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"Summary:Brings together studies that uses a range of modern instrumental methods - acoustic and articulatory - to investigate the phonetics of several North African and Middle Eastern varieties of Arabic. This title offers a link between traditional qualitative accounts of spoken Arabic and modern quantitative methods of instrumental phonetic analysis"

"Arabic is the only living language to have been taught in Dutch higher education for more than four centuries. Practical usefulness, however, has been a prerequisite from the start. Knowledge of Arabic was to promote Dutch interests in the Muslim world, or to help refute Islam. As a cognate of Classical Hebrew, the study of Arabic served as an ancillary science to Biblical studies. Nevertheless, many Arabists such as Thomas Erpenius and Jacobus Golius rose to international distinction. With more than 110 colour illustrations from the Leiden Oriental collections, Arabic Studies in the Netherlands. A Short History in Portraits, 1580-1950 by Arnoud Vrolijk and Richard van Leeuwen will help the reader to gain insight into a fascinating aspect of Dutch intellectual history."

"Underlying the apparent diversity shown by the thousands of mutually incomprehensible languages of the world, there is a remarkable, elegant and principled unity in the way that these languages exploit the phonetic resources of speech. It is these principles that Professor Laver sets out to describe in this major new textbook. Assuming no previous knowledge of the subject, it is designed for readers who wish to pursue the study of phonetics from an initial to an advanced stage, equipping them with the necessary foundations for independent research. The classificatory model proposed unifies the description of linguistic, paralinguistic and certain extralinguistic aspects of speech production. The book moves from a presentation of general concepts to a total of eleven chapters on phonetic classification, and it includes discussion of other issues such as the relationship between phonetics and phonology, the nature of accent, dialect and language, and the description of voice quality and tone of voice. Every descriptive category is illustrated by words in phonetic transcription from over 500 of the world's languages. Principles of Phonetics will be required reading and an invaluable resource for all serious students and scholars of speech and language."

"Penelitian ini bertujuan mengkaji shalawat-shalawat penawar penyakit dan penolak bala serta bencana yaitu shalawat Lii Khamsatun, shalawat Ṭibbil-Quluub, shalawat Quṭbul-Aqṭaab, dan shalawat Nuuril-Anwaar. Metode yang digunakan dalam penulisan ini adalah deskriptif dan strukturalisme dengan teknik pengumpulan data kualitatif yaitu studi pustaka yang bersumber dari buku-buku, jurnal-jurnal ilmiah, berita online, dan lainnya. Teori yang digunakan adalah teori balaghah dengan tiga cabang disiplin ilmu yaitu teori al-Ma’aanii, teori al-Bayaan, dan teori al-Badii’. Hasil penelitian ini menunjukkan bahwa yang paling banyak menggunakan aspek balaghah adalah shalawat Quṭbul-Aqṭaab. Adapun cabang ilmu balaghah yang paling banyak digunakan adalah ilmu al-Ma’aanii dan setiap shalawat tidak terlepas dari ilmu al-Badii’ yaitu Saja’. Hal ini menunjukkan keunikan dan keindahan shalawat untuk mudah diingat, dipahami, dan dihafal oleh semua kalangan.

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The purpose of this research is to examine shalawat (or prayers) that’s aims to ward off diseases and repel disasters. The shalawat in question is the shalawat of Lii Khamsatun, Ṭibbil-Quluub, Quṭbul-Aqṭaab, Nuuril-Anwaar. The method that was used is structuralism and descriptive with the use of qualitative data collection technique from various sources, such as books, scientific journals, online news, etc. the theory of Balaghah is used, which consist of three main branches, al-Ma’aani, al-Bayaan, and al-Badii’. The results of this study indicates that the shalawat of Quṭbul-Aqṭaab is the shalawat with highest usage of Balaghah. The most widely used branch of Balaghah is al-Ma’aani and every shalawat is inseparable from the theory of al-Badii’, Saja’. This shows the uniqueness and beauty of shalawat, making them easy to understand, recall, and memorize by people of all ages."