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"By four o’clock the midday heat has begun to mellow. Along kampung alleyways the raucous commotion of city life gives way to the occasional sounds of playing children, splashing water, cooing pigeons. Domestic life emanates crisply out of thin walls and open windows. Some people are freshening up with a mandi or cooking in their kitchens; others are watching television or quietly strumming guitars by their doorsteps. The sun, by now sunk behind buildings, has given way to the calm, mild air of early dusk..."

"Previous studies on Indonesian music focused on cultural heritage and traditional preservation or western-style modern music such as pop and rock music. Both were perceived as separate genre, even modern music often downplayed traditional one. The author argues analysis of hybrid genre like keroncong and dangdut would provide more complicated picture than such dichotomy. He explained long history of cultural exchanges in various parts of Indonesia which showed these two genres influenced each other. As a case study the author presents urban music as main character of urban social lives in Indonesia. This article depicts street music and campursari in Yogyakarta and linking it to popular cultures in some cities. Popular culture refers to informal recreation in different social settings. Eventually, this article reveals new ways to understand relation between music style and social identity in urban Indonesia."

"Kehidupan manusia tidak dapat dilepaskan dari nilai. Bagi masyarakat Yogyakarta, nilai selalu mengiringi setiap ritual dalam siklus kehidupan manusia. Salah satu bentuk ritual yang masih dilestarikan masyarakat Yogyakarta adalah slametan. Tujuan diadakan penelitian ini adalah untuk mengkaji nilai dalam slametan masyarakat Yogyakarta dalam perspektif Max Scheler. Penelitian ini menggunakan metode interpretasi melalui studi kepustakaan. Hasil penelitian ini adalah sebagai berikut; slametan masyarakat Yogyakarta adalah fenomena yang menekankan pengalaman intuitif terhadap pemahamannya atas Yang Mutlak. Dalam perpektif Max Scheler slametan sebagai ritual memiliki makna simbol dalam sesajinya mengandung empat gugus nilai, yakni: nilai kenikmatan, nilai vitalitas, nilai spiritual, dan nilai kesucian.

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Human's life can not be detached from value. For Yogyakarta?s society, value always accompanied each rituals in human's life cycle. One form of ritual still preserved by Yogyakarta?s society is slametan. The purpose of this research is to assess the value in slametan of Yogyakarta?s society in Max Scheler's perspective. This research using interpretation method through literature review. The outcome of this research are; The Yogyakarta?s society?s slametan is a phenomena that stressed the intuitive experiences on its comprehension of The Absolute. In Max Scheler's perspective, slametan as ritual has symbol meaning in its sesaji (offerings) consists four values, which are: pleasure value, vitality value, spiritual value, and holiness value."