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"Penelitian ini dilakukan untuk mendapatkan gambaran mengenai hubungan antara regulasi emosi dengan kecemasan performa musik pada performer musik remaja. Pengukuran regulasi emosi menggunakan alat ukur Emotion Regulation Questionnaire (ERQ) yang dikembangkan oleh Gross dan John (2003) dan pengukuran kecemasan performa musik dengan menggunakan Music Performance Anxiety Inventory for Adolescents (MPAI-A) yang dikembangkan oleh Osborne dan Kenny (2005a dalam Kenny & Osborne, 2006). Partisipan berjumlah 73 performer musik remaja yang berdomisili di Jabodetabek. Hasil penelitian ini menunjukkan tidak terdapat hubungan yang signifikan antara strategi cognitive reappraisal dalam regulasi emosi dengan kecemasan performa musik pada performer musik remaja (r = -0.027, dan tidak signifikan pada l.o.s 0.05 (p = 0.818), dan tidak terdapat hubungan yang signifikan antara strategi expressive suppression dalam regulasi emosi dengan kecemasan performa musik pada performer musik remaja (r = -0.045, dan tidak signifikan pada l.o.s 0.05 (p = 0.707)). Artinya, strategi regulasi emosi tidak berhubungan dengan tingkat kecemasan performa musik. Hal ini mungkin disebabkan oleh, perlunya mengukur state and trait anxiety sebelum mengukur kecemasan performa musik, dan perlunya menggunakan alat ukur yang dapat mengukur tingkat seberapa jauh seseorang sudah mampu mengontrol kecemasannya pada tingkat optimum. Berdasarkan hasil tersebut, perlu pengkajian lebih dalam faktor-faktor, serta kemungkinan yang memengaruhi hubungan tersebut.

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The study was conducted to get a description about the correlation between emotion regulation and music performance anxiety on adolescent music performer. Emotion regulation was measured by using Emotion Regulation Questionnaire (ERQ) developed by Gross and John (2003) and music performance anxiety was measured by using Music Performance Anxiety Inventory for Adolescent (MPAI-A) developed by Osborne and Kenny (2005a in Kenny & Osborne, 2006). Participants were 73 adolescent music performer in Jabodetabek. The result shows that there is no significant correlation between cognitive reappraisal strategy in emotion regulation and music performance anxiety on adolescent music performance (r = -0.027, and is not significant at l.o.s 0.05 (p = 0.818)), and that there is no significant correlation between expressive suppression strategy in emotion regulation and music performance anxiety on adolescent music performace (r = -0.045, and is not significant at l.o.s 0.05 (p = 0.707)). This leads us to a conclusion that emotion regulation does not correlate with music performance anxiety. The indication maybe caused by the need to measure whether the anxiety is a state or trait before measuring music performance anxiety and to use a measurement qualified for measuring how far someone can control their anxiety at optimum level. There is a need to conduct an exploration about factors and possibilities that affect the correlation."

"[ABSTRAKSkripsi ini membahas tentang perempuan yang memutuskan untuk menjadi penampil di dalam musik metal underground sebagai upaya counter-culture terhadap sistem kebudayaan yang patriarkis. Penelitian ini menggunakan dimensi analisa culture as crime dalam kajian kriminologi budaya mengingat terdapat praktik-praktik di dalam kebudayaan metal yang dilihat sebagai praktik-praktik yang menyimpang karena dianggap tidak sesuai dengan moralitas yang ada di masyarakat dominan. Selain itu, penelitian ini juga menggunakan kajian teori feminis radikal-libertarian dan feminis sosialis sebagai dasar dalam memaknai upaya yang dilakukan perempuan sebagai bentuk counter-culture. Sebuah band dengan personel keseluruhannya yang adalah perempuan menjadi subyek dalam penelitian ini, yakni Psychotic Angels. Penelitian ini menggunakan metode penelitian kualitatif dengan studi kasus feminis dan critical social science guna memaknai keputusan perempuan untuk menjadi penampil di dalam musik metal underground sebagai upaya counter-culture.ABSTRACTThis thesis discusses about the choices that women made to be a performer in metal underground music as a way to make counter-culture to the patriarchy culture. This thesis using the culture as crime dimension analysis in cultural criminology because there are so many aspect in metal music culture that people view it as a forms of deviance that does not analogous with the dominant morality in society. This thesis also using radical-libertarian feminist and socialist feminist theory as a core to understand the way the women use to do counter-culture. The subject of this research is a full women personel band, named Psychotic Angels. This thesis using the qualitative methods with feminist case study and critical social science perspective to understand the women choices to be a metal underground music performer in order to do counter-culture.;This thesis discusses about the choices that women made to be a performer in metal underground music as a way to make counter-culture to the patriarchy culture. This thesis using the culture as crime dimension analysis in cultural criminology because there are so many aspect in metal music culture that people view it as a forms of deviance that does not analogous with the dominant morality in society. This thesis also using radical-libertarian feminist and socialist feminist theory as a core to understand the way the women use to do counter-culture. The subject of this research is a full women personel band, named Psychotic Angels. This thesis using the qualitative methods with feminist case study and critical social science perspective to understand the women choices to be a metal underground music performer in order to do counter-culture., This thesis discusses about the choices that women made to be a performer in metal underground music as a way to make counter-culture to the patriarchy culture. This thesis using the culture as crime dimension analysis in cultural criminology because there are so many aspect in metal music culture that people view it as a forms of deviance that does not analogous with the dominant morality in society. This thesis also using radical-libertarian feminist and socialist feminist theory as a core to understand the way the women use to do counter-culture. The subject of this research is a full women personel band, named Psychotic Angels. This thesis using the qualitative methods with feminist case study and critical social science perspective to understand the women choices to be a metal underground music performer in order to do counter-culture.]"

"ABSTRAKPenulisan ini membahas mengenai hak-hak pelaku musik (performer's rights) seperti penyanyi, grup band di Indonesia. Sebagai pihak yang juga berkontribusi dalam tersedianya karya cipta musik kepada publik, pelaku musik berhak untuk mendapatkan perlindungan atas eksploitasi akan karya cipta musik tersebut. Hal ini lah yang melatarbelakangi lahirnya perjanjian-perjanjian internasional yang memberikan perlindungan bagi pelaku musik dalam pengeksplotasian suatu karya musik. Indonesia sendiri dengan telah meratifikasi perjanjian tersebut, telah mencantumkan pengaturan-pengaturan bagi pelaku musik dalam Undang-undang Hak Cipta Indonesia dalam ketentuan mengenai hak terkait. Meskipun demikian, pengaturan tersebut dianggap belum memberikan perlindungan yang memadai, apabila dibandingkan dengan pengaturan hak pelaku dalam undang-undang hak cipta Inggris (Copyright Act 1988). Demi mendapatkan perlindungan yang lebih baik, maka dengan membandingkan UUHC dengan Copyright Act 1988 diharapkan dapat menyempurnakan perlindungan bagi pelaku musik Indonesia.

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ABSTRACTThe focus of this study is about music performer's right such as singer, band in Indonesia. As a contributing party for musical work to be available to public, performer shall grant protection for the exploitation of their musical works as their musical work. Based on the performer's interest, the international made the first move to create the protection in international conventions. Indonesia also participates by ratifying the conventions and give protections for performers in Indonesian Copyright Law 2002 under neighboring right provisions. However, compared to UK Copyright Act 1988, performer's protection have not fully protected by Indonesian Copyright Law 2002. Therefore, in order to have a better protection, Indonesia Copyright Law 2002 should be revised."

"'Frog music' is the new atmospheric and gripping novel by Emma Donoghue, author of the multi-million-copy bestseller Room, soon to be adapted as a major motion picture directed by Lenny Abrahamson. San Francisco, 1876: a stifling heat wave and smallpox epidemic have engulfed the City. Deep in the streets of Chinatown live three former stars of the Parisian circus: Blanche, now an exotic dancer at the House of Mirrors, her lover Arthur and his companion Ernest. When an eccentric outsider joins their little circle, secrets unravel, changing everything - and leaving one of them dead. Inspired by a true unsolved crime, 'Frog music', a New York Times bestseller, is a dark and compelling story of intrigue and murder."