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"ABSTRAKMao`s Last Dancer (末代舞者Mòdài Wǔ Zhě) merupakan sebuah film otobiografi yang diproduksi pada tahun 2009 oleh sutradara Australia Bruce Beresford. Film Mao?s Last Dancer ini berlatar belakang dua periode sejarah Cina, yakni Revolusi Kebudayaan dan pasca Revolusi Kebudayaan. Karya ini menceritakan tentang perjalanan hidup seseorang yang terpilih sebagai penari balet sejak usia anak-anak pada periode Revolusi Kebudayaan. Makalah ini membahas mengenai bagaimana kondisi sejarah pada Revolusi Kebudayaan dan pasca Revolusi Kebudayaan yang digambarkan dalam film.

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ABSTRACTMao`s Last Dancer (末代舞者Mòdài Wǔ Zhě) is an autobiography film directed by Australian director, Bruce Beresford in 2009. This film has two settings, that are Cultural Revolution and Post-Cultural Revolution Period. This film tells us about a child who has been chosen as a ballet dancer in Cultural Revolution Period."

"Human rights offer a vision of international justice that today’s idealistic millions hold dear. Yet the very concept on which the movement is based became familiar only a few decades ago when it profoundly reshaped our hopes for an improved humanity. Here, historian Samuel Moyn elevates that transformation to center stage and asks what it reveals about the ideal’s troubled present and uncertain future. It was on the ruins of earlier political utopias, Moyn argues, that human rights achieved contemporary prominence. The morality of individual rights substituted for the soiled political dreams of revolutionary communism and nationalism as international law became an alternative to popular struggle and bloody violence. But as the ideal of human rights enters into rival political agendas, it requires more vigilance and scrutiny than when it became the watchword of our hopes.--From publisher description"