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ABSTRACTTraditional critics of film adaptation generally assumed a) that the written text is better than the film adaptation because the plot is more intricate and the language richer when pictorial images do not intrude; b) that films are better when particularly faithful to the original; c) that authors do not make good script writers and should not sully their imagination by writing film scripts; d) and often that American films lack the complexity of authored texts because they are sourced out of Hollywood. The 'faithfulness' view has by and large disappeared, and intertextuality is now a generally received notion, but the field still lacks studies with a postmodern methodology and lens.Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism explores the intertextuality of a dozen films through a series of case studies introduced through discussions of postmodern methodology and practice. Providing the reader with informative background on theories of film adaptation as well as carefully articulated postmodern methodology and issues, Gordon Slethaug includes several case studies of major Hollywood productions and small studio films, some of which have been discussed before ("Age of Innocence, Gangs of New York," and "Do the Right Thing") and some that have received lesser consideration ("Six Degrees of Separation, Smoke, Smoke" "Signals, Broken Flowers," and various Snow White narratives including "Enchanted, Mirror Mirror, and Snow White and the Huntsman"). Useful for both film and literary studies students, Adaptation Theory and Criticism cogently combines the existing scholarship and uses previous theories to engage readers to think about the current state of American literature and film. "

"Introduction -- New woman, romance, and railroads: the paradox of colonial modernity -- Burden of the past: confessional writings in the space of decolonization -- Literature of instability and despair: woman and masculinity in postwar fiction -- - Nation re-building and postwar South Korean cinema: The coachman and The stray bullett."

"This book presents a comprehensive overview of the recently developed L1 adaptive control theory, including detailed proofs of the main results. The key feature of the L1 adaptive control theory is the decoupling of adaptation from robustness. The architectures of L1 adaptive control theory have guaranteed transient performance and robustness in the presence of fast adaptation, without enforcing persistent excitation, applying gain-scheduling, or resorting to high-gain feedback."