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"Learning a new discipline is similar to learning a new language; in order to master the foundation of fashion design, you must first master the basic building blocks of its language, the definitions, function, and usage. The Language of Fashion Design provides students and fashion designers with the basic elements of fashion design, divided into twenty-six easy-to-comprehend chapters. This visual reference includes an introductory, historical view of the elements, as well as an overview of how these elements can and have been used across multiple design disciplines."

"Industri busana mode adalah permintaan pasar yang penting untuk kebutuhan manusia yang telah berbudaya menuju kemajuan baru. Kemajuan di industri ini sebagai salah satu bagian pokok dalam industri kreatif Indonesia telah berkembang ke kemajuan yang lebih tinggi, namun hukum Indonesia terhadap industri ini dalam UU No. 31 Tahun 2000 tentang Desain Industri sebagai landasan hukum dalam Ketentuan Pemeriksaan Substantif atas Asas Kebaruan masih menimbulkan permasalahan dalam implementasinya. Tujuan utama dari penelitian ini, selain permasalahan ini belum diangkat secara detil oleh penelitian-penelitian sebelumnya, topic ini akan mempertegas pentingnya proses Pemeriksaan Substantif atas Asas Kebaruan dalam hukum Desain Industri terhadap jenis Industri ini.

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The fashion garment industry is an essential market demand for human necessity as it has cultured towards new advancements into the minds of the modern human as a form of personal self-expression, asserting itself as a requirement as well as means to selfactualization towards its buyers and customers. The progression of this industry as one of the staples in the Indonesian creative industry has cultivated to higher advancements, however the Indonesian supporting law towards this industry in Law No. 31 year 2000 Regarding Industrial Design as a legal foundation attracts criticism in its implementations. The provisions of Substantive Examination of the Novelty Principle is not a necessary administrative process unless there is opposition – due to this, industrial design rights registration towards fashion garments has exposed legal issues where garment manufacturers holding Industrial Design Rights are being alleged by the public for using designs from other designers which are arguably not inline with the Novelty Principle and/or considered as “Public Domain”. The main purpose of this research is that prior authors have not highlighted the importance of the Novelty Principle in Industrial Design law towards this type of Industry as a solution towards this issue."

"Konsep sustainable fashion, yakni pembuatan dan penggunaan produk fesyen yang mengutamakan keberlanjutan produk dan aspek lingkungan, penting untuk diterapkan karena permasalahan lingkungan yang secara signifikan diakibatkan oleh perkembangan industri fesyen. Di Indonesia, penerapan konsep ini mulai populer di sisi penjualannya, tetapi tidak di sisi pembeliannya. Sehingga diperlukan dorongan dan dukungan lebih agar masyarakat Indonesia dapat mengadopsi konsep ini dalam perilaku konsumsi produk fesyen. Di era transformasi pasar Indonesia, platform e-commerce memiliki peluang besar dalam mendorong perilaku pembelian produk sustainable fashion. Tujuan penelitian ini adalah untuk membuat model teoretis terkait faktor-faktor yang memengaruhi niat seseorang dalam membeli produk sustainable fashion melalui aplikasi e-commerce serta untuk membuat rancangan antarmuka aplikasi yang dapat mendukung perilaku tersebut. Penelitian ini dilakukan dengan pendekatan design science research yang terdiri dari: (1) pengidentifikasian masalah secara kuantitatif dan kualitatif dengan melibatkan teori NAM, TAM, dan TRA; (2) perumusan solusi dari hasil analisis data; (3) perancangan high-fidelity prototype aplikasi; (4) pendemonstrasian skenario penggunaan aplikasi; (5) evaluasi rancangan aplikasi dengan UT dan SUS; serta (6) penarikan kesimpulan dan saran penelitian. Secara singkat, penelitian ini menunjukkan bahwa perceived enjoyment, attitude, awareness of consequences, ascription of responsibility, personal norm, dan subjective norm memengaruhi intention to purchase yang mana akan memengaruhi actual purchase. Akan tetapi, perceived usefulness, perceived ease of use, dan perceived risk tidak memiliki pengaruh terhadap intention to purchase. Dari temuan dan implikasi penelitian ini, diharapkan adanya perluasan wawasan terkait perilaku pembelian produk sustainable fashion masyarakat Indonesia serta dapat merekomendasikan rancangan aplikasi e-commerce yang dapat dijadikan acuan untuk mendukung perilaku tersebut.

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The concept of sustainable fashion, namely the manufacture and use of the fashion products that prioritise product sustainability and environmental aspects, is important to implement because of the significant environmental problems caused by the development of the fashion industry. In Indonesia, the application of this concept is starting to become popular on the sales side, but not on the purchasing side. So more encouragement and support are needed so that Indonesians can adopt this concept in their fashion product consumption behaviour. In the era of Indonesian market transformation, e-commerce platforms have a great opportunity to encourage purchasing behavior for sustainable fashion products. The aim of this research is to create a theoretical model related to the factors that influence a person's intention to purchase sustainable fashion products through e-commerce applications and to create an application interface design that can support this behaviour. This research was carried out using a design science research approach consisting of: (1) identifying problems quantitatively and qualitatively involving NAM, TAM, and TRA theories; (2) formulating solutions from the results of data analysis; (3) designing high-fidelity application prototypes; (4) demonstrating the application usage scenarios; (5) evaluation of application design with UT and SUS; and (6) drawing conclusions and research suggestions. In short, this research shows that perceived enjoyment, attitude, awareness of consequences, ascription of responsibility, personal norms, and subjective norms influence intention to purchase which will influence actual purchase. However, perceived usefulness, perceived ease of use, and perceived risk have no influence on intention to purchase. From the findings and implication of this research, it is hoped that there will be an expansion of insight regarding the purchasing behaviour of sustainable fashion products among Indonesians and can recommend an e-commerce application design that can be used as a reference to support this behaviour."

"ABSTRAKBerkembangnya budaya konsumsi serta persaingan brand fesyen dalammenarik konsumen menjadikan adanya kebutuhan akan ruang yang representatifuntuk memperkenalkan produknya. Tak jarang saat ini seorang perancang busanabekerjasama dengan seorang arsitek khususnya dalam merancang sebuah eventspace, yaitu ruang yang dirancang atau direncanakan sesuai tujuan yang ingindicapai dengan menghadirkan pengalaman-pengalaman diluar kebiasaan/rutinitasyang biasa terjadi sehari-hari sehingga dianggap menjadi hal yang spesial atauistimewa. Dalam penulisan skripsi ini saya ingin menelaah lebih lanjut bagaimanasebuah event space yang dirancang oleh arsitek dapat menjadi mediapenyampaian ide karya fesyen serta menghubungkan antara perancang busanadengan konsumennya. Dengan kajian teori terkait fesyen dan arsitektur serta studikasus dua pagelaran busana kerjasama perancang busana dan arsitek, dapatdisimpulkan bahwa event space dapat menjadi media penyampaian ide karyafesyen dengan menghadirkan pengalaman ruang terkait konsep karya fesyenmelalui indra, narasi, serta persepsi yang dapat disampaikan secaraeksplisit/harafiah maupun hanya sebagai trigger awal desain event space.

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ABSTRACTThe consumerism and fashion brand competition in attracting consumerscall up the need of representative space to introduce their products. Notinfrequently, fashion designers work with architects, especially in designing anevent space, a temporal space that is designed or planned according objectives tobe achieved by presenting experiences that are different with common experiencesin everyday life, so considered to be a special case. By writing this essay I want toexamine how an event space designed by architect serves as a medium indelivering fashion ideas, connecting fashion designer with their consumers. Withstudies related to fashion and architectural theory and case studies of two fashionrunway designed by fashion designers and architects, it can be concluded thatevent space can be a medium for delivering of fashion ideas by presenting spatialexperience related to the concept of fashion through the senses, narration, andperceptions that can be delivered explicitly/literal or simply as initial trigger ofevent space design."

"Studi mengenai intensi pembelian produk-produk beretika termasuk sustainable fashion telah banyak berkembang dalam literatur ilmiah. Namun demikian, sangat sedikit studi yang dikembangkan memasukkan unsur religiusitas dalam penelitiannya. Aspek ini krusial di negara-negara berkembang yang menggunakan unsur agama dalam pedoman kehidupannya termasuk di Indonesia. Penelitian ini bertujuan untuk meneliti pengaruh aspek religiusitas masyarakat Indonesia dalam intensi pembelian sustainable fashion yang dimediasi oleh faktor materialisme dan guilt (perasaan bersalah) yang dikembangkan oleh Adil (2022). Penelitian dilakukan dengan mengirimkan survei yang diisi oleh 701 responden penduduk Indonesia yang beragama Islam dan berusia minimal 17 tahun. Dengan menggunakan metode pengolahan PLS-SEM, ditemukan bahwa religiusitas memiliki pengaruh positif dan signifikan terhadap intensi pembelian sustainable fashion serta terdapat peran mediasi signifikan oleh faktor guilt, namun tidak oleh faktor materialisme. Implikasi dan keterbatasan penelitian dicantumkan dalam tulisan ini.

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Studies on purchase intention of ethical products including sustainable fashion have been conducted in various literatures. However, little did incorporate religiosity aspect into their studies. This aspect is crucial in emerging market economies which consider religiosity as a factor in their life including in Indonesia. The purpose of this study is to determine the effect of religiosity aspect upon Indonesians on purchase intention of sustainable fashion while also being mediated by materialism and guilt factor that is developed by Adil (2022). The study is conducted by sending survey filled by 701 Indonesian muslim respondents that are at least 17 years old. Using PLS-SEM method, the study found that religiosity has indeed positive and significance effect on purchase intention of sustainable fashion while also being mediated by guilt factor, but not by materialism factor. The implications and limitations of this study is discussed within."

"This book is the ultimate guide to who's who in the world of fashion design. Fully illustrated, it presents 125 of the key design practitioners from the beginning of the 20th century to the present day, the people and companies who have shaped the world of fashion and those who define the modern perception of style. It features established designers such as Valentino, charts the evolution of long-standing couture houses such as Chanel, and signals the success of rising stars including Christopher Kane and Rodarte."

"Fashion telah menjadi sebuah fenomena dimana masyarakat terkalsifikasi berdasarkan selera. Setiap kelas dalm masyarakat memiliki seleranya masing – masing yang dibentuk oleh kompetensi kultural. Perbedaan kompetensi kultural menciptakan perbedaan selera yang hierarkis antara kelas dominan dan kelas terdominasi. Kelas dominan memiliki akses yang lebih baik terhadap fashion dan mampu melegitimasi selera mereka dan menjadi panutan bagi kelas sosial lainnya. Namun, era New Media telah membawa masyarakat memasuki era dengan akses lebih luas terhadap informasi terkait fashion yang mambuat masyarakat dapat memiliki kompetensi kultural untuk dapat memproduksi selera mereka sendiri. Penelitian ini mencoba untuk menemukan bagaimana produksi selera dilakukan di dalam era New Media melalui penggunaan Instagram oleh generasi muda perempuan sebagai kelompok usia yang menjadi agen perubahan di dalam produksi selera melalui fashion.

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Fashion has been a phenomena where society have been classified by their taste. Each classes of the society has their own taste that shaped by their cultural competence. Different cultural competence hence creating different hierarchy of tastes between The Dominant Class and The Dominated Class. However the Dominant Class has better access to fashion and legitimate their taste and becomes the role model for other social classes. However the age of New Media has brought society to the era of greater access to the information related to fashion which makes society has better cultural competence to produce their own tase. This research is trying to find out how the production of taste occurred in the age of New Media through the use of Instagram by female Youth as group of people who are the game-changer  of the taste  production through fashion."

"Sebagai salah satu industri terbesar di dunia, pemasaran fashion pada platform ecommerce menarik jutaan pengguna setiap harinya. Salah satu fitur yang penting untuk dimiliki platform ecommerce adalah kemampuan mencari produk fashion menggunakan foto pengguna sebagai query. Hasil pencarian yang akurat akan memberikan manfaat bagi pengguna dan bagi pelaku bisnis. Persoalan ini sangat menantang karena adanya perbedaan domain antara citra query yang diunggah pengguna dengan citra galeri produk yang menjadi target pencarian. Perolehan citra lintas domain dapat diselesaikan dengan metode konvensional seperti pemelajaran metrik menggunakan dataset berlabel. Namun metode ini tidaklah feasible dalam jangka panjang mengingat selalu bertambahnya inovasi di bidang fashion sehingga dibutuhkan anotasi terhadap citra yang berkesinambungan agar model tetap relevan. Pada penelitian ini diusulkan penggunaan self-supervised learning untuk meningkatkan kebermanfaatan data tanpa label dan mengurangi ketergantungan terhadap data berlabel. Pelatihan dengan metode ini menghasilkan sebuah encoder CNN dengan arsitektur ResNet-50, yang dilatih dengan sekumpulan citra tidak berlabel, agar mampu menghasilkan fitur umum dari citra. Model ini kemudian di-finetune dengan data berlabel agar mampu melakukan downstream task, yaitu perolehan citra lintas domain. Untuk meningkatkan hasil perolehan, dilakukan structural matching menggunakan Wasserstein distance (optimal transport) terhadap fitur spasial luaran encoder CNN pada saat inference dan finetuning. Selain itu, structural matching juga dapat menjelaskan bagian mana dari citra yang berkontribusi atas keseluruhan kesamaan atau jarak. Hasil menunjukkan bahwa kinerja encoder yang dilatih dengan self-supervised learning secara kuantitatif masih belum melampaui kinerja encoder baseline ImageNet, dengan perbedaan 1-2% dari sisi akurasi dan mAP menggunakan Triplet Loss, dan 6-10% dengan InfoNCE. Structural matching secara umum dapat meningkatkan hasil perolehan pada encoder yang dilatih dengan self-supervised learning. Hasil kualitatif menunjukkan bahwa semua varian model mampu mencari citra yang mirip dengan query, baik dari sisi kategori, warna, bentuk, dan motif.

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Being one of the largest industries in the world, fashion marketing on ecommerce platforms attracts millions of users every day. One of the essential features for an ecommerce platform is the ability to retrieve fashion items using user photos as queries. Good search results will yield benefits for users and for businesses. This problem is challenging due to the domain differences of the query images uploaded by the users and of product gallery images as retrieval targets. Cross-domain image retrieval can be accomplished by conventional methods such as metric learning using labeled datasets. However, this method is not feasible in the long term since innovations in this sector are fast such that continuous image annotations are required for the model to stay relevant. In this study, we propose to use self-supervised learning to increase usefulness of unlabeled data and to reduce dependency on labeled data. Training with this method produces a CNN encoder with ResNet-50 architecture, trained on a collection of unlabeled images, to infer generic features of images. The model is then finetuned with labeled data so that it can perform the downstream task, which is cross-domain image retrieval. To improve retrieval results, we performed structural matching by calculating Wasserstein distance (optimal transport) using spatial features inferred from CNN encoder during inference and finetuning. In addition, structural matching can also explain which parts of two images contribute to overall similarity or distance. Results show that an encoder trained with self-supervision quantitatively has not yet outperformed off-the-shelf ImageNet encoder baseline, with a difference in terms of accuracy and mAP of 1-2% for Triplet Loss, and 6-10% for InfoNCE. Generally, structural matching can improve retrieval results for self-supervised encoders. Qualitative results show that all model variants are able to retrieve images similar to the query, in terms of categories, colors, shapes, and patterns."