruksi Derrida terhadap oposisi biner tidak untuk mencari makna, melainkan menciptakan makna yang terkait dengan teks, konteks, intertekstualitas, penafsir, dan permainan bahasa. Derrida menolak oposisi biner dan muncul pluralitas makna.

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The binary opposition is a metaphysics of presence. This binary opposition can be found in structure that emerge hierarchy. This hierarchy is history of Western philosophy. The binary opposition emerge stable and certain meaning. This case is deconstructed by Derrida. This deconstruction of Derrida emerge the consequence about meaning of text. The method of deconstruction is used to find out and to point out that consequence of Derrida's deconstruction. The deconstruction of Derrida on the binary opposition is not looking for meaning, but it creates meanings that related to text, context, intertextuality, interpreter, and language games. Derrida rejected binary opposition and emerge plurality of meanings."

"Beberapa bangunan kadang terlihat memiliki kekuatan diantara bangunan-bangunan di sekitarnya, seperti bangunan-bangunan pemerintahan, bangunan-bangunan bersejarah. Saya ingin menganalisa bagaimana bangunan-bangunan tersebut menyampaikan pengaruhnya kepada manusia sehingga manusia dapat merasakan kekuasannya. Hal ini mungkin dapat dilihat dari penggunaan bentuk-bentuk elemen-elemen yang digunakan, tata letak bangunan di site, tata letak site terhadap bangunan-bangunan atau site lain di sekitarnya, penggunaan warna, dsb.

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Some buildings seem to have a power among the others which surround it, such as government buildings, old buildings which have important history, etc. I would like to analyze how these buildings give effects to us so that we can feel it's Power. Possibly it can be explain by building elements, building position at the site, the influence of site position toward the others site and buildings surrounding it, colour using, etc."