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"This article identifies haul, an annual commemoration of the death of charismatic figures, in Indonesia as political. The politicization of haul has been accompanied by a proliferation of narratives promoting the history of Hadhrami diaspora while strengthening the relationship between local Hadhramis and the local statesmen. This qualitative research examines the use of haul in Pontianak to commemorate selected syarif aristocrats. Pontianak, founded in the mid-eighteenth century by a syarif statesman, has a long-standing Hadhrami memory. Data for this study were collected through literature review, interviews, observation, and archival research related to Kadriah Sultanate’s haul events. The findings suggest that haul reshapes memories of the Kadriah Sultanate and Hadhrami identity for pragmatic purposes in local politics. By examining this case study of a commemorative religious event in the non-Arab world, it is shown that the local Arab sultanate redefines Hadhrami ethnic identity as nationalist, locally rooted, and heroic. Public haul festivals thus become effective tools for syarif politicians to exert influence in the religious and political spheres."

"This article identifies haul, an annual commemoration of the death of charismatic figures, in Indonesia as political. The politicization of haul has been accompanied by a proliferation of narratives promoting the history of Hadhrami diaspora while strengthening the relationship between local Hadhramis and the local statesmen. This qualitative research examines the use of haul in Pontianak to commemorate selected syarif aristocrats. Pontianak, founded in the mid-eighteenth century by a syarif statesman, has a long-standing Hadhrami memory. Data for this study were collected through literature review, interviews, observation, and archival research related to Kadriah Sultanate’s haul events. The findings suggest that haul reshapes memories of the Kadriah Sultanate and Hadhrami identity for pragmatic purposes in local politics. By examining this case study of a commemorative religious event in the non-Arab world, it is shown that the local Arab sultanate redefines Hadhrami ethnic identity as nationalist, locally rooted, and heroic. Public haul festivals thus become effective tools for syarif politicians to exert influence in the religious and political spheres."

"Skripsi ini membahas tentang diaspora dan migrasi masyarakat Lebanon antara 1860 sampai 1990. Landasan teori yang digunakan sebagai alat analisis ialah teori diaspora, teori perpindahan penduduk, serta teori multikulturalisme. Penelitian yang digunakan adalah penelitian kualitatif berdasarkan pada metode sejarah dan dengan jenis penelitian deskriptif. Sepanjang sejarahnya, Lebanon telah mengalami berbagai pergolakan, mulai dari masa pemerintahan Turki Ustmani hingga Perang Sipil yang terdapat campur tangan negara-negara lain, seperti Israel, Palestina, Perancis, dan Inggris. Gelombang diaspora yang terbesar terjadi pada kurun waktu 1975-1990, yaitu ketika Perang Sipil II berlangsung. Dalam kehidupan di host country, migran Muslim Lebanon menggunakan hukum Islam (syari?ah) dalam kehidupan berkeluarga dan mengabaikan hukum resmi yang berlaku di host country. Hal ini tidak sedikit menimbulkan pertentanganpertentangan implementasi dalam kehidupan sehari-hari. Sedangkan migran Kristen Lebanon dapat dengan mudah berasimilasi dengan kebudayaan masyarakat host country. Hal ini membuat mereka dapat dengan mudah diterima dalam komunitas masyarakat asli host country. Masyarakat migran Lebanon mendirikan komunitas dan organisasi yang bertujuan untuk menyalurkan rasa nasionalisme mereka. Migran-migran Lebanon yang mayoritas miskin sedikit demi sedikit mampu menciptakan kekuatan bagi perekonomian mereka. Sebagian besar dari mereka mampu menjadi pebisnis, ekonom, politisi, seniman, dan bahkan ilmuan yang tidak hanya diperhitungkan di host country namun juga di dunia internasional. Dengan ini, masyarakat migran Lebanon dapat membuktikan eksistensi mereka sebagai komunitas migran.

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This paper discusses the diaspora and migration of Lebanese society between 1860 and 1990. Theoretical basis which is used as an analytical tool is the theory of diaspora, the theory of migration, as well as the theory of multiculturalism. The study is a qualitative study based on historical methods and the types of descriptive research. Throughout its history, Lebanon has experienced many upheavals, from the reign of Ottoman Turks until the Civil War that there is interference of other countries, like Israel, Palestine, France, and England. The biggest wave of diaspora that occurred in the period 1975-1990, when the Civil War II took place. In the life in the host country, Lebanese Muslim migrants to use Islamic law (shari'a) in family life and ignore the official law applicable in the host country. This is not the least cause contradictions its implementation in daily life. While the Christian Lebanese migrants can be easily assimilated into the culture of the host country society. This makes them easily acceptable in the indigenous community of the host country. Lebanon established migrant communities and community organizations that aims to channel their sense of nationalism. Lebanese migrants the majority of the poor little by little was able to create force for their economies. Most of them are able to become businessmen, economists, politicians, artists, and even scientists are not only counted in the host country but also internationally. With this, the Lebanese migrant communities can prove their existence as migrant communities."

"Disertasi ini membahas tentang bagaimana di tengah arus perubahan zaman (globalisasi), komunitas orang Tionghoa diaspora yang merupakan umat Katolik di Gereja Toasebio tetap menyelenggarakan tradisi ritual makan bersama (jùcān) untuk membangun dan mempererat ikatan guānxì sebagai strategi pemertahanan identitas yang berperan menjaga kelangsungan hidup komunitasnya. Di samping itu, akan dijelaskan pula bagaimana Gereja Katolik menggunakan prinsip guānxì sebagai salah satu sarana/pintu masuk dalam menjalankan karya misinya yang semakin kontekstual di kalangan umatnya yang berlatar belakang etnis Tionghoa dan hidup di tengah masyarakat urban.Kasus orang Tionghoa Katolik di Toasebio menunjukkan bahwa dalam strategi pemertahanan identitasnya, nilai-nilai budaya Tionghoa digunakan sebagai sarana dan pedoman untuk meredefinisikan keberadaan komunitas etnis Tionghoa di tengah-tengah masyarakat yang terus berubah. Pemahaman nilai-nilai budaya yang dianut bersama sebagai komunitas etnis, menjadi elemen penting yang menyatukan orang-orang Tionghoa diaspora di Toasebio.Dalam konteks guānxì, memori dan kesadaran kolektif akan nilai nilai kebudayaan bersama tersebut selalu dihadirkan dan dikonstruksi dalam berbagai simbol kebudayaan yang terwujud melalui ruang/tempat tertentu (place), bahasa, aktivitas dan benda-benda yang secara representatif mencerminkan identitas dari komunitas yang ada.Seluruh strategi pemertahanan identitas yang diupayakan oleh komunitas Tionghoa diaspora di Toasebio hanya mungkin terwujud karena Gereja Katolik mau bersikap akomodatif , terbuka untuk mengadakan dialog kebudayaan serta mampu menciptakan suatu kondisi ataupun habitus yang nyaman bagi umatnya yang berlatar belakang etnis Tionghoa. Sikap Gereja tersebut juga dapat menjadi strategi pemertahanan identitas Gereja dalam mendukung misinya di tengah kehidupan masyarakat modern Metode penelitian etnografi yang digunakan dalam disertasi ini memilih aktivitas ritual makan bersama (?jùcān? ) sebagai entry point untuk mengungkapkan berbagai realitas sosial yang menjadi fokus dari kajian disertasi.

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This dissertation describes about how in the midst of changing times (globalization), communities of the Chinese diaspora who are Catholics at the Toasebio Church, keep organizing the ritual tradition of eating together (jùcān) to build guānxì, a strategy of identity maintenance which is useful in maintaining the continuity of the community life. Moreover, this dissertation would also explain how the Catholic Church uses the principle of guānxì as one means or entrance for the contextual mission of the church among his people who have Chinese descent and live in urban society.The case of the Chinese Catholic Toasebio shows that in the strategy of identity maintenance, Chinese cultural values are used as means and guidelines to redefine the existence of the Chinese ethnic community in the midst of a society that continues changing. The understanding of cultural values of the group as an ethnic community, becomes an essential element that unites the Chinese diaspora in Toasebio.In the context of guānxì, memory and collective consciousness associated with cultural values of community is always presented and constructed through a variety of cultural symbols which are embodied in a specific space or place, language, activities and objects which representatively mirror the identity of the community The strategy of identity maintenance used by the community of Chinese diaspora in Toasebio is only possible because the Catholic Church is willing to be accommodative andto open a dialogue of culture and is able to create a condition or habitus that is comfortable for his people who haveChinese descent. Thus, the Church?s attitude can also be astrategy of identity maintenance of the Church in supporting its mission in the life of modernsociety. This dissertation applies ethnographic methods and chooses the ritual activity of eating together ("jùcān") as an entry point to reveal a variety of social reality which becomes the focus of this research dissertation."

"De diaspora adalah sebuah buku kumpulan cerita karya Marnix Gijsen. Di dalamnya terdapat enam cerita antara lain; Pledooi voor de monogamie, De perikelen van Bergen op Zoom, De school van Fontainebleau, De nachttrein naar Savannah, Georgia, Verwarde biecht in de Holland bar, dan yang terakhir Kaddisj voor Sam Cohn. Sesuai dengan judulnya, de diaspora yang dalam bahasa Indonesia berarti perpindahan, enam cerita ini memiliki kesamaan. tokoh-tokoh dalam cerita ini tinggal di luar lingkungan kesehariannya sehingga konflik yang muncul dalam cerita ini hadir karena adanya perubahan latar tempat dari tokoh-tokoh tersebut. "

""Focuses on art house cinema and discusses commercial African cinema"--"