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"This paper looks at an early nineteenth-century Malay letter from a land of exile,Ceylon (present Sri Lanka). The letter, written in Colombo, was dated 3 January1807 and is in Leiden University Library MS Cod.Or.2241-I 25 [Klt 21/no.526]. Itwas written by Siti Hapipa, the widow of the exiled Sultan Fakhruddin AbdulKhair al-Mansur Baginda Usman Batara Tangkana Gowa, the 26th king of theGowa Sultanate of South Sulawesi who reigned from 1753 until 1767. He wasbanished by the Dutch (Vereenigde Oost-Indische Compagnie, VOC) to Ceylonin 1767 on a charge of conspiracy with the British to oppose the VOC tradingmonopoly in eastern Indonesia. Although many studies of Malay letters exist,letters from the lands of exile like such as the one discussed in this article havereceived less scholarly attention. Also remarkable is that this is one of the rareeighteenth- and nineteenth-centuries Malay letters written by a female. Settingthe scene with a historical sketch of the eighteenth and the early nineteenthcentury in colonial Ceylon and the Netherlands East Indies, this paper providesthe transliteration of Siti Hapipa?s letter in Roman script, through which Ithen analyse the socio-economic and political aspects of the family of SultanFakhruddin in their exile in Colombo."

"This paper looks at an early nineteenth-century Malay letter from a land of exile,Ceylon (present Sri Lanka). The letter, written in Colombo, was dated 3 January1807 and is in Leiden University Library MS Cod.Or.2241-I 25 [Klt 21/no.526]. Itwas written by Siti Hapipa, the widow of the exiled Sultan Fakhruddin AbdulKhair al-Mansur Baginda Usman Batara Tangkana Gowa, the 26th king of theGowa Sultanate of South Sulawesi who reigned from 1753 until 1767. He wasbanished by the Dutch (Vereenigde Oost-Indische Compagnie, VOC) to Ceylonin 1767 on a charge of conspiracy with the British to oppose the VOC tradingmonopoly in eastern Indonesia. Although many studies of Malay letters exist,letters from the lands of exile like such as the one discussed in this article havereceived less scholarly attention. Also remarkable is that this is one of the rareeighteenth- and nineteenth-centuries Malay letters written by a female. Settingthe scene with a historical sketch of the eighteenth and the early nineteenthcentury in colonial Ceylon and the Netherlands East Indies, this paper providesthe transliteration of Siti Hapipa?s letter in Roman script, through which Ithen analyse the socio-economic and political aspects of the family of SultanFakhruddin in their exile in Colombo."

"Bima is a region that has been attracting researchers? attention, which should notbe surprising because it has always been a multicultural region. Its history reveals that Bimawas one of the sailing routes, especially of the Malay Muslim traders, sailing from the directionof East Java. Bima then became a center of the Islamic rule in the eastern Nusantara. Thispaper discusses a brief history of how Bima became a center of Islamic rule that was stronglyinfluenced by the Malays."

"By deconstructing a text as proposed by Derrida, the text can reveals its meanings. To do this, re-reading a text is neded. For this purpose, the study attempts to understand the meanings behind Rendra's Surat Cinta and Surat kepada Bunda by discussing the use of metaphors. Both poems are read, re-read and discussed to get their meanings. It is argued that the re-readings show opposite meanings as understood in the first readings. Power, sex, and love are among the issues explored in the two poems. Furthermore, the metaphors reflect what sort of person the "I" is. "

"ABSTRAKBudaya merantau dalam kesusastraan Indonesia merupakan salah satu tema yang muncul sejak tahun 1920-an. Hamka pada tahun 1939 menulis Merantau ke Deli yang menentang pandangan adat Minangkabau yang menganggap seorang laki-laki tidak ada harganya jika menikah dengan perempuan yang bukan berasal dari Minangkabau. Pada tahun 2013, muncul kumpulan cerpen Yang Menunggu dengan Payung, di antaranya berbicara tentang merantau. Dalam konteks masyarakat Minangkabau, selain merantau dianggap sebagai adat, merantau juga menimbulkan persoalan-persoalan. Penelitian ini membahas budaya merantau pada masyarakat Minangkabau yang terdapat di dalam cerpen ldquo;Tabung Cahaya rdquo;, ldquo;Bida dari Bukit Barisan rdquo;, dan ldquo;Bini Perantau rdquo; karya Zelfeni Wimra. Jadi, kajian dari ketiga cerpen tersebut diperoleh simpulan bahwa merantau tidak selalu menjadi jalan keluar yang tepat ketika sebuah keluarga menghadapi masalah ekonomi. Ternyata merantau tidak selalu didorong oleh motif ekonomi. Adapun motif lain yaitu karena kekecewaan atas perubahan desanya dan motif tekanan sosial.Budaya merantau dalam kesusastraan Indonesia merupakan salah satu tema yang muncul sejak tahun 1920-an. Hamka pada tahun 1939 menulis Merantau ke Deli yang menentang pandangan adat Minangkabau yang menganggap seorang laki-laki tidak ada harganya jika menikah dengan perempuan yang bukan berasal dari Minangkabau. Pada tahun 2013, muncul kumpulan cerpen Yang Menunggu dengan Payung, di antaranya berbicara tentang merantau. Dalam konteks masyarakat Minangkabau, selain merantau dianggap sebagai adat, merantau juga menimbulkan persoalan-persoalan. Penelitian ini membahas budaya merantau pada masyarakat Minangkabau yang terdapat di dalam cerpen ldquo;Tabung Cahaya rdquo;, ldquo;Bida dari Bukit Barisan rdquo;, dan ldquo;Bini Perantau rdquo; karya Zelfeni Wimra. Jadi, kajian dari ketiga cerpen tersebut diperoleh simpulan bahwa merantau tidak selalu menjadi jalan keluar yang tepat ketika sebuah keluarga menghadapi masalah ekonomi. Ternyata merantau tidak selalu didorong oleh motif ekonomi. Adapun motif lain yaitu karena kekecewaan atas perubahan desanya dan motif tekanan sosial.

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ABSTRACTThe culture of wandering in Indonesian literature is one of the themes that emerged during the 1920s. Hamka in the 1939 wrote Merantau ke Deli against the Minangkabau tradition view that regarded a man as worthless if married to a woman who was not from Minangkabau. In 2013, there appears a collection of short stories that Yang Menunggu dengan Payung among them talking about wandering. In the context of Minangkabau society, in addition, to wander considered customary, wander also cause problems. This research discusses the culture of wandering in Minangkabau society contained in short stories of ldquo Tabung Cahaya rdquo , ldquo Bida dari Bukit Barisan rdquo , and ldquo Bini Perantau rdquo by Zelfeni Wimra. So, the study of these three short stories obtained the conclusion that wanderers are not always the right way out when a family faces an economic problem. Apparently, wanderers are not always driven by economic motives. The other motives are due to disappointment over the change of village and the motive of economic pressure."

"Due to the emergence of what in Indonesian is called industri rekaman daerah ?Indonesian regional recording industries?, which has developed significantly since the 1980s, many regional recording companies have been established in Indonesia. As a consequence, more and more aspects of Indonesian regional culture have appeared in commercial recordings. Nowadays commercial cassettes and Video Compact Discs (VCDs) of regional pop and oral literature genres from different ethnic groups are being produced and distributed in provincial and regency towns, even those situated far from the Indonesian capital of Jakarta. Considering the extensive mediation and commodification of ethnic cultures in Indonesia, this paper investigates the impact of the rise of a regional recording industry on Minangkabau oral literature in West Sumatra. Focussing on recordings of some Minangkabau traditional verbal art genres on commercial cassettes and VCDs by West Sumatran recording companies, this paper attempts to examine the way in which Minangkabau traditional verbal art performers have engaged with electronic communication, and how this shapes technological and commercial conditions for ethnic art and performance in one modernizing society in regional Indonesia."

"Tradisi Marebu Mala merupakan salah satu tradisi yang terdapat di desa adat Beraban. Marebu Mala sangat terkait dengan suatu ritual yang berkenaan dengan pembersihan atau pensucian buana agung atau pembersihan terhadap alam semesta dalam ruang lingkup yang lebih kecil adalah lingkungan tempat pakraman desa adat setempat. Tradisi Marebu Mala diselenggarakan pada saat-saat tertentu tatkala adanya suatu kejadian atau peristiwa wabah penyakit atau hal lain yang mengancam keharmonisan hubungan manusia dengan lingkungan sekitarnya. Penelitian ini menggunakan metode pengamatan, wawancara, dan perpustakaan. Sedangkan, teori yang digunakan adalah teori neofungsional dan semiotik. Adapun perumusan masalahnya adalah apa fungsi dari tradisi Marebu Mala dan yang kedua bagaimana prosesi tradisi Marebu Mala dilakukan. Adapun pembahasannya yakni. Marebu Mala merupakan suatu tradisi yang telah ada dan dilakukan secara turun-menurun oleh masyarakat setempat. Ritual ini sangat sakral karena berkaitan dengan religi atau kepercayaan masyarakat. Fungsi dari Marebu Mala adalah melakukan penetralisiran terhadap energi-energi negatif baik yang disebabkan oleh alam maupun oleh ulah manusia sehingga keadaan yang buruk itu dapat dikontrol dan diredam, tidak menimbulkan impek yang buruk terhadap lingkungan kehidupan manusia. "

"ABSTRAKThis dissertation is a study in diachronic perspective on the impact of recording technologies, more specifically cassette and video compact disc (VCD), on Indonesian local cultures and societies. It examines how modern reproduced sound, which is constantly proliferating and multiplying up to today through various (social) media, but initially facilitated by recording media technology through the agency of regional recording industries, has influenced the contours of Indonesian local cultures. The study relates Indonesia?s first encounter with recording technology, examines the nature and cultural ramifications of the expansion of recording technology among Indonesia?s ethnic groups, and looks at its engagement with other media. As a case study, the West Sumatran recording industry is explored, along with the commercial cassettes and VCDs it has produced."

"Panggung Bangsawan is a popular folk theatre in Riau Lingga. The ups and downs in its performance are atributed to changes in social, political, and cultural conditions. This article is a reconstruction of a near extinct Panggung Bangsawan group in the Teluk village in the islands of Riau Lingga. First, I have attempted to describe the staging process; second, to endeavour to understand the phenomenon of change which occurs when a folk tale is transformed from written work into a performance; and third, to expose the transformation of a script (text) divided into scenes into a performance. This is an attempt to explain the relation between the audience?s response to a text when it is staged. This article is expected to give a more profound understanding on how the society supporting Panggung Bangsawan remember their past and their ideal views while comprehending how the shift in life values emerges in a staged folk tale."