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"This research aims at the revealing of of kabbhanti kantola tradition rol e in character education that can be utilized integratedly in cultural art lesson (the local lesson) at high schools at Muna Regency. Kabbhanti kantola is a tradition that bas a function as a media of communication and consolation in Muna society with the song pattern of mutual traditional poetry (folksong) that bequeathed from generation to generation. The location of this research are three sub-districts at Muna Regency, namely Katobu sub-district, Watuputih sub-district, and Tongkuno sub-district. The data were collected through staging observation technique, recording technique, transcription, translation, and interpretation. The data then were analyzed qualitatively-interpretatively. The result of the research showithat the meaning and value that appear in the texts of kabbhanti kantola provides the varieties of precept, advice, and constructive criticism, guidance, and the building of society character who support them. Among of those values are to grow togetherness sense, precept about ethics in social intercourse, loyalty to the parents, the importance of economical ability before being married, and prohibition of gambling. Such criticism, precept, and message are aimed to create the harmony, and libration in the social life, and maintaining the morality values that Muna society trust. The character education that integrated in cultural art education in the local culture is very important to be applied at high schools at Muna Regency."

"Penelitian tentang nilai-nilai seni pertunjukan teater rakyat sandiwara Cirebon, Jawa Barat, sebagai penge¬tahuan lokal pembentuk karakter bangsa, bertujuan untuk mengkonservasi, merevitalisasi, dan mengkon- struksi nilai-nilai pengetahuan lokal dan karakter bangsa dalam seni pertunjukan teater rakyat Jawa Barat. Metode yang digunakan dalam penelitian ini adalah paradigma kualitatif, melalui metode arsip-kreatif terhadap pertunjukan teater rakyat sandiwara Cirebon. Metode arsip kreatif mengutamakan dokumen pertunjukan sandiwara, yang disetiap adegan dipilih gambar dan dialognya. Melalui metodetersebut, peneli¬tian ini berhasil mendapatkan nilai-nilai pengetahuan lokal dan karakter bangsa sebagai identitas budaya melalui pertunjukan sandiwara. Nilai-nilai tersebut terdapat pada lakon/cerita dalam pertunjukan teater rakyat Jawa Barat, seperti nilai moral, etika, jujur, tanggung jawab, dan cinta damai."

"The Puppeter Mask Klaten is a form of ancient folk arts which the existence cannot be separated £rom the history of the kingdoms in Central Java. Klaten is becoming a place for creative community who are able to create many artistic expressions and one of them called as Dalang Mask. Agrarian culture, communality, family and togethemess are becoming the value of life which represented through Dalang Mask Klaten. However, because of the era change, Dalang Mask Klaten is isolating by modem culture. Also the passed away of the Puppeter, the absence of regeneration process are often occured in the family becomes the reason why this art is difficult to be preserved. This study uses a performance studies approach based on analysis system of performance studies to observe the layen of this arts including the story background, movement, actors, fashion, accompaniment, mask property and contextualization which apply to fmd out the purpose and the idea behind it.. The results showed Puppeter Mask Klaten is not just an object of artistic expression, but also a livehood and communal bonding power. This idea is essential to define Puppeter Mask Klaten in the context of artistic expression as an ideology, something that can be represent the pride of their owners. Art becomes a means of education for the community, both as history review, reflection and also as the provision of visionary towards its future."

"Viewed from the perspective of art and culture, in general the province of Nusa Tenggara Barat (NTB) has a very pluralistic cultural diversity, in addition to art and culture that are rooted in tradition and culture of Sasak, there are also art traditions rooted in the cultural traditions of other ethnic which have occupied especially the territory of Lombok and Mataram in the periods of long enough time. The plurality of cultural traditions when explored and developed more broadly becomes an additional point for NTB in the development of the tourism industry. Of the various forms of artistic cultural traditions, the Balinese performing arts is one of art forms that developes in the city of Mataram and has quite high potency if it is involved in the tourism industty. Appeals for more highlighting the indigenous cultural traditions of Sasak people causes the marginalization of Balinese arts and gives very small chance to participate actively in the world of tourism development efforts in Mataram. This phenomenon is examined in this study, particularly related to the issues presented, namely, the role of government, community and tourism components in exploiting the potency of traditional performing arts in the tourism industry as well as the conception of the shape and structure of the traditional performing arts in the tourism industry in the city of Mataram."

"Komodifikasi merupakan proses yang tidak hanya berhubungan dengan bagaimana produksi menjadi produk massa, tetapi juga berhubungan bagaimana produk tersebut dapat didistribusikan ke pasar untuk memenuhi kebutuhan konsumen. Seni lukis wayang Kamasan merupakan fenomena komodifikasi dan industri kreatif yang menarik untuk dikaji secara kritis dengan pendekatan culture studies untuk mengetahui keinginan pariwisata. Sebagai alat analisis digunakan teori teori komodifikasi. Metode yang digunakan mengkaji penelitan komodifikasi adalah metode kritis yang bersifat emansipatoris, melibatkan pelukis,dan pelaku bisnis (industri pariwisata). Hasil penelitian ini; (1) produksi seni lukis wayang Kamasan sudah terjadi pengkaburan makna dari makna simbolik menjadi makna ekonomi, keos (brecolage) dan menjadi produksi massa, (2) distribusi seni lukis wayang Kamasan di pasar sangat dinamis, selain untuk memenuhi kebutuhan pasar lokal tetapi juga pasar global berupa produk kreatif. (3) konsumsi seni lukis wayang Kamasan tidak hanya oleh masyarakat lokal sebagai persembahan, tetapi juga oleh pariwisata sebagai souvenir."

"Bajonese is a malay culture based community which lives in group and spread on many costal and rural areas in Indonesia and Southeast Asia. They are known as sea people or Sea ethnic in West Malaysia and Bajaunese in East Malaysia, Brunei Darussalam and Philippine. Despite the naming difference; depending on where they live geographically, they have a common culture particularly concerning knowledge inheritance process, values, and skill to preserve the community through perpetuating oral tradition iko-iko, nauya, and pantun. Some studies found that the bajonese is originally from Melaka strait and then scattered in various Malay archipelago (Malaysia, Indonesia, Brunai Darussalam and Philippine) as a result of the arrival of the Portuguese imperialism in the year of the seizing of Malacca 151 1. As one the core communitiesin Melaka Kingdom, the Bajonese fought against the Portuguese Imperialism. Even after the kingdom were surrounded, they canied on fighting around the coastal areas. Settlement patterns that are semi nomadic as traditional fishermen, resulting in a development of original learning system. One of the teaching media used is iko-iko (heroism story). It is an endangered tradition as only elderly who are over 50 years old who can tell the stories. Iko-iko­ literature tradition plays an important role to convey messages of moral and spirit of fighting which is narrated orally for generations. The story is about heroism which is sung during voyage and as lullaby. The characteristic of iko iko is its systematic lyrics which reflects Malay literature. Therefore along with the spreading of bajonese in South East Asia, the Malay culture is also spread and become the unifier between Indonesia and Southeast Asia. The young generation is lack of interest in inheriting iko-iko with its various versions and stories. Thus, in order to preserve it, it is necessary to documented and transliterated it in the form of books and scientific articles"