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"There are online articles, with visual materials, stating that some post-1998 Indonesian film posters were accused as plagiarism by common people. However, academically speaking, it needs deeper skills and knowledge to prove acts of plagiarism. This paper will discuss the issues around Indonesian film posters and plagiarism, including the possibility of citing in graphic design. The research will treat film posters not only as marketing tools to promote the movies, as many people consider, but also as graphic design materials. Some terms such as appropriation, homage, and pastiche will be discussed to analyze the phenomenon."

"Panggung Bangsawan is a popular folk theatre in Riau Lingga. The ups and downs in its performance are atributed to changes in social, political, and cultural conditions. This article is a reconstruction of a near extinct Panggung Bangsawan group in the Teluk village in the islands of Riau Lingga. First, I have attempted to describe the staging process; second, to endeavour to understand the phenomenon of change which occurs when a folk tale is transformed from written work into a performance; and third, to expose the transformation of a script (text) divided into scenes into a performance. This is an attempt to explain the relation between the audience?s response to a text when it is staged. This article is expected to give a more profound understanding on how the society supporting Panggung Bangsawan remember their past and their ideal views while comprehending how the shift in life values emerges in a staged folk tale."

"Horror film is a film genre that presents things that are frightening, tenses, and horrifying. The idea of horror film is basically to terroriz the audience through various terrifying acts or actors. Horror films in the beginning are closely related to stories rooted in the culture of Europr, ...."

"This article focuses on the psycholinguistic study of the syntactic aspects of Dutch-Indonesian interlanguage. The study is based on the interlanguage syntax observed in an oral test given to thirty Indonesian learners of Dutchas a second language, whose purpose is to test the processability theory of Pienemann (2005a, b, c, 2007). The results of the study provide evidence for the validity of Pienemann?s theory. Learners who have acquired sentences with the highest level of processing will also already have acquired sentences with a lower level of processing. The results from learners with a high level of Dutch proficiency verify the processability theory with more certainty than the results of learners with a lower proficiency. Learners tend to rely on meaning if they are not confident of their grammatical proficiency. Interlanguage is the result of the immediate need to encode in the mind concepts and ideas into the form of linguistic items, within a fraction of a millisecond, whilst the supporting means are limited, and whilst learners already have acquired a first language and possibly another language as well."

"The phenomenon of the Hallyu wave or South Korean pop culture has emerged globally since the late 1990s. Back then, fans used to consume the product given by the producer. As time evolves, nowadays, K-pop fans do not only consume the products provided by the producer. Instead, fans can actively interact, participate and become the producer within the K-pop fandom with the existence of participatory culture. However, the visual content created by fans on social media often contains imaginary content that might cause fanatic and delusional behavior towards the K-pop idols. Therefore, this paper aims to understand the concept of Suler’s online disinhibition (2004) theory, explaining how visual content enables fanatic and delusional behavior of Indonesian K-pop fans in cyberspace through dissociative anonymity, invisibility, solipsistic introjection, and minimization of status and authority. This study uses qualitative methods, observation on social media, and secondary data collection that will be used to analyze the fanatic and delusional behavior of K-pop fans in Indonesia using the online disinhibition theory through the imaginary and fictive visual content they created in social media.

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Fenomena gelombang Hallyu atau budaya pop Korea Selatan telah muncul secara global sejak akhir 1990-an. Saat itu, penggemar hanya terbiasa untuk mengkonsumsi produk yang diberikan oleh produsen. Seiring berkembangnya zaman, kini para penggemar K-pop tidak hanya mengkonsumsi produk-produk yang disediakan oleh produsennya saja. Sebaliknya, penggemar dapat secara aktif berinteraksi, berpartisipasi, dan menjadi produser dalam fandom K-pop dengan adanya Participatory Culture. Namun, konten audio-visual yang dibuat oleh penggemar di media sosial seringkali mengandung konten imajinasi yang dapat menyebabkan perilaku fanatic dan delusional terhadap idola K-pop. Oleh karena itu, makalah ini bertujuan untuk memahami konsep teori Online Disinhibition Suler (2004), yang menjelaskan bagaimana konten audio-visual memungkinkan terjadinya perilaku delusi dan fanatik penggemar K-pop Indonesia di dunia maya, melalui dissociative anonymity, invisibility, solipsistic introjection, dan minimization of status and authority. Penelitian ini menggunakan metode kualitatif, observasi di media sosial, dan pengumpulan data sekunder yang akan digunakan untuk menganalisis perilaku fanatic dan delusi penggemar K-pop di Indonesia dengan menggunakan teori Online Disinhibition, melalui konten visual imajinasi dan fiktif yang mereka buat di sosial media. "

"This study attempts to discuss the offensive policy taken by Partai Komunis Indonesia (Indonesia Communist Party) i cultural sphere, especially in film during the period of Demokrasi Terpimpin (1957-64). One of the implementation of the policy was the decision to stop the circulation of two films, Pagar Kawat Berduri and Anak Perawan di Sarang Penyamun, written by Asrul Sani and Usmar Ismail. By analyzing various written and audiovisual sources. This study concludes that the reason were more political. Film was not seen as a form of art, but was suspected as a threat to the political power of the party"

"This paper aims at exploring certain negotiations that justify Muslim’s cinematic texts and practices. It focuses on the questions about what is Islamic and un-Islamic about film, who and what decides certain films as Islamic, and what are the meanings of cinematic practices of Islam for Muslim society. Furthermore, this paper tries to investigate these questions from a theoretical basis using concepts of Islamic modernity, Islamic Ummah and Public, in order to shed some light on the idea of how a production of an Islamic film may trigger the creation of a political and religious identity."

"As a means of communicating thoughts, gamelan performances affect the way audiences construct their worldview. More than that, listeners in villages believe that performances can affect people?s behaviour. Performances may be deeply influential in the creation of fundamental social values such as in-group integrity, feelings of unity and peace in the community. All this demonstrates that in villages, arts are not autonomous entities; people value the arts as an integral domain with other social activities."