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"This book introduces the complex forces of global filmmaking using the popular concept of film genre. The cluster-based organization allows students to acquire a clear understanding of core issues that apply to all films around the world."World Cinema through Global Genres introduces the complex forces of global filmmaking using the popular concept of film genre. The cluster-based organization allows students to acquire a clear understanding of core issues that apply to all films around the world"--"

"Violence can be said to lackey contemporary political order and convey viewers only to escapism in society, but is it really so unambiguosly? This paper analyzes violence in poststructuralist sense by asking what kind of functions the cinematic violence can be seen to serve in the films of the era of the Renaissance of the Korean films (from 1996 to 2008). Most of the previous work has not addressed the question as they have dealt with the question of mimetic representation, although some studies (Anna Powell, David Martin-Jones) have paved the way for the poststructuralist readings. The question of violence in Korean cinema is tackled here as an immanent question of affect and percept: if it is a construction of time, then in it lies a chance to open up new perspectives for imaging. There could be new worlds after the violent encounter of thought in films. Key film is Na Hong-jin&rsquos Chugyeogja."

"Penulisan skripsi ini berfokus pada the overlooked architecture yang merupakan elemen arsitektur yang berinteraksi dengan aktivitas manusia dalam lingkup everyday life dengan frekuensi yang tinggi hingga menciptakan suatu ritme tersendiri. Pembahasan mengenai peran arsitektur dalam everyday life ini masih sangat minim. Hal ini karena ketidaksadaran manusia terhadap everyday life itu sendiri dan kurangnya kemampuan persepsi manusia menangkap detail sekelilingnya. Karena itu, diperlukan metode yang efektif untuk melihat overlooked architecture dan mendalami faktor pembentuknya. Dengan demikian, skripsi ini akan mengkaji the overlooked architecture lebih lanjut melalui sinema sebagai alat bantu kita melihat arsitektur dari perspektif everyday. Menggunakan sistem rhythmanalysis, pengkajian dilakukan dengan mengamati ritme yang terjadi pada film Still Walking (Kore-eda, 2008) yang menjadi studi kasus pada skripsi ini.

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This thesis is focused on the overlooked architecture that can be defined as architectural elements that interact with humans’ activities within the everyday life with such high frequency it creates its own rhythm. The discussion surrounding architecture’s role as a subject within the everyday life is still very much the bare minimum. Humans’ unawareness to everyday life and the limit of our environment perception is to blame. That is the reason why we need an effective method to see through the overlooked architecture and to understand its origins. By that means, this thesis will study the overlooked architecture even deeper through the cinema lens to help us look at architecture from the perspective of everyday life. Using rhythmanalysis, this study is conducted to observe and analyse the rhythm within Still Walking (Kore-eda, 2008) — the film that will be used for the study case in this thesis."