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"Penelitian ini dilakukan berdasarkan maraknya busana pengantin Jawa yang dimodifikasi kearah religi. Perubahandesain dari busana pengantin yang murni bernuansa budaya lokal Jawa dan kemudian dipadupadankan dengan gayaberbusana muslim ini mengalami proses keberterimaan yang luar biasa sebagai trend fesyen dikalangan masyarakatIndonesia tak terkecuali masyarakat perkotaan seperti halnya Surabaya. Penelitian ini berusaha mengungkapkansimbolisasi dan pemaknaan budaya (budaya Jawa) dan agama (Islam) yang terdapat pada busana pengantin tersebut.Dengan menggunakan teori fashion system, peneliti mengungkap simbol yang terdapat di balik busana pengantin JawaMuslim yang menampakkan dua sisi busana, yaitu busana dari budaya Jawa dan busana bernuansa Islami sebagaisebuah sistem yang saling berkelindang. Hasil penelitian terhadap simbolisasi budaya dan agama dalam busanapengantin Jawa Muslim menunjukkan bahwa busana pengantin Jawa Muslim diproduksi oleh para perias pengantinsebagai bentuk kapitalisme yang menawarkan gaya hidup konsumerisme. Hal ini menunjukkan pula adanya pergeseranpemaknaan dalam busana pengantin Jawa Muslim dari budaya lokal asli Jawa menjadi budaya Jawa kontemporer. Halmenarik lainnya adalah bahwa pilihan dalam memakai busana pengantin Jawa Muslim ini tidak hanya karena alasanagama tetapi juga karena popularitas. Konsep busana muslim dalam busana pengantin Jawa Muslim tidak lagi terkaitdengan pemenuhan akidah Islam melainkan sebuah trend fesyen yang hanya merujuk pada tertutupnya auratThis study is conducted to investigate a popular practice of modifying Javanese bridal costumes based on religiousconsiderations. Transformation from purely traditional Javanese bridal costumes to those with some application ofIslamic clothing style is gaining rapid acceptance and begins to be considered as a popular fashion style by a greatnumber of Indonesians, especially in urban areas like Surabaya. The purpose of this study is to discover cultural (Java)and religious (Islam) symbolisms implied in the modification and to examine the signification involved in the process.By applying the fashion system theory, this paper seeks to unravel the symbolisms in modern Javanese-Moslem bridalcostumes which reveal a thought system built of two intertwining aspects: Javanese culture and Islamic religiousprinciples. Deep observation into the cultural and religious symbolisms reveals that the modern Javanese-Moslem bridalcostumes are actually invented by bridal stylists as a form of capitalism which benefits from a consumerist lifestyle.This fact reflects a shift in the way people signify modern Javanese-Moslem bridal costumes from Javanese localculture to contemporary Javanese culture. Another interesting finding shows that people choose this Javanese-Moslemstyle for their bridal costumes because of not only religious considerations but also its popularity. The application ofIslamic fashion style in the Javanese-Moslem bridal costumes is no longer associated with the obedience to Islamicteachings but is a mere reflection of a growing trend towards more extensive body coverage."

"Penelitian ini dilakukan berdasarkan maraknya busana pengantin Jawa yang dimodifikasi kearah religi. Perubahan desain dari busana pengantin yang murni bernuansa budaya lokal Jawa dan kemudian dipadupadankan dengan gaya berbusana muslim ini mengalami proses keberterimaan yang luar biasa sebagai trend fesyen dikalangan masyarakat Indonesia tak terkecuali masyarakat perkotaan seperti halnya Surabaya. Penelitian ini berusaha mengungkapkan simbolisasi dan pemaknaan budaya (budaya Jawa) dan agama (Islam) yang terdapat pada busana pengantin tersebut. Dengan menggunakan teori fashion system, peneliti mengungkap simbol yang terdapat di balik busana pengantin Jawa Muslim yang menampakkan dua sisi busana, yaitu busana dari budaya Jawa dan busana bernuansa Islami sebagai sebuah sistem yang saling berkelindang. Hasil penelitian terhadap simbolisasi budaya dan agama dalam busana pengantin Jawa Muslim menunjukkan bahwa busana pengantin Jawa Muslim diproduksi oleh para perias pengantin sebagai bentuk kapitalisme yang menawarkan gaya hidup konsumerisme. Hal ini menunjukkan pula adanya pergeseran pemaknaan dalam busana pengantin Jawa Muslim dari budaya lokal asli Jawa menjadi budaya Jawa kontemporer. Hal menarik lainnya adalah bahwa pilihan dalam memakai busana pengantin Jawa Muslim ini tidak hanya karena alasan agama tetapi juga karena popularitas. Konsep busana muslim dalam busana pengantin Jawa Muslim tidak lagi terkait dengan pemenuhan akidah Islam melainkan sebuah trend fesyen yang hanya merujuk pada tertutupnya aurat.

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This study is conducted to investigate a popular practice of modifying Javanese bridal costumes based on religious considerations. Transformation from purely traditional Javanese bridal costumes to those with some application of Islamic clothing style is gaining rapid acceptance and begins to be considered as a popular fashion style by a great number of Indonesians, especially in urban areas like Surabaya. The purpose of this study is to discover cultural (Java) and religious (Islam) symbolisms implied in the modification and to examine the signification involved in the process. By applying the fashion system theory, this paper seeks to unravel the symbolisms in modern Javanese-Moslem bridal costumes which reveal a thought system built of two intertwining aspects: Javanese culture and Islamic religious principles. Deep observation into the cultural and religious symbolisms reveals that the modern Javanese-Moslem bridal costumes are actually invented by bridal stylists as a form of capitalism which benefits from a consumerist lifestyle. This fact reflects a shift in the way people signify modern Javanese-Moslem bridal costumes from Javanese local culture to contemporary Javanese culture. Another interesting finding shows that people choose this Javanese-Moslem style for their bridal costumes because of not only religious considerations but also its popularity. The application of Islamic fashion style in the Javanese-Moslem bridal costumes is no longer associated with the obedience to Islamic teachings but is a mere reflection of a growing trend towards more extensive body coverage."

"Tesis ini membahas praktik politik identitas yang terjadi melaui wacana yang berkembang di Kedai Ilalang dan Kedai Pendaki sebagai ruang diskursus bagi komunitas penggiat alam serta mendeskripsikan konsep identitas yang ditawarkan kedai untuk dapat memenuhi politik identitas pengunjung yang mayoritasnya berasal dari komunitas penggiat alam. Penelitian ini adalah penelitian kualitatif dengan desain deskriptif.Hasil penelitian menunjukkan bahwa Kedai Ilalang dan Kedai Pendaki dapat menjadi sebuah ruang diskursus yang merepresentasikan suatu identitas melalui sebuah proyek untuk mencapai identitas tertentu sehingga pengunjung yang datang dapat memenuhi politik identitas sebagai penggiat alam.

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This thesis discusses the political identity that occurs through the growing discourse in Kedai Ilalang and Kedai pendaki as space for the adventurer communities and also to describe the concept of identity offered stalls to meet the political identity of the majority of visitors. This study is a qualitative research with descriptive design.

The results showed that Kedai Ilalang and Kedai Pendaki can be a discourse place that represents an identity that is a manifestation of a project to achieve a certain identity so that visitors who come can meet political identity as an adventurer."

"Usia remaja sangat labil dalam proses pencarian identitas diri. Hambatan dalam pencapaian identitas diri dapat menimbulkan perilaku menyimpang. Tujuan penulisan yaitu menggambarkan hasil pelaksanaan Terapi Kelompok Terapeutik, Latihan Asertif dan Psikoedukasi Keluarga terhadap peningkatan perkembangan remaja. Terapi Kelompok Terapeutik adalah terapi spesialis keperawatan jiwa yang membantu mengembangkan potensi dan meningkatkan kualitas antar anggota kelompok untuk mengatasi masalah kesehatan. Namun dengan karakteristik dan masalah anggota yang berbeda diperlukan terapi tambahan sesuai dengan masalah yang dihadapi oleh remaja. Remaja dengan kesulitan bersikap asertif diberikan tambahan terapi Latihan Asertif serta diberikan Psikoedukasi keluarga pada keluarga remaja. Evaluasi menunjukkan terjadi peningkatan aspek dan tugas perkembangan remaja. Analisa dilakukan dengan menggunakan pendekatan model Stuart dan King. Rekomendasi laporan ini dapat dijadikan standar terapi spesialis keperawatan jiwa dan disosialisasikan pada tatanan pelayanan kesehatan jiwa komunitas.

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During adolescent age, the teenagers are struggling for their self identity. The obstacle of teenagers to gain their self identity to some extent can be manifested through their deviant behaviors. The purpose of this scientific paper was to explore the result of Therapeutic Group Therapy, Assertiveness Training, and Family Psycho Education to improve adolescence growth and development. Therapeutic Group Therapy was mental health-psychiatric nursing specialization treatment with the purpose to assist the adolescence to develop their potential capacity and to improve the quality of group members to deal with their health problems. However, the different characteristics and problems of each group member required additional therapy which was appropriate with the problems they were facing. Teenagers with a difficulty of being assertive were given Assertiveness Training and Family Psychoeducation for their family. The results of these interventions showed the improvement particularl on diferrent aspects and developmental task of teenagers. Stuart and King Model were used for writing this scientific paper, and it was recommended that this report would be utilized as a standard of mental health-psychiatric nursing specialized treatment and to be socialized at all community mental health care settings."

"[Penelitian ini dilakukan untuk mengetahui apakah identity fusion memiliki hubungan dengan kesediaan berkorban dalam bentuk noncombative (mengeluarkan harta, meluangkan waktu dan diri) pada konteks agama dan apakah feelings of agency dapat berfungsi sebagai mediator dalam hubungan tersebut. Penelitian ini dilakukan pada 52 partisipan pada kelompok Jamaah Tabligh. Hasil penelitian menunjukan bahwa terdapat pengaruh yang signifikan antara identity fusion dan kesediaan berkorban dalam bentuk noncombative pada konteks agama (c = 0,931, p < 0,05). Selain itu, dengan menggunakan SPSS makro yang di disediakan oleh hayes (2014), peneliti melakukan bootstrapping test (n boots = 10.000), kemudian dihasilkan bahwa bias-corrected bootstrap CI untuk indirect effect (ab = 0,578, p < 0,05) sepenuhnya di atas nol (0,3277-0,9381), hal ini menunjukkan bahwa efek mediasi terdukung. Terakhir diperoleh bukti bahwa c' < c, hal ini menunjukkan bahwa hubungan identity fusion dan kesediaan berkorban dimediasi sebagian oleh feelings of agency (c' = 0,353).;This study is conducted to find out whether identity fusion has correlation with willingness to sacrifice on noncombative on religion and whether feelings of agency can be mediator in that relation. This research has 52 participant of Tablighi Jamaat. The result shows that there are significant influence between identity fusion and willingness to sacrifice on noncombative on religion aspect (c = 0,931, p < 0,05). Besides that, the researcher uses macro SPPS by hayes (2014) and makes bootstraping test (n boots = 10.000) so the result is bias-corrected CI for indirect effect (ab = 0,578, p < 0,05)) entirely above zero (0,3277-0,9381), it?s mean mediation effect fulfilled. Final results showed c' < c, it?s mean that correlation between identity fusion and sacrifice willingness was partially mediated by feelings of agency (c' = 0,353).;This study is conducted to find out whether identity fusion has correlation with willingness to sacrifice on noncombative on religion and whether feelings of agency can be mediator in that relation. This research has 52 participant of Tablighi Jamaat. The result shows that there are significant influence between identity fusion and willingness to sacrifice on noncombative on religion aspect (c = 0,931, p < 0,05). Besides that, the researcher uses macro SPPS by hayes (2014) and makes bootstraping test (n boots = 10.000) so the result is bias-corrected CI for indirect effect (ab = 0,578, p < 0,05)) entirely above zero (0,3277-0,9381), it?s mean mediation effect fulfilled. Final results showed c' < c, it?s mean that correlation between identity fusion and sacrifice willingness was partially mediated by feelings of agency (c' = 0,353)., This study is conducted to find out whether identity fusion has correlation with willingness to sacrifice on noncombative on religion and whether feelings of agency can be mediator in that relation. This research has 52 participant of Tablighi Jamaat. The result shows that there are significant influence between identity fusion and willingness to sacrifice on noncombative on religion aspect (c = 0,931, p < 0,05). Besides that, the researcher uses macro SPPS by hayes (2014) and makes bootstraping test (n boots = 10.000) so the result is bias-corrected CI for indirect effect (ab = 0,578, p < 0,05)) entirely above zero (0,3277-0,9381), it’s mean mediation effect fulfilled. Final results showed c' < c, it’s mean that correlation between identity fusion and sacrifice willingness was partially mediated by feelings of agency (c' = 0,353).]"

"Artikel ini membahas tentang perubahan identitas yang terjadi di antara migran Arab di Amerika, khususnya Arab Palestina, yang direpresentasikan dalam novel A Woman Is No Man karya Etaf Rum. Imigrasi sebagai kejadian besar dalam hidup manusia dapat menyebabkan perubahan identitas pada dirinya, khususnya identitas budaya, akibat penyesuaian diri dengan budaya di tempat barunya. Usaha penyesuaian diri ini seringkali diangkat menjadi tema novel-novel karya penulis Arab-Amerika, dimana para tokoh beradaptasi dengan budaya Amerika yang cenderung bebas dan bertentangan dengan nilai-nilai tradisional Arab. Novel karya penulis diaspora Arab di Amerika dapat menjadi media pengamatan bagi situasi perubahan identitas yang dialami kelompok komunitas etnis tersebut. Penelitian ini bertujuan untuk mengamati perubahan identitas yang berlangsung di antara generasi keluarga Arab-Palestina yang digambarkan dalam novel A Woman Is No Man. Data yang digunakan untuk penelitian ini berasal dari buku, buku elektronik, dan jurnal elektronik. Teori yang digunakan dalam penelitian ini adalah teori figurative culture yang dikemukakan oleh Margaret Mead. Hasil dari penelitian ini menunjukkan terdapat perubahan bertahap yang terjadi pada identitas budaya migran Arab-Amerika yang ditunjukkan dalam novel

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This article discusses about the identity changes that occurs among Arab immigrants in America, especially Palestinian Arabs, that represented in the novel A Woman Is No Man by Etaf Rum. Immigration as a major event in a human's life can cause an identity change, especially cultural identity, due to adjustment toward the culture in their new place. This adjustment effort is often used as the theme of novels by Arab-American writers, which the characters adapt to American culture that tend to be free and contrary to traditional Arab values. Novels by Arab diaspora writers in America can be a medium of observation for the situation of identity changes experienced by these ethnic community groups. This study aims to observe the identity changes among generations of Arab-Palestinian families described in the novel A Woman Is No Man. The data used for this article was collected from books, electronic books, and electronic journals. The theory used in this study is the figurative culture theory proposed by Margaret Mead. The results of this study indicate that there are gradual changes that occur in the cultural identity of Arab-American immigrants shown in the novel."

"Narasi Amerindian ditransformasikan secara lintas media. Proses alih wahana buku Bury My Heart at Wounded Knee (BMHWK) yang diterbitkan pertama kali pada tahun 1907 menjadi film dengan judul Bury My Heart at Wounded Knee (BMHWK) di tahun 2007 dan menjadi buku dengan judul Saga of the Sioux (SoS) di tahun 2011 mengonstruksi narasi peristiwa Wounded Knee dan memosisikan Amerindian dalam tatanan sosial, politik, dan budaya Amerika. Dengan menggunakan metode alih wahana, analisis dilakukan dengan mengungkap strategi pemertahanan (inclusion), penghilangan (exclusion), pemampatan (compression), penggantian (substitution), perluasan (extension), pengurutan ulang (re-sequencing), dan penciptaan (invention). Alih wahana teks BHMWK memperlihatkan kompleksitas identitas Amerindian. Hal ini diperkuat dengan bias dari ketiga pengarang kulit putih yang menyuarakan kepentingan Amerindian. Di sisi lain, transformasi ke film menunjukkan posisi film yang mendukung program kulit putih Amerika. Film BMHWK memperlihatkan narasi kaum kulit putih Amerika yang lebih dominan. Film ini mengafirmasi program asimilasi. Transformasi ke buku SoS menunjukkan proses pelembutan bahasa dan reduksi vulgaritas. Buku SoS mengubah narasi penderitaan Amerindian menjadi perjuangan suku Sioux. Penyederhanaan dalam buku SoS menempatkan suku Sioux sebagai aktor penting dalam sejarah mengenai Amerindian. Selain itu, buku ini memperlihatkan bahwa sejarah suku Sioux tidak berhenti pada peristiwa Wounded Knee tetapi terus berlanjut sampai saat ini. Hasil penelitian menunjukkan simplikasi permasalahan Amerindian dan menempatkan Amerindian sebagai objek subordinat kaum kulit putih.

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Amerindian narratives have been transformed across media. The process of transforming the book Bury My Heart at Wounded Knee (BMHWK), which was first published in 1907, into a movie titled Bury My Heart at Wounded Knee (BMHWK) in 2007 and into a book titled Saga of the Sioux (SoS) in 2011 constructs the narrative of the Wounded Knee event and positions Amerindians in the American social, political, and cultural order. Using the adaptation method, the analysis is conducted by revealing strategies of inclusion, exclusion, compression, substitution, extension, re-sequencing, and invention. The adaptation of the BHMWK text shows the complexity of Amerindian identity. This is reinforced by the bias of the three white authors who voice Amerindian interests. On the other hand, the transformation to film shows the film's position supporting the white American program. The movie BMHWK shows the dominant white American narrative. The film affirms the assimilation program. The transformation to the SoS book shows the process of softening language and reducing vulgarity. The SoS book transforms the narrative of Amerindian suffering into the struggle of the Sioux. The simplification in the SoS book places the Sioux tribe as an important actor in the history of the Amerindians. In addition, this book shows that the history of the Sioux tribe does not stop at Wounded Knee but continues to this day. This study shows the simplification of Amerindian issues and places Amerindians as subordinate objects of white people."

"[ABSTRAKTesis ini membahas face negotiation yang terjadi antara generasi muda Bataksebagai keturunan perantau dengan generasi tua dalam usaha mempertahankanidentitas budaya asal. Penelitian ini menggunakan teori face negotiation untukmembahas bagaimana konsep muka menyertai dua budaya berbeda dalammengendalikan terjadinya konflik. Penelitian dilakukan dengan menggunakanparadigma konstruktivis, pendekatan kualitatif, menggunakan metode etnografi.Subjek penelitian dipilih melalui strategi purposive. Hasil penelitian menunjukkanberdasarkan pembagian cluster dalam teori face negotiation dapat digambarkanface orientation generasi muda Batak adalah both/mutual face, face movementyang diterapkan adalah jenis mutual face protection moves, face interactionstrategis adalah mengedepankan high context, gaya konflik komunikasi yangsering terjadi adalah compromising, dan face content domain adalah reliabilityface yang mengedepankan kepercayaan.

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ABSTRACTThis thesis studies about face negotiation between Bataknese young generationwhich are part of migrant generation in Jakarta and their parents to maintainethnic identity of host culture. This studies used face negotiation theory to explainabout face concept between two different culture in maintain conflict. This studiesused constructivism paradigm, qualitative approach, and ethnography method.Subject in this studies are choosen by purposive sampling by criteria. The result ofthis studies shows that based on cluster of face negotiation theory, face orientationof bataknese young generation is both/mutual face, and also used other faceupgrading moves of face movement criteria. The face interaction strategies isprior to high context, compromising is conflict communication style prefered, andface content domain is reliability face, This thesis studies about face negotiation between Bataknese young generationwhich are part of migrant generation in Jakarta and their parents to maintainethnic identity of host culture. This studies used face negotiation theory to explainabout face concept between two different culture in maintain conflict. This studiesused constructivism paradigm, qualitative approach, and ethnography method.Subject in this studies are choosen by purposive sampling by criteria. The result ofthis studies shows that based on cluster of face negotiation theory, face orientationof bataknese young generation is both/mutual face, and also used other faceupgrading moves of face movement criteria. The face interaction strategies isprior to high context, compromising is conflict communication style prefered, andface content domain is reliability face]"

"Dalam beberapa tahun terakhir, tingkat partisipasi para fans dalam fandom telah mencapai tingkat keterlibatan yang semakin tinggi. Karya fans yang berfokus pada slashing atau pada pasangan laki-laki telah sering menjadi subyek diskusi akademis karena dianggap sebagai wadah untuk mengeksplorasi konstruksi gender. Namun, hanya sedikit penelitian akademis yang dilakukan pada karya self-insert karena karya heterosexual diasumsikan tidakmemiliki potensi subversif yang sama seperti karya ‘slashing’. Penelitian ini akan berfokus pada karya self-insert dalam bentuk fan work baik dalam bentuk visual ataupun textual pada fandom anime pada khususnya, karena secara historis, fandom anime lebih dikenal sebagai fandom yang didominasi laki-laki. Dengan menggunakan pendekatan kualitatif dan mengambil konsep dari gender performativity theory, penelitian ini akan membandingkan dan mengkaji protagonis wanita dalam karya self-insert di fandom anime dan bagaimana karya tersebut telah mengeksplorasi secara kreatif identitas gender dan seksual mereka sebagai bentuk perlawanan terhadap norma gender konvensional.

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In recent years, fan participation in their respective fandoms have reached new levels of higher and deeper involvement than ever before. Fan made works that focus on ’slashing’ or the pairing of two male characters have been subject to plenty of academic discussions as they offer rich data to explore gendered discourses in the narrative construction of fictional and real-life identities. However, there has been less academic research done on self-insertion fan works where the author inserts her own self into the narrative. Self-insertion fan works more often than not, focus on heterosexual relationships, and thus has been neglected by scholars as it is assumed that

heterosexual works do not have the same subversive potential as slash fan works do. Though self-insertion fan works has been seen as an inherently feminine practice, this paper will focus on self-insertion fan works in the form of fan fiction, and visual forms of self-insert fan works by the anime fandom in particular, as the anime fandom has been historically known to be more male dominated. By using a qualitative approach to the study and

drawing on concepts from gender performativity theory, this paper will compare and examine the female protagonists in several chosen self-insert fan works in the anime fandom and how the female authors have creatively explored and played with their gendered and sexual identities as a form of resistance to conventional gendered discourses."