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"ABSTRAKBaduy pantun stories are part of the larger Sundanese oral tradition of pantun storytelling in west Java. The stories recount the deeds of the nobility of such old Sundanese kingdoms as Pajajaran and Galuh. Although the Baduy still recite the pantun stories in their rituals, in the larger cities to the east of the Baduy village Kanékés pantun recitation almost disappeared. On the basis of short periods of fieldwork in and around Kanékés village between 1976 and 2014, in this essay I shall discuss Baduy pantun storytelling. I shall summarize earlier major publications and analyse some performance aspects of two Baduy pantun stories which I recorded. Although I do not concentrate on the text, I do discuss a few cultural issues arising from the texts. Baduy oral literature also includes children?s and women?s songs, as well as fables and myths of origin (dongéng) which do not involve music. These will not be discussed here."

"Baduy pantun stories are part of the larger Sundanese oral tradition of pantun storytelling in west Java. The stories recount the deeds of the nobility of such old Sundanese kingdoms as Pajajaran and Galuh. Although the Baduy still recite the pantun stories in their rituals, in the larger cities to the east of the Baduy village Kan k s pantun recitation almost disappeared. On the basis of short periods of fieldwork in and around Kan k s village between 1976 and 2014, in this essay I shall discuss Baduy pantun storytelling. I shall summarize earlier major publications and analyse some performance aspects of two Baduy pantun stories which I recorded. Although I do not concentrate on the text, I do discuss a few cultural issues arising from the texts. Baduy oral literature also includes children's and women's songs, as well as fables and myths of origin (dong ng) which do not involve music. These will not be discussed here."

"This article investigates the historical development of a hitherto undescribed Kerinci variety, the Semerap dialect, from a comparative Malayic perspective. The morphophonological characteristics of Kerinci languages are unusual within the Austronesian language family. This preliminary study, therefore, pays special attention to the characteristic four-way split of the historical root- final *V(C)# in Semerap lexemes: absolute, oblique, K-words, and G-words. Like other Kerinci varieties, the Semerap dialect features a type of phonological word-shape alternation, generally known as “phrasal alternation”, which also impacts on its syntax. This alternation (absolute vs. oblique) is determined by the syntactic position of the root, but also by semantic factors. To gain an accurate understanding of Semerap historical development, I also call attention to non- prenasalized voiced stops (G-phonemes), which also influence the realization of the root-final *V(C)#. Finally, an argument is made to take Kerinci varieties into account for Malay historical linguistics more generally."