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"Part I. Overview -- Introducing East Asia -- East Asian studies: history, careers, and resources -- Part II. Fundamentals -- Modern East Asia: a history -- East Asian languages -- Part III. The global context -- East Asian economies in a globalizing world -- Globalization in East Asia -- Debunking the myths -- Part IV. Case studies -- Introduction to the case studies -- From flying pigeons to fords: China's new car culture -- New media and new technology in colonial Korea: radio -- Interpreting minority experiences of Japan's March 2011 triple disaster -- Society and culture: Confucianism in East Asia today -- The Korean Peninsula: global dimensions -- Reading "Kimigayo": the Japanese national anthem in a time of postnational transition -- Globalization and deindustrialization in China's (former) porcelain capital -- Buto: the birth and maturation of a new global art form -- China's one-child policy and the empowerment of urban daughters."

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ABSTRACTGender in Modern East Asia" explores the history of women and gender in China, Korea, and Japan from the seventeenth century to the present. This unique volume treats the three countries separately within each time period while also placing them in global and regional contexts. Its transnational and integrated approach connects the cultural, economic, and social developments in East Asia to what is happening across the wider world.The text focuses specifically on the dynamic histories of sexuality; gender ideology, discourse, and legal construction; marriage and the family; and the gendering of work, society, culture, and power. Important themes and topics woven through the text include Confucianism, writing and language, the role of the state in gender construction, nationalism, sexuality and prostitution, New Women and Modern Girls, feminisms, comfort women, and imperialism. Accessibly written and comprehensive, "Gender in Modern East Asia" is a much-needed contribution to the study of the region."

"Budaya Asia Timur tak lepas dari ritual untuk menghormati eksistensi Dewa. Ritual yang ada di Asia Timur contohnya adalah Festival Bintang yang dilaksanakan di musim panas. Festival ini berasal dari Tiongkok, bernama Festival Qixi. Kemudian masuk ke Korea dan dikenal dengan festival Chilseok. Dari Korea, kemudian masuk ke Jepang dan kemudian dinamakan festival Tanabata. Persamaan dalam tiga festival tersebut adalah sama-sama menjadikan bintang altair dan vega sebagai simbol dalam festival tersebut. Selain bintang, dalam festival Tanabata terdapat beberapa simbol lainnya yang disebut dalam nanatsu no kazari. Simbol tersebut bukan hanya sebagai ornamen atau pajangan, melainkan memiliki arti dan makna tersendiri sehingga wajib ada dalam perayaannya.

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East Asian culture cannot be separated from rituals to honor the existence of Gods. Rituals in East Asia, for example, are the Star Festival which is held in the summer. This festival originates from China, named Qixi Festival. Then it entered Korea and became known as the Chilseok Festival. From Korea, then entered Japan and was then called the Tanabata Festival. The similarities in the three festivals are that they both make the stars Altair and Vega the symbols of the festival. Apart from stars, in the Tanabata festival there are several other symbols which are mentioned in nanatsu no kazari. This symbol is not only an ornament or display, but has its own meaning and significance so that it must be present in the celebration."