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"Manuscripts are not supposed to be something unknown to the public and possessed by limited circle of people. Manuscripts are cultural heritage of a nation the content of which reflects the ideas, knowledge, tradition, and the patterns of behavior of the past society. As such they can be of use to different segments of society. This paper discusses the benefits of manuscripts to the efforts of reconstructing Islamic intellectual history in Indonesia by studying the case of local manuscripts in the Minang region. These manuscripts are not only the products of a writing tradition that had developed strongly in the Minangkabau society, but also a reflection of the living tradition of the society."

"This paper looks at an early nineteenth-century Malay letter from a land of exile,Ceylon (present Sri Lanka). The letter, written in Colombo, was dated 3 January1807 and is in Leiden University Library MS Cod.Or.2241-I 25 [Klt 21/no.526]. Itwas written by Siti Hapipa, the widow of the exiled Sultan Fakhruddin AbdulKhair al-Mansur Baginda Usman Batara Tangkana Gowa, the 26th king of theGowa Sultanate of South Sulawesi who reigned from 1753 until 1767. He wasbanished by the Dutch (Vereenigde Oost-Indische Compagnie, VOC) to Ceylonin 1767 on a charge of conspiracy with the British to oppose the VOC tradingmonopoly in eastern Indonesia. Although many studies of Malay letters exist,letters from the lands of exile like such as the one discussed in this article havereceived less scholarly attention. Also remarkable is that this is one of the rareeighteenth- and nineteenth-centuries Malay letters written by a female. Settingthe scene with a historical sketch of the eighteenth and the early nineteenthcentury in colonial Ceylon and the Netherlands East Indies, this paper providesthe transliteration of Siti Hapipa?s letter in Roman script, through which Ithen analyse the socio-economic and political aspects of the family of SultanFakhruddin in their exile in Colombo."

"This paper looks at an early nineteenth-century Malay letter from a land of exile,Ceylon (present Sri Lanka). The letter, written in Colombo, was dated 3 January1807 and is in Leiden University Library MS Cod.Or.2241-I 25 [Klt 21/no.526]. Itwas written by Siti Hapipa, the widow of the exiled Sultan Fakhruddin AbdulKhair al-Mansur Baginda Usman Batara Tangkana Gowa, the 26th king of theGowa Sultanate of South Sulawesi who reigned from 1753 until 1767. He wasbanished by the Dutch (Vereenigde Oost-Indische Compagnie, VOC) to Ceylonin 1767 on a charge of conspiracy with the British to oppose the VOC tradingmonopoly in eastern Indonesia. Although many studies of Malay letters exist,letters from the lands of exile like such as the one discussed in this article havereceived less scholarly attention. Also remarkable is that this is one of the rareeighteenth- and nineteenth-centuries Malay letters written by a female. Settingthe scene with a historical sketch of the eighteenth and the early nineteenthcentury in colonial Ceylon and the Netherlands East Indies, this paper providesthe transliteration of Siti Hapipa?s letter in Roman script, through which Ithen analyse the socio-economic and political aspects of the family of SultanFakhruddin in their exile in Colombo."

"ABSTRAKJurnal penelitian sejarah dan nilai tradisional diasuh oleh balai pelestarian nilai budaya Bali, NTB, NTT, Kementerian pendidikan dan kebudayaan sebagai upaya menyebarluaskan informasi mengenai perkembangan ilmiah kesejarahan dan nilai budaya. Jurnal ini memuat hasil penelitian maupun kajian konseptual yang berkaitan dengan kesejarahan dan nilai budaya yang dilakukan oleh peneliti, akademisi, dan pemerhati kebudayaan."

"Sastra dari luar, misalnya dari India, Persia, dan Cina telah lama masuk ke ranah sastra Indonesia, bahkan juga menjadi bagian dari sastra Jawa, misalnya Mahabarata, Ramayana, dan Baratayudha (dari India), Menak, Ambiya, Yusup dari Persia, serta Sam Pek Eng Tai dan Sin Jin Kui dari Cina. Kehadiran (naskah-naskah) sastra tersebut dilakukan melalui perpindahan penduduk ke luar daerah asalnya (migrasi) sambil membawa serpihan kekayaan budaya mereka. Di negeri singgahnya, biasanya, mereka beradaptasi dengan saling menunjukkan kebudayaan masing-masing, yang selanjutnya teradaptasi di negeri baru itu. Perjalanan budaya semacam itu dapat terjadi juga pada abad modern ini, misalnya kehadiran guritan karya Noriah Muhammed dan puisi karya Si Zainon Ismail (keduanya dari Malaysia). Perpindahan sastra Jawa (dan Indonesia) keluar negerinya juga melalui perpindahan penduduk atau migrasi, tetapi ada perbedaan pada latar belakang yang mendasarinya karena kondisi dan konsep bernegara masa kini lebih bersistem, yang tidak memungkinkan migrasi secara mudah, dan atau mengajarkan kebudayaan negeri asal secara bebas pula."