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"Keyakinan akan kemutlakan tidak harus mengakibatkan disharmoni antara manusia yang berbeda-beda keyakinan melainkan tetap dapat menjalankan tugas perdamaian. Antropologi Calvinisme yang meyakini adanya kebenaran keadilan dan kesucian pada manusia mendorong pengembangan demokrasi. Anugerah umum bagi semua manusia menggerakkan sikap hati yang untuk menerima keragaman. Manusia dicipta sebagai gambar Allah merefleksikan sifat rohani untuk beribadah kepada Allah."

"Tanjidor adalah musik tradisional Betawi yang terbentuk dari kebudayaan yang tercampur. Masyarakat Betawi yang tinggal di pinggiran kota Jakarta yang memiliki kesibukan sehari-harinya di Jakarta termasuk masyarakat dalam kategori peri-urban. Percampuran dalam musik Tanjidor saat ini ini dilakukan oleh pelakunya untuk memperbaiki dan melengkapi kebutuhan sajian baik untuk pencapaian nilai estetik maupun nilai ekonomis. Tulisan ini berusaha menyimak fenomena musik yang membentuk percampuran kebudayaan pada masyarakat Betawi di pinggiran kota Jakarta. Musik Tanjidor adalah musik tradisional Betawi dengan penggabungan unsur-unsur budaya sehingga musik ini disebut sebagai musik dengan karakter yang hibrida. Pengungkapan tradisional ditunjukkan dalam permainan musik Tanjidor oleh pemiliknya, orang Betawi. Musik Tanjidor diperkaya oleh pertemuan antar budaya, maka dari itu Tanjidor dimaknai sebagai kekayaan budaya dalam proses pembentukan kebudayaan Betawi saat ini.

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Tanjidor is traditional music of Betawi, previously it formed of hybrid cultures. Betawi's people who live around Jakarta and have their activities in Jakarta are categorized as peri-urban. The combination in Tanjidor's music is done by its players to improve and complete the needs of economic and aesthetic values.

This study tries to reveal music's phenomena which formed into an acculturation of Betawi societies in Jakarta. Tanjidor's music is a traditional music of Betawi with combine of cultural elements, so this music called as music with hybrid's characteristics. The expression of traditional is shown in Tanjidor by Betawi's people. Tanjidor's music enriched with intercultural, which is the reason why Tanjidor intended as process in forming Betawi's culture."

"This article discusses various myths spread in several areas of Banten. How Bantenese society understands and believes in myths that have spread and are still maintained from generations to generations and how the roles and functions of myths for Bantenese society constitute the main focus of this article. This article is field research using ethnographical methods based on in anthropological perspective. To analyze the data, the researcher uses a structural-functional approach. Library research, participant-observation, and depth-interview are methods used to collect the data. Myth is a part of folklore that appear in almost every culture of the world, especially in traditional or pre-literate cultures. Various researches, especially conducted by Western scholars, show how myths appear in various socio-religious activities of the society. Myths are also considered have moral values for the society that believes in them. The existence of myths in Bantenese society has influenced, more or less, the socio-religious life of the Bantenese. Myths, in some cases, also play significant roles and functions for Bantenese society such as strengthening something, maintaing cultural identity and solidarity of the society, and keeping prestige and social status."