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"Jakarta International Jazz Festival tahun 1988-2005 dan dampak terselenggaranya acara tersebut dari masyarakat Indonesia menjadi fokus penelitian dari skripsi ini. Jakarta International Jazz Festival dicetuskan oleh Ireng Maulana karena pada saat itu Ireng Maulana menjabat sebagai anggota Dewan Kesenian Jakarta. Acara ini untuk memperkembangkan musik jazz di Indonesia. Penelitian ini menggunakan empat tahapan dalam metode sejarah, yaitu heuristik, verifikasi, interpretasi dan historiografi dengan mengacu pada sumber-sumber tertulis.Hasil penelitian menunjukkan bahwa penyebaran musik jazz semakin kuat dengan terselenggaranya Jakarta International Jazz Festival di Indonesia dan mendapatkan apresiasi dari masyarakat baik penikmat jazz maupun masyarakat biasa. Selain itu, Jakarta International Jazz Festival juga berdampak pada peningkatan acara jazz yang diselenggarakan di Indonesia seperti Java Jazz Festival.

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Jakarta International Jazz Festival in 1988-2005 and the impact of the implementation of the event from the people of Indonesia became the focus research of this thesis. Jakarta International Jazz Festival was initiated by Ireng Maulana because at that time Ireng Maulana served as a member of the Jakarta Arts Council. The event is to promote jazz music in Indonesia. This study uses four stages in the historical method, which is a heuristic, verification, interpretation and historiography by referring to the written sources.The results showed that the spread of jazz is getting stronger with the implementation of the Jakarta International Jazz Festival in Indonesia and gain an appreciation from the public, both from jazz lovers and ordinary people. In addition, the Jakarta International Jazz Festival also had an impact on improving the jazz event held in Indonesia such as Java Jazz Festival."

"ABSTRAKJurnal ini meneliti ideologi media dalam tiga media internasional, yaitu The Jakarta Post 2015 , The Guardian 2015 , dan The New York Times 2015 lewat teori orientalisme Said dalam Patrick Wolfe 1997 . Artikel berita yang dipilih dari masing-masing media menyoal pembatalan mata acara Ubud Writers and Readers Festival UWRF 2015, secara urut berjudul Being Silenced in Ubud , Indonesian writers 39; festival forced to cancel events linked to 1965 massacre , dan At a Bali Festival, Indonesia Enforces Silence About Its Bloody Past , dikaji menggunakan metode analisis wacana kritis komparatif dari Fairclough 2015 . Penelitian ini, menitikberatkan pada analisis representasi, dibagi menjadi tiga bagian analisis, yaitu analisis komparatif pada representasi proses, representasi aktor sosial, dan representasi ruang-waktu dalam tiap artikel berita. Temuan pertama adalah bahwa The Jakarta Post, sebagai media timur, membawa politik yang spesifik dan lokal dengan menarasikan masyarakat sipil Indonesia sebagai protagonis dan panitia penyelenggara festival sebagai antagonis, tetapi dengan fokalisasi yang lemah. Kedua, The Guardian, sebagai media barat, membawa politik yang umum dan global dengan menarasikan pemerintahan global sebagai protagonis dan pemerintah nasional yang otoriter sebagai antagonis dengan memfokalisasi sentimen pemerintah nasional terhadap bangsa asing. Terakhir, The New York Times, sebagai media barat, mirip dengan The Guardian, tetapi dengan fokalisasi yang berbeda - artikel berita The New York Times merepresentasikan keterlibatan Amerika Serikat AS sebagai protagonis dan narasi sejarah tragedi 1965 terkait pembatalan mata acara UWRF 2015.

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ABSTRACTThis research analyzes the media ideology incorporated in three different international media, namely The Jakarta Post 2015 , The Guardian 2015 , and The New York Times 2015 in the framework of Said rsquo s in Patrick Wolfe 1997 orientalism. The news reports chosen from each media are of the cancellation in Ubud Writers and Readers Festival UWRF 2015, orderly entitled ldquo Being Silenced in Ubud rdquo , ldquo Indonesian writers rsquo festival forced to cancel events linked to 1965 massacre rdquo , and ldquo At a Bali Festival, Indonesia Enforces Silence About Its Bloody Past rdquo , dissected with Fairclough rsquo s 2015 comparative critical discourse analysis. The research, emphasizing on the representation analysis, is divided into three parts of analysis, which are the comparative analysis on the representation of process, the representation of social actors, and the representation of space time in each news reports. The first finding is that The Jakarta Post, as the Orient media, carries specific and local politics by framing Indonesian national civil society as the protagonist and the festival organizers as the antagonist, yet with weak focalization. Second, The Guardian, as the West media, carries generic and global politics by framing the international governance as the protagonist and the authoritarian national governance as the antagonist with focalization on the national governance rsquo s sentiment towards the foreign. Lastly, The New York Times, as the West media, is similar to The Guardian, yet with different focalization ndash it represents the United States of America rsquo s involvement as the protagonist and the narrative history of the 1965 tragedy in accordance to the cancellation in UWRF 2015."

"Sebelum berlakunya Peraturan Bank Indonesia No. 14/17/PBI/2012 tentang Kegiatan Usaha Bank Berupa Penitipan dengan Pengelolaan (Trust), perjanjian trust antara badan hukum Indonesia dengan badan hukum asing kerap digugat ke peradilan Indonesia atas dasar penyelundupan hukum. Akibatnya, pilihan hukum dan pilihan forum dalam perjanjian tersebut diabaikan oleh hakim dalam peradilan Indonesia, sehingga peradilan Indonesia mengadili perkara perjanjian trust dengan mengacu pada hukum Indonesia yang pada saat itu belum mengenal lembaga hukum trust. Setelah berlakunya Peraturan Bank Indonesia No. 14/17/PBI/2012 tentang Kegiatan Usaha Bank Berupa Penitipan dengan Pengelolaan (Trust), perjanjian trust tidak lagi dapat dianggap sebagai penyelundupan hukum.

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Prior to the enactment of the Bank Indonesia Regulation No. 14/17/PBI/2012 concerning Trust as Bank Business Activities, trust agreements between Indonesian legal entity and foreign legal entity were often considered as fraudulent creation of point of contacts and be sued to the Indonesian civil court. As a result, the choice of law and the choice of forum that had be made in the agreement was ignored by the Indonesian civil court’s judges. Therefore, the judges adjudicated the case of a trust agreement with reference to the Indonesian law which at that time has not regulated about trust. After the enactment of the Bank Indonesia Regulation No. 14/17/PBI/2012 concerning Trust as Bank Business Activities, trust agreements shall no longer be considered as fraudulent creation of point of contacts."

"Tesis ini merupakan penelitian mengenai produksi dan konsumsi Festival Java Jazz di Indonesia yang diselenggarakan oleh PT. Java Festival Production. Penelitian ini bertujuan menunjukkan bagaimana sebuah produksi budaya dimaknai oleh produsen, konsumen, sponsor dan media, dan konstruksi sosial (gender, kelas, cita rasa) yang dibangun. Sumber data adalah AXIS Jakarta International Java Jazz Festival 2010 dan pihak-pihak yang terlibat di dalamnya, seperti produsen, konsumen, dan media. Landasan pemikiran yang dipakai adalah konsep pemaknaan (signifikasi). Pendekatan Cultural Studies diterapkan melalui kajian kritis terhadap hasil observasi, wawancara dan Focus Group Discussion (FGD). Hasil penelitian ini menunjukkan bahwa Festival Java Jazz merupakan ruang pertarungan berbagai kepentingan, khususnya kepentingan kapital yang mendukung konstruksi sosial yang membangun citra femininitas dan membedakan cita rasa kelas menengah atas.

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This thesis is based on a research on the production and consumption of Java Jazz Festival in Indonesia, which was organized by PT. Java Festival Production. The research is aimed at describing how a cultural event production was constructed by producers, consumers, sponsors and media, as well as the social construction (gender, class, flavor) created. The sources of data are AXIS Jakarta International Java Jazz Festival 2010 and the parties involved in the event, such as producers, consumers, and media. The underlying idea applied in this research is the concept of signification. Cultural Studies approach is applied through critical assessment of the results of the observation, interviews and Focus Group Discussion (FGD). The results of this research indicate that Java Jazz Festival was a battlefield for various interests, especially the interests of the capital supporting a social construction that creates a feminine image and segregates a flavor for the uppermiddle class."