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"ABSTRAKAtmosfer galeri dipengaruhi oleh elemen ruang dan koleksi objek seni di dalamnya. Koleksi objek seni sebagai hal yang visual memberikan unsur materiil seperti skala, material/tekstur, warna, dan form. Sedangkan elemen ruang dapat memberikan unsur materiil dan juga non-materiil seperti cahaya, suara, penciuman, temperatur, juga skala, material/tekstur, warna, dan form. Staging dari berbagai unsur inilah yang memberikan kesatuan sebagai atmosfer yang kemudian dapat memberikan koherensi, keintiman, dan sirkulasi tertentu.

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ABSTRACT

Atmosphere of a gallery is influenced by its spatial elements and art objects that are displayed within. As a visual display, art objects carry material elements such as scale, material texture, colors, and form. Meanwhile, spatial elements of a gallery may offer both material and immaterial elements such as light, sound, smell, temperature as well as scale, material texture, colors, and form. The staging of these elements defines the atmosphere which then creates certain coherence, intimacy, and circulation."

"Gregory Dart expands upon existing notions of Cockneys and the 'Cockney School' in the late Romantic period by exploring some of the broader ramifications of the phenomenon in art and periodical literature. He argues that the term was not confined to discussion of the Leigh Hunt circle, but was fast becoming a way of gesturing towards everything in modern metropolitan life that seemed discrepant and disturbing. Covering the ground between Romanticism and Victorianism, Dart presents Cockneyism as a powerful critical currency in this period, which helps provide a link between the works of Leigh Hunt and Keats in the 1810s and the early works of Charles Dickens in the 1830s. Through an examination of literary history, art history, urban history and social history, this book identifies the early nineteenth-century figure of the Cockney as the true ancestor of modernity."

"Apapun bentuknya, seni adalah sesuatu yang disukai banyak orang, bisa berupa lukisan, musik, menari, dll. Alasan mengapa seni dicintai oleh banyak orang adalah karena seni dapat diekspresikan dalam bentuk apa saja suasana, mulai dari ceria, sedih, dan marah, tidak ada suasana khusus yang tercipta seni, salah satunya adalah seni lukis yang dapat mengungkapkan semua perasaan dan emosi kita. Lembur, Perkembangan teknologi juga berdampak positif bagi perkembangan seni lukis. Ray & Art adalah merek global yang menjual dua jenis lukisan, yaitu lukisan buatan tangan dibuat di atas kanvas dan lukisan digital yang dibuat dengan aplikasi komputer seperti Photoshop atau Corel. Selain menjual lukisan, Ray & Art juga menyediakan masterclass untuk umum tentang cara melukis membuat lukisan bagus di atas kanvas atau secara digital menggunakan aplikasi komputer. Alasan mengapa Ray & Art juga menjual lukisan dalam bentuk digital dikarenakan maraknya perkembangan teknologi, terutama teknologi layar yang membuat gambar terlihat sangat nyata dan tajam. Munculnya perkembangan aset digital seperti NFT juga membuat seni digital bisa dijual dengan harga fantastis harga.

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Whatever its form, art is something that many people like, can be painting, music, dance, etc. The reason why art is loved by many people is that art can be expressed in any atmosphere, ranging from cheerful, sad, and angry, there is no special atmosphere in creating art, one of which is painting that can express all of our feelings and emotions. Over time, technological developments also have a positive impact on the development of painting. Ray & Art is a global brand that sells two kinds of painting, handmade painting that?s made on canvas and digital painting that?s created with computer apps like Photoshop or Corel. In addition to selling paintings, Ray & Art also provide a masterclass for public on how to make great paintings on canvas or digitally using computer apps. The reason why Ray & Art also sells painting in digital form is due to the proliferation of technological developments, especially screen technology that makes images look very real and sharp. The emergence of the development of digital assets such as NFT also makes digital arts able to be sold at fantastic prices."

"Akses karya seni dalam produksi dan distribusinya sangat mudah di era teknologi massa sekarang ini dengan bantuan komputer, smartphone, dan internet. Mudahnya aksesibilitas terhadap karya seni semakin didukung dengan keberadaan aplikasi seperti Instagram, Twitter, Tiktok, Youtube, dan lain-lain yang berperan sebagai media platform publik bagi masyarakat. Kondisi di mana seni menjadi produk massal dianggap sudah kehilangan aura oleh Walter Benjamin karena keberadaan teknologi massa yang menghilangkan originalitas karya seni. Maka apakah masih ada aura pada karya seni di era kontemporer? Dengan menggunakan metode analisis kritis penulis hendak memaparkan bahwa aura dalam karya seni, penulis menemukan pandangan Benjamin ini condong pada persoalan eksklusivitas, masih dapat hadir pada karya seni era kontemporer. Dalam memaparkannya, penulis akan menggunakan salah satu fenomena karya seni media sebagai konteks seni kontemporer dan menjelaskan konsep aura sebagai aspek nilai yang lahir dari pengalaman estetis subjek. Dilanjutkan dengan penjelasan bagaimana hadirnya pengalaman estetis ketika subjek ‘bertemu’ dengan karya seni media, yang akan dicontohkan dengan fanart sebagai salah satu bentuk seni media. Kemudian penulis akan menggunakan teori filsafat persepsi Bence Nanay untuk membangun argumen dalam menjawab pertanyaan tersebut, di mana ia menekankan pentingnya fokus perhatian subjek ketika bertemu dengan karya seni sehingga dapat menghadirkan pengalaman estetis sebagai aura.

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The access to artwork in its production and distribution is very easy in today's era of mass technology with the help of computers, smartphones and the internet. The easy accessibility to artworks is increasingly supported by the existence of applications such as Instagram, Twitter, Tiktok, Youtube, and others that act as a media platform for public. Today’s artworks, when artworks become mass products, is considered to have lost its aura by Walter Benjamin. It is because of the existence of mass technology which eliminates the originality of works of art. Therefore, is there still aura in contemporary artworks? By using a critical analysis method, the author wants to explain that the aura of artwork, the author found that Benjamin's view was leaning towards the issue of exclusivity, can still be present in contemporary artworks. In delivering it, the writer will use media art phenomenon as the context of contemporary art and explain the concept of aura as an aspect of value that is present from the subject’s aesthetic experience. Then proceed with an explanation of how the presence of aesthetic experience when the subject 'meets' with media art, which will be exemplified by fanart as a form of media art. Afterwards, the author will use the theory philosophy of perception by Bence Nanay to build the arguments in answering these questions, where he stresses the importance of focusing the subject's attention when meeting artworks so that it can bring out aesthetic experiences as aura. "

"The Qur'an is a holly book (kitabullah) revealed to Prpphet Muhammad. One of all qur'an functions is as a guide or guidance for makind, which details God's other holly books. (Qur'an: 2:185). One form of al - qur'an guidance is about art. Al-Qur'an globally discusses art, whether painting art, painting and other art. One of allah's natures is Al-Jamil (the most bautiful) and He loves beauty. Islam as Din (religion) which the Qur'an generatedhighly appreciate the art, gave a stimulus for art work in accordance with the laws of Allah and the guidance of the Prophet SAW."