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"[The book examines commonalities and differences in the operation of various structures of power (gender, class, race/ethnicity, generation) and their interactions within the institutional domains of intra-national and especially inter-national migration that produce context-specific forms of social injustice. Additional contributions have been included so as to cover issues of legal liminality and how the social construction of not only femininity but also masculinity affects all migrants and all women. The resulting set of 19 detailed, interconnected case studies makes a valuable contribution to reorienting our perceptions and values in the discussions and decision-making concerning migration, and to raising awareness of key issues in migrants’ rights. , The book examines commonalities and differences in the operation of various structures of power (gender, class, race/ethnicity, generation) and their interactions within the institutional domains of intra-national and especially inter-national migration that produce context-specific forms of social injustice. Additional contributions have been included so as to cover issues of legal liminality and how the social construction of not only femininity but also masculinity affects all migrants and all women. The resulting set of 19 detailed, interconnected case studies makes a valuable contribution to reorienting our perceptions and values in the discussions and decision-making concerning migration, and to raising awareness of key issues in migrants’ rights. ]"

"Manga boys love (BL) merupakan salah satu budaya pop Jepang yang telah mendunia, berfokus pada kisah hubungan romantis antara laki-laki yang menghadirkan sejumlah tokoh-tokoh homoseksual dengan spektrum identitas gender yang beragam. Penelitian ini menganalisa proses “konstruksi identitas gender” tersebut, khususnya melalui tokoh Karasuma dalam manga BL bergenre omegaverse dengan judul Kurui Naku no wa Boku no Ban karya Kusabi Keri. Metode yang digunakan dalam penelitian ini adalah metode deskriptif analisis dengan Queer Theory dari Judith Butler, didukung oleh konsep gender performativity dan gender identity sebagai pilar utama teori tersebut. Hasil penelitian menunjukkan bahwa Karasuma sebagai seorang tokoh omega, awalnya digambarkan sebagai seorang “laki-laki” dengan identitas gender feminin, lemah, dan inferior sehingga kerap mengalami diskriminasi dan perlakuan tidak senonoh oleh kelompok alpha, kelompok laki-laki dengan identitas gender maskulin, dominan, kuat, dan superior. Namun Karasuma berusaha mengubah identitas gender feminin yang dilekatkan padanya, dengan mendobrak norma dan relasi gender tradisional yang berlaku melalui berbagai perlawanan dan strategi, atau “gender performativity”—mengikuti terminologi Butler—hingga berhasil mengonstruksi identitas gendernya sendiri, dan melahirkan identitas gender yang baru, yang disebut oleh Butler sebagai “identitas gender ketiga” atau masculine female. Sebagai genre narasi yang diproduksi dan dinikmati perempuan, Kurui Naku no wa Boku no Ban pun menjadi salah satu wacana baru yang mendekonstruksi gagasan heteronormativitas dalam masyarakat Jepang.

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Boys Love manga (BL) is a worldwide Japanese pop culture, focusing on the story of romantic relationships between men which presents homosexual figures with diverse set of gender identities. This study analyzes the process of "construction of gender identity", specifically through the character Karasuma in the BL omegaverse manga titled Kurui Naku no wa Boku no Ban by Kusabi Keri. This research uses descriptive analysis method in Judith Butler’s Queer Theory and is supported by the concept of gender performativity and gender identity. This research finds that Karasuma as an omega figure, was initially described as a male with feminine, weak, and inferior gender identity, as a result, he often experiences discrimination and indecent treatment by alpha characters or men with masculine, dominant, strong, and superior traits. However, Karasuma tried to change the feminine gender identity attached to him, by opposing traditional gender norms and relations through various resistances and strategies, or "gender performativity"—following Butler's terminology—to succeed in constructing his own gender identity, and thereby generate a new gender identity that is what Butler calls "third gender identity" or masculine female. As a narrative genre that is produced and enjoyed by women, Kurui Naku no wa Boku no Ban has become a new discourse that deconstructs the idea of heteronormativity in Japanese society."

"BTS, grup musik asal Korea Selatan yang debut pada Juni 2013 dibawah Big Hit Entertainment telah meraih ketenaran global dengan mengeksplorasi berbagai genre, tradisi musik, dan budaya. Kemudian terjadilah perdebatan seputar identitas genre BTS. Berdasarkan hal ini, timbul pertanyaan mengenai sejauh mana BTS dapat dipahami dalam ruang kategorisasi genre? Penulis melihat bahwa ada "kekacauan" dalam kategorisasi genre. Untuk menganalisis ini, penulis menggunakan dua metode penelitian, pertama, metode eksperimentasi pemikiran, yaitu menguji kebenaran adanya "kekacauan" kategorisasi genre mengenai esensi K-pop dan validitas penempatan BTS dalam genre tersebut. Kedua, metode analisis filosofis komparatif dengan membandingkan dialektika Hegel dengan kategorisasi, ditambah dengan kontra-argumennya, sehingga memicu refleksi filosofis yang kritis terhadap BTS dan hakikat kategorisasi itu sendiri, dimana dapat menunjukkan “cairnya” kategorisasi genre. Dialektika Hegel dan kategorisasi genre menjadi kerangka teori utama, dan topik K-pop menjadi teori pendukung dalam analisis ini. Melalui metode dan kerangka teori tersebut, akan dipahami bahwa makna BTS dan kategorisasi genre akan lebih filosofis jika kita melihatnya melalui dialektika Hegel.

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BTS, a South Korean music group that debuted in June 2013 under Big Hit Entertainment, has achieved global fame by exploring various genres, musical traditions, and cultures. This has sparked debates about BTS's genre identity, leading to questions about the extent to which BTS can be understood within the framework of genre categorization. The author observes a "chaos" in genre categorization and employs two research methods for analysis. First, thought experimentation examines the truth of the "chaos" in genre categorization regarding the essence of K-pop and the validity of placing BTS within that genre. Second, a comparative philosophical analysis, contrasting Hegelian dialectics with categorization and supplemented with counter-arguments, triggers critical philosophical reflection on BTS and the nature of categorization itself, indicating the “fluidity” of genre categorization. Hegelian dialectics and genre categorization serve as the primary theoretical framework, with K-pop providing supporting theory in this analysis. Through these methods and theoretical frameworks, it will be understood that the meaning of BTS and genre categorization becomes more philosophical when viewed through the lens of Hegelian dialectics."

"Indonesia memiliki potensi yang besar dalam industri musik. Salah satunya, pada sektor musik independen. Fenomena musik independen menjadi minat baru di tengah masyarakat karena dianggap berbeda dan menimbulkan eksklusivitas seni. Musisi yang memilih untuk berada di jalur independen, dapat menciptakan karya musik sesuai dengan selera yang mereka sukai bahkan menghasilkan berbagai genre dalam lagunya. Salah satu yang disoroti adalah musikalitas independen pada genre folk pop. Adhitia Sofyan dan Pamungkas merupakan dua musisi independen yang mengadopsi genre tersebut ke dalam musiknya. Keduanya, berhasil menyentuh berbagai kalangan dalam pasar musik industri baik lokal maupun global. Kemudahan yang ditawarkan oleh perkembangan digital saat ini menjadi faktor yang sangat mendukung mereka dalam melakukan strategi komunikasi pemasarannya. Hadirnya berbagai platform digital dimanfaatkan sebagai potensi untuk mengimplementasi elemen bauran pemasaran sebagai strategi komunikasi pemasaran yang mereka lakukan. Contohnya, pada berbagai layanan streaming musik seperti Spotify, Joox, Youtube Music, Deezer dan sebagainya yang dijadikan saluran untuk mendistribusikan hasil rilisan musik mereka.

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Indonesia has great potential in the music industry. One of them is in the independent music sector. The phenomenon of independent music has become a new interest in society because it

is considered different and generate exclusivity in art. Musicians who choose to be independent can create music according to their preferences and even produce some genres in their songs. One of the highlight is independent musicality in the folk pop genre. Adhitia Sofyan and Pamungkas are two independent musicians who have adopted this genre into their music. Both of them have successfully approached various circles in the industrial music market in local and global. The convenience offered by digital developments is currently a factor that really supports them in carrying out their marketing communication strategies. The presence of any digital platforms is used as a potential for implementing marketing mix elements as their marketing communication strategy. For example, some music streaming services such as Spotify, Joox, Youtube Music, Deezer and etc. used as channels to distribute their music releases."