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"An integrative introduction to the theories and themes in research on creativity, the second edition of creativity is both a reference work and text for courses in this burgeoning area of research. The book begins with a discussion of the theories of creativity (Person, Product, Process, Place), the general question of whether creativity is influenced by nature or nurture, what research has indicated of the personality and style of creative individuals from a personality analysis standpoint, and how social context affects creativity. This wide-ranging work then proceeds to coverage of issues such as gender differences, whether creativity can be enhanced, if creativity is related to poor mental or physical health, and much more."

"ABSTRACTSecara umum, ada pemahaman bahwa ruang berkesenian di Jakarta problematik bagi produktivitas suatu kelompok teater, mulai dari keterbatasan infrastruktur, kesulitan pendanaan, sampai tak adanya khalayak penonton teater. Dalam kondisi ruang tersebut, Teater Pandora berhasil menyelenggarakan empat judul pementasan pada tahun 2018. Penelitian saya mengkaji produktivitas tersebut dalam konteks ruangnya, yaitu dalam interaksi antara praktik produksi Teater Pandora dengan ruang berkesenian di Jakarta pada tahun 2018. Sesuai kerangka MediaSpace milik Couldry (2004), saya melihat interaksi tersebut bekerja dua arah; kondisi ruang membentuk Teater Pandora dan Teater Pandora juga membentuk ruangnya. Dengan etnografi sebagai metode, saya memaparkan bagaimana Teater Pandora memetakan, merespon, dan akhirnya membentuk ruangnya. Penelitian saya menemukan bahwa kuasa Teater Pandora adalah produktivitas itu sendiri yang terjadi dalam interaksi dengan ruang berkesenian di Jakarta pada tahun 2018.

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ABSTRACTThere is a general understanding that Jakartas space of artistic production is problematic for a theater grous productivity; in terms of lack of infrastructure, financing problems, and the non-existent market of theater-goers. Amidst those spatial conditions, Teater Pandora succeeded in staging four performances in 2018 alone. My research is a study of that productivity in its spatial context, through analysis of interaction between Teater Pandoras production practices and Jakartas space of artistic production in 2018. With Couldrys MediaSpace (2004) perspective, I argue that the interaction works both ways; the conditions of its space shapes Teater Pandora while Teater Pandora shapes that space also. Using ethnography as my method, I elaborate on how Teater Pandora maps, responds, and ultimately shapes its space. My research finds that Teater Pandoras power is the productivity itself, which takes place in its interaction with Jakartas space of artistic production in 2018."

"Sekarang ini perusahaan membutuhkan karyawan dengan perilaku kerja inovatif, oleh karenanya sangat penting untuk mempersiapkan karyawan memiliki perilaku ini sejak mereka masih mahasiswa. Penelitian korelasional ini dilakukan dengan tujuan untuk melihat hubungan antara efikasi diri kreatif dan perilaku kerja inovatif pada mahasiswa. Efikasi diri kreatif diukur dengan alat ukur yang dibuat oleh Tierney dan Farmer (2002). Perilaku kerja inovatif diukur dengan alat ukur yang dikembangkan oleh Janssen (2000) yang kemudian item-itemnya dimodifikasi agar sesuai dengan keadaan responden yaitu mahasiswa. Responden penelitian yang datanya dapat dianalisa berjumlah 539 mahasiswa jenjang sarjana S1 di Universitas Indonesia dan merupakan mahasiswa yang minimal sedang menempuh semester empat. Penelitian ini adalah penelitian kuantitatif, dengan menggunakan teknik statistik Pearson Correlation. Ditemukan bahwa terdapat hubungan yang positif dan signifikan antara efikasi diri kreatif dan perilaku kerja inovatif pada mahasiswa, r(538) = 0,67, p= 0,00 (p < 0,01, one-tailed). Effect size untuk analisis ini dapat dikatakan termasuk large effect karena r> 0,5. Dengan demikian, dapat dikatakan bahwa semakin tinggi efikasi diri kreatif mahasiswa, maka semakin tinggi pula perilaku kerja inovatif mereka. Hasil ini dari penelitian ini bisa memberikan manfaat yaitu, menambah literatur tentang perilaku kerja inovatif pada mahasiswa dan memberikan masukan kepada pihak kampus untuk meningkatkan efikasi diri kreatif mahasiwanya agar perilaku kerja inovatifnya bisa meningkat pula, dengan mengikuti kegiatan ekstrakurikuler dan program pelatihan.

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Nowadays, companies need employees with innovative work behavior. Therefore, it is very important to prepare employees to have this behavior since they are still in college. This correlational research was then conducted to look at the relationship between creative self-efficacy and innovative work behavior among college students. Creative self-efficacy is measured by a measurement by Tierney and Farmer (2002). Innovative work behavior is measured by a measurement by Janssen (2000), the items were modified to correspond with the condition of college students. The data that can be analyzed were from 539 undergraduate students at Universitas Indonesia and were at least taking their fourth semester. This research is a quantitative study, using the Pearson Correlation statistical technique the researcher found that there is a positive and significant relationship between creative self-efficacy and innovative work behavior among college students, r(538) = 0.67, p= 0.00 (p<0.01, one-tailed). The effect size for this analysis can be included as a large effect, because r> 0.5. Thus, it can be said that the higher the students' creative self-efficacy, the higher their innovative work behavior. These results can provide benefits such as adding literature on innovative work behavior among college students and providing input for the universities to improve the students' creative self-efficacy so that their innovative work behavior can also improve, by joining extracurricular activities and training programs."

"The concrete visceral experiences that living under those skies stir within us are the ground for individual impulses, emotions, sentiments that in their interaction generate their own ever-changing clouds. While our intellect concentrates on the discovery of our cosmic position, on the architecture of the universe, our imagination is informed by the gloomy vapors, the glimmers of fleeting light, and the glory of the skies. Reconnoitering from the soil of human life and striving towards the infinite, the elan of imagination gets caught up in the clouds of the skies. There in that dimness, sensory receptivity, dispositions, emotions, passionate strivings, yearnings, elevations gather and propagate. From the ?passions of the skies? spring innermost intuitions that nourish literature and the arts.​"