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"On the basis of the theoretical notions of discursive ambience and ambientdiscourse, this article examines the recent history of language and ethnicity inBanyuwangi in the far east of Java. Over the last three decades (with roots goingback to the 1920s and earlier) a redefinition of the language and culture of the?autochthonous? inhabitants of Banyuwangi has been occurring. Their status andconstitution have been changing from a variety of Javanese into an autonomouslanguage and ethnicity, called, after the name given to the language or dialect,Osing. At the same time, an idyllic and heroic picture of the regional past isbeing constructed and maintained. Prominent among the factors and agenciesinvolved in these two ongoing processes is popular media culture. The regencyof Banyuwangi and especially its capital (also named Banyuwangi) are beingcast ? albeit sporadically and incidentally and sometimes controversially ? asan Osing region. At the centre of this historical process, people publicly renderthemselves ? also sporadically and temporarily ? Banyuwanginese by listeningto and especially by singing, in karaoke-style, a genre of pop music with Osinglyrics and musical characteristics perceived as local."

"Due to the emergence of what in Indonesian is called industri rekaman daerah ?Indonesian regional recording industries?, which has developed significantly since the 1980s, many regional recording companies have been established in Indonesia. As a consequence, more and more aspects of Indonesian regional culture have appeared in commercial recordings. Nowadays commercial cassettes and Video Compact Discs (VCDs) of regional pop and oral literature genres from different ethnic groups are being produced and distributed in provincial and regency towns, even those situated far from the Indonesian capital of Jakarta. Considering the extensive mediation and commodification of ethnic cultures in Indonesia, this paper investigates the impact of the rise of a regional recording industry on Minangkabau oral literature in West Sumatra. Focussing on recordings of some Minangkabau traditional verbal art genres on commercial cassettes and VCDs by West Sumatran recording companies, this paper attempts to examine the way in which Minangkabau traditional verbal art performers have engaged with electronic communication, and how this shapes technological and commercial conditions for ethnic art and performance in one modernizing society in regional Indonesia."

"This paper examines with a particular affixe (keter-/-an) consisting in two primaryaffixes. Through the analyse of terms coined by the Pusat Bahasa and spontaneousterms, the paper distinguishes between ?double? and ?complex? affixation,corresponding to different operating modes of affixation. The first deals withan already affixed and lexicalized word, then reaffixed and relexicalized. Thesecond, almost only found in documents produced by the Pusat Bahasa, refersto a base getting a first affix in a poorly (or not) lexicalized form, constitutingno more than a morphological stage towards the wished form, which is intentas lexicalized. Complex affix keter-R-an is basically a morphological calque andthe author argues that it has been promoted and used during New Order on anideological basis, as a mean to modernize Indonesian terminology by keepingits shape indigenous rather than by direct borrowing of English terms."

"This paper examines with a particular affixe (keter-/-an) consisting in two primaryaffixes. Through the analyse of terms coined by the Pusat Bahasa and spontaneousterms, the paper distinguishes between ?double? and ?complex? affixation,corresponding to different operating modes of affixation. The first deals withan already affixed and lexicalized word, then reaffixed and relexicalized. Thesecond, almost only found in documents produced by the Pusat Bahasa, refersto a base getting a first affix in a poorly (or not) lexicalized form, constitutingno more than a morphological stage towards the wished form, which is intentas lexicalized. Complex affix keter-R-an is basically a morphological calque andthe author argues that it has been promoted and used during New Order on anideological basis, as a mean to modernize Indonesian terminology by keepingits shape indigenous rather than by direct borrowing of English terms."

"Walaupun hasil penelitian menunjukkan bahwa manfaat koreksi kesalahan padatulisan siswa bertentangan satu dengan yang lain, pengajar bahasa tidak dapatberhenti mengoreksi kesalahan-keslahan karena siswa sendiri menginginkanpengajar mengoreksi kesalahan-kesalahan mereka (Walz 1982). Masalahnyaadalah harapan siswa kerap kali berbeda dengan keyakinan pengajar tentangkoreksi kesalahan (Diab 2006). Kajian ini ingin mengetahui keinginan paramahasiswa dan pengajar di Universitas di Indonesia tentang koreksi kesalahantulisan mahasiswa. Sebuah kuesioner yang disusun berdasarkan kuesioneryang digunakan Leki (1991) dan kuesioner yang digunakan Diab (2006)digunakan untuk mengetahui keinginan pengajar dan mahasiswa tentangteknik koreksi dan keyakinan mereka tentang koreksi kesalahan tulisan yangeffektif. Kuesioner ini dibagikan kepada mahasiswa dan pengajar di Indonesia.Jawaban pengajar dibandingkan dengan jawaban mahasiswa. Bila pengajar danmahasiswa memahami tujuan dari teknik koreksi kesalahan tertentu dan setujudengan penggunaannya, koreksi kesalahan diyakini akan sangat bermanfaat.Berdasarkan hasil kajian ini, beberapa implikasi bagi pengajaran bahasa di kelasdibahas."

"Jalan Menikung is one of the unique literary works. The uniqueness is reflectedin both the cultural background and the elements of culture. This indicates that the authorhas rich experiences in culture. The cultural values in this literary work do not only belongto the ethnic culture in Indonesia, but also to other cultures. Jalan Menikung is influencedby the authors experiences which he absorbed from other cultures, when he made a tour tosome places in the world. The crux of the problem in this literary work is concerned withJavanese people and their culture, which is influenced by modern culture, especially American,Japanese,Chinese, and Minangkabau."

"Yasmina Khadra, a female name, pseudonym of Muhammed Moulessehoul, an Algerian military officer for 25 years is now a French citizen. John Cullen translates The attack (2006) from French. Rosenau?s post-modernist perspective places the Israel-Palestine conflict in a context of social gap. Israel, a First World, whereas Palestine Third World, are both in the Middle East region. Amin Jaafari and his wife, Sihem, a couple of Arab naturalized citizens of Israel, live in urban cosmopolitan city of Tel Aviv. Opposing Amin?s success as a surgeon, Sihem is more attracted to fight for the Palestinian liberation for a homeland. Sihem camouflaged herself with prosthetic pregnancy, blew bombs in a Tel Aviv café, and died. McLeod?s postcolonial point of view places Sihem as a hero. Woodward?s concept of identity addresses the Jaafaris? troubled identity. Thus, opposition against urban cosmopolitan setting is the central theme as a notion of identity of that of the protagonists responding to their set situation."

"Artikel ini mempertanyakan sejauh mana masyarakat Belanda Progresif di bidang norma banhasa, kesusahan, dan gender. Dinilai dengan diskusi tentang norma bahasa di kamus Van dale dan resepsi terhadap kamus tersebut di Indonesia serta pandangan terhadap penulis wanita dan statusnya dalam masyarakat Belanda. Artikel ini berkesimpulan bahwa kebudayaan Belanda tidaklah seprogresif yang dibayangkan orang. Dalam hal gender, pandangan terhadap status dan kemampuan perempuan yang agak miring mungkin ini disebabkan oleh perempuan itu sendiri. Dalam hal kesusasteraan, misalnya, perempuan akan diperlakukan sama seperti laki-laki jika mereka menulis dan bertingkah laku berbeda dari yang sekarang"

"This article deals with traditional literature of the Pakpak-Dairi and Karo peoples in North Sumatra, who are speakers of closely related Batak languages and have many common features in their language and culture. Their traditional life-style, based on agriculture and the use of forest products, requires the regular performance of community rituals featuring songs, dance, music and other oral traditions including storytelling. The songs, prayers, and stories belonging to their literary tradition have characteristic features that are intimately connected with the social context in which they are created and performed. Karo and Pakpak-Dairi oral genres often contain information about the natural environment, local customs and religious concepts. They may also reflect perceptions of relationships with neighbouring groups, such as the Minangkabau and the Malays who live in the coastal areas."