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"The Yemeni Manuscript Tradition contributes to the study of the manuscript codex and its role in scholastic culture in Yemen. Ranging in period from Islams first century to the modern period, all the articles in this volume emerge from the close scrutiny of the manuscripts of Yemen. As a group, these studies demonstrate the range and richness of scholarly methods closely tied to the material text, and the importance of cross-pollination in the fields of codicology, textual criticism, and social and intellectual history. "

"ABSTRAKNaskah Langen Wibawa selanjutnya disingkat menjadi LW merupakan sebuah peninggalan karya sastra yang mendokumentasikan 28 tarian yang ada dalam lingkungan Kadipaten Pakualaman. Salah satu tarian yang terdokumentasi dalam teks LW adalah Sirmpi Gadheg Putri. Srimpi merupakan tarian yang sakral, meskipun tidak sesakral bedhaya. Masalah yang muncul adalah terputusnya pelestarian Srimpi Gadheg Putri tradisi Kadipaten Pakualaman pasca pemerintahan Paku Alam IV hingga sekarang tidak dikenali kembali wujud repertoar sajiannya. Oleh sebab itu, dalam rangka menemukan kembali bentuk Srimpi Gadheg Putri tradisi Pakualaman, maka akan dilakukan dua tahap penelitian. Tahap pertama dilakukan suntingan teks LW dengan edisi kritis. Tahap kedua, dilakukan analisis tari dengan pendekatan etnokoreologi yang meliputi aspek sejarah, seni musik, dan seni tari khususnya tata lampah dan tata rakit. Dengan demikian penelitian ini berguna untuk menghidupkan kembali tradisi tarian yang telah lama hilang dalam bentuk rekonstruksi tari Srimpi Gadheg Putri.Dari hasil kritik teks ditemukan beberapa kesalahan berupa hilangnya suku kata atau lakuna. Hal ini menunjukkan bahwa teks LW bersih dari kesalahan-kesalahan. Berdasarkan analisis teks diketahui bahwa teks LW merupakan karya sastra yang didedikasikan sebagai dokumentasi seni tari. Oleh sebab itu, patut dijadikan sumber acuan utama dalam pengembangan tari tradisi Kadipaten Pakualaman. Dari pengkajian terhadap teks LW hal. 68-82 yang mendokumentasikan tari Srimpi Gadheg Putri ditemukan tiga keunikan. Pertama, prosesi kapang-kapang majeng yang dilakukan dua tahap. Kedua, digunakannya kalimat naratif kandha dan lagon yang mengindikasikan adanya pengaruh tradisi Kasultanan Yogyakarta dalam tradisi tari Kadipaten Pakualaman. Ketiga, penyajian kalimat naratif kandha dalam bentuk untaian puisi atau tembang.

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ABSTRACT Langen Wibawa hereinafter abbreviated as LW manuscript is a literary work that records 28 dances in the Kadipaten Pakualaman. One of the dances documented in LW is Srimpi Gadheg Putri. Srimpi is a sacred dance, not as sacred as the bedhaya dance. A problem arises that there happens to be a discontinuation in the preservation of the Srimpi Gadheg Putri after the resignation of Paku Alam IV so that the repertoire of the dance is now no longer known. In order to reconstruct the form of the Srimpi Gadh g Putri of Pakualaman, two stages of research will be conducted. The first stage is done by editing the critical edition of LW. The second stage is an analysis of dance conducted by using ethnochoreologic approach that includes aspects of history, arts, music, and dance aspecially tata lampah and tata rakit. By this research, it is aimed to be useful in reviving the traditional dance that has long been lost and to result the reconstructed form of the Srimpi Gadheg Putri.From the critical edition of the text, it is found that there are few errors of missing syllable or lacunae. This means that LW is quite clear from errors. Based on the text analysis, it is revealed that LW is a literary work aimed to record dances. Therefore, the text is suitable for the main reference of the dance tradition of Pakualaman. On analysis of LW on pages 68 69 that documents Srimpi Gadheg Putri, three characteristics were found. The first is the kapang kapang majeng procession that is done in two steps. The second is the usage of kandha and lagon narratives indicating the influence of Kasultanan Yogyakarta tradition over Kadipaten Pakualaman traditional dance. The third is the provision of the kandha narrative in form of poem or tembang. "

"This paper provides a n in-depth exploration of a previously under-utilized Arabic source for the history of Islam in Southeast Asia. This text, Al-Nafas al-Yamani was compiled in the Yemen ..."

"Penelitian ini membahas teks Kangjeng Tuan Ingkang Wicaksana Gupernur Jendral Otto van Rees (KTIWGJO) salah satu teks yang berada di dalam naskah arsip Koepija Djendralan (KD) koleksi KHP Widya Budaya Keraton Yogyakarta. Teks KTIWGJO tertulis dalam bahasa Jawa dan berbentuk gancaran (prosa). Teks ini dikaji dengan langkah kerja filologi. Selanjutnya, analisis isi teks menggunakan teori poskolonialisme dan teori hegemoni. Tujuan penelitian ini adalah untuk menyajikan suntingan dan terjemahan teks KTIWGJO agar mudah dibaca dan dipahami oleh masyarakat kini dan menjelaskan prosesi penyambutan serta penghormatan tamu di Keraton Yogyakarta pada masa pemerintahan Sultan Hamengku Buwana VII. Penelitian ini mengungkapkan bahwa adanya pola relasi yang terjadi pada prosesi penyambutan dan penghormatan Kanjeng Tuan Ingkang Wicaksana Gubernur Jenderal Otto van Rees selama berada di Yogyakarta. Sebelum menuju pembahasan pola relasi, terdapat beberapa analisis isi teks KTIWGJO, antara lain mengenai latar belakang historis yang tercermin dalam teks KTIWGJO. Latar historis yang dibangun melalui teks ini adalah pada masa kolonialisme Belanda saat pemerintahan Sultan Hamengku Buwana VII. Selanjutnya terdapat analisis struktur naskah KD, kemudian analisis penyambutan dan penghormatan pada saat kedatangan Gubernur Jenderal Otto van Rees, dan analisis kegiatan Gubernur Jenderal Otto van Rees selama tujuh hari di Yogyakarta. Pola relasi yang dianalisis menggunakan teori poskolonialisme akan memunculkan relasi hegemoni di antara prosesi-prosesi yang terjadi. Penelitian tentang KTIWGJO ini membuka pengetahuan baru tentang naskah arsip Keraton Yogyakarta pada masa kolonialisme Belanda dan mengenai prosesi penyambutan serta penghormatan yang terjadi pada masa itu, sehingga dapat mengungkap nilai sosial dan budaya yang berlaku. Selain itu, penelitian pada teks KTIWGJO ini juga dapat menambah wawasan baru mengenai pola hegemoni yang dilakukan oleh pihak pribumi pada masa itu dan membuktikan bahwa pihak terjajah tidak semuanya adalah pihak terbelakang dan mudah dibodohi.

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This research was discussed the text of Kangjeng Tuan Ingkang Wicaksana Governor General Otto van Rees (KTIWGJO), it is one of the texts in the archive manuscript of Koepija Djendralan (KD) the collection of KHP Widya Budaya Keraton Yogyakarta. The text of KTIWGJO was written in Javanese and in the form of prose. This text was studied with philology analysis. Furthermore, the analysis of the content text used the theory of postcolonialism and the theory of hegemony. The purpose of this study was to present the edits and translations of the KTIWGJO text, so that it was easily to read and understood by today's society and to explain the procession of welcoming and honoring guests at the Yogyakarta Palace during the reign of Sultan Hamengku Buwana VII. This study was revealed that there is a pattern of relations that occurs in the procession of welcoming and respecting Kanjeng Tuan Ingkang Wicaksana Governor General Otto van Rees while in Yogyakarta. Before going to the discussion of relational patterns, there are several analyzes of the content of the KTIWGJO text, including the historical background reflected in the KTIWGJO text. The historical setting was built through this text was during the Dutch colonial period when the reign of Sultan Hamengku Buwana VII. Furthermore, there was an analysis of the structure of the KD manuscript, then an analysis of the welcome and respect at the arrival of the Governor General Otto van Rees, and an analysis of the activities of the Governor General Otto van Rees for seven days in Yogyakarta. The pattern of relations analyzed used the theory of postcolonialism was created a hegemonic relationship between the processions that occur. This research on KTIWGJO opens up new knowledge about the archives of the Yogyakarta Palace during the Dutch colonialism period and the welcoming and honoring processions that occurred at that time, so that it can reveal the prevailing social and cultural values. In addition, the research on the text of the KTIWGJO can also added new insight into the pattern of hegemony was carried out by the society at that time and proven that not all of the colonized were backward and easily fooled."

"Most Javanese manuscript illustrations of narrative poems and (pseudo)-historical chronicles (babad) depict only one part of the natural world: animals. Animals are portrayed in relation to the characters in the text they illustrate. Some illustrated Javanese manuscripts are discussed below in relation to the way in which they illustrate the natural world: these are the fictive narrative poems Serat Selarasa, Serat Panji Jayakusuma, Serat Asmarasupi, Serat Jayalengkara Wulang, and Serat Damar Wulan, and the poetic (pseudo)-historical chronicle Babad Perang Demak. It appears from the illustrations in the manuscripts discussed that in the narrative poems the wayang style is preferred and they depict animals differently from the babad for which the wayang-style is not used and whose illustrations tend to be more “realistic”. The focus in the narrative poems discussed here is on serpents, crocodiles, and elephants, and in the babad on all the animals featured."