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"[ABSTRAKKomedi situasi (sitcom) merupakan salah satu bentuk tayangan di televisi yang berusahamenampilkan potret realita sosial. Meskipun berakar dari fakta dan kondisi masyarakat,komedi situasi juga merekonstruksi paradigma audiens dengan representasi yangdisuguhkan dalam bentuk audio sekaligus visual.Tetangga Masa Gitu sebagai sebuah sitcom baru berusaha menampilkan sosok perempuanIndonesia yang baru dan berbeda dengan stereotipe konvensional. Tetapi di saat yang sama,terdapat bagian dari identitas lama yang masih dipertahankan. Hal ini menunjukkan adanyasebuah ideologi yang mendasari representasi tersebut dan berusaha dikukuhkan. Melaluitesis ini, penulis melihat sebuah redefinisi yang semu dari sosok perempuan yang digagasdalam episode-episode sitcom ini.Teori Representasi digunakan untuk meninjau dialog-dialog dan cuplikan adegan dalamtayangan Tetangga Masa Gitu dan menunjukkan proses redefinisi identitas perempuan.Tesis ini mencoba memberikan pemahaman akan representasi dalam televisi yangmeskipun berubah, akan selalu terhubung dengan akar identitas sebuah masyarakat.

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ABSTRACTSituation comedy (Sitcom) is one kind of television show presenting snapshots of a society.Eventhough it is based on fact and social conditions, a sitcom also reshapes its audiences?paradigm through audio & visual representations showed in it.As a new sitcom, Tetangga Masa Gitu is trying to present a new model of Indonesianwomen, which differs from the conventional stereotypes. However, there are parts of theold identity that emerge in the sitcom. It shows that there is this one form of ideologyconstructing the way this sitcom represents women. In this research, the aim is to see thefalse redefinition on women narrated in episodes of this sitcom.Theory of representation is used to analyze dialogues and screenshots, and identify theprocess of redefining women?s identity. This thesis attempt to provide understanding uponrepresentations in television which tends to change, yet is always connected to its root insocial identity.;Situation comedy (Sitcom) is one kind of television show presenting snapshots of a society.Eventhough it is based on fact and social conditions, a sitcom also reshapes its audiences’paradigm through audio & visual representations showed in it.As a new sitcom, Tetangga Masa Gitu is trying to present a new model of Indonesianwomen, which differs from the conventional stereotypes. However, there are parts of theold identity that emerge in the sitcom. It shows that there is this one form of ideologyconstructing the way this sitcom represents women. In this research, the aim is to see thefalse redefinition on women narrated in episodes of this sitcom.Theory of representation is used to analyze dialogues and screenshots, and identify theprocess of redefining women’s identity. This thesis attempt to provide understanding uponrepresentations in television which tends to change, yet is always connected to its root insocial identity., Situation comedy (Sitcom) is one kind of television show presenting snapshots of a society.Eventhough it is based on fact and social conditions, a sitcom also reshapes its audiences’paradigm through audio & visual representations showed in it.As a new sitcom, Tetangga Masa Gitu is trying to present a new model of Indonesianwomen, which differs from the conventional stereotypes. However, there are parts of theold identity that emerge in the sitcom. It shows that there is this one form of ideologyconstructing the way this sitcom represents women. In this research, the aim is to see thefalse redefinition on women narrated in episodes of this sitcom.Theory of representation is used to analyze dialogues and screenshots, and identify theprocess of redefining women’s identity. This thesis attempt to provide understanding uponrepresentations in television which tends to change, yet is always connected to its root insocial identity.]"

"Munculnya representasi perempuan yang tidak mainstream di dalam sinetron, dimana perempuan dikonstruksikan sebagai individu yang independen berdampak kepada pola relasi antara perempuan dan laki-laki. Apabila melihat kondisi sinetron di Indonesia, belum banyak sinetron yang berhasil menampilkan konstruksi yang tidak mainstream terhadap tokoh perempuan. Perubahan konstruksi perempuan tidak terlepas dari bagaimana konstruksi laki-laki ditampilkan di dalam sinetron tersebut sehingga hal ini merupakan salah satu bentuk peran media dalam mengubah stigma peran gender kepada masyarakat. Namun, dalam proses konstruksi tersebut terdapat suatu realitas baru yang ditampilkan oleh media melalui sinetron. Baudrillard menjelaskan bahwa hiperrealitas merupakan suatu kondisi dimana realitas yang dibangun di dalam media melebihi kondisi yang sebenarnya. Hal seperti ini menjadikan masyarakat sebagai konsumen meyakini realitas baru tersebut sebagai ilustrasi dalam kehidupan nyata. Penelitian ini merupakan suatu penelitian kualitatif terhadap sinetron komedi Tetangga Masa Gitu? dengan menggunakan metode analisis isi wacana sinetron. Relasi antara laki-laki dan perempuan dalam sinetron ini ditunjukan oleh adanya faktor kepemilikan ekonomi dalam diri perempuan sehingga pola relasi yang terjadi menunjukan adanya kondisi hiperrealitas.

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Emergence of non-mainstream way of women representations in soap operas, where women are constructed as an independent individual, brought an impact to the patterns of relation between men and women. If we look at Indonesian soap operas, there are not many of them that can manage to present a non-mainstream construction of female characters. The shift on women representation is associated to how the men were represented in said soap operas, therefore this is a form of the role of the media in altering gender stigma in the society. However, in the process of construction there is a new reality presented by the media through soap operas. Baudrillard established that hyperreality is a condition in which the reality that are presented by the media overtook the real world. This makes the society, as a consumer, became convinced that the new reality is a description of real life. This research is a qualitative study on a sitcom titled Tetangga Masa Gitu? with the analysis on the contents of the sinetron. Relation between men and women shown in this sitcom is based on the factors of economic ownership, resulting in hyperreality in the patterns of relation."

"Komedi merupakan pilihan hiburan populer yang memiliki banyak penggemar. Selain menghibur, komedi juga rentan dengan masalah ketersinggungan. Komedi sebagai seni pertunjukan yang objeknya bersifat universal sering kali membawakan topik-topik yang sensitif. Teori humor superior menjelaskan bahwa tawa muncul dari rasa superior terhadap objek komedi, sehingga objek komedi dipandang rendah. Namun komedian sering kali berlindung dengan pembenaran teori kognitifif komedi yang menyatakan bahwa dibutuhkan kesadaran bahwa komedi adalah pertunjukan hiburan, sehingga penampilan komedi hanya dapat dilihat dalam konteks tujuannya menghibur. Penelitian ini berusaha menjelaskan hubungan antara komedi sebagai hiburan dan validitas ketersinggungan sebagai respons terhadap komedi. Penelitian ini juga berusaha menjelaskan tanggung jawab komedian terhadap komedinya. Dari hasil analisis, ditemukan bahwa komedian bebas menampilkan komedi tentang apapun, jika hanya jika, komedian tersebut mampu bertanggung jawab terhadap konsekuensi yang disebabkan komedinya. Komedian juga secara moral harus terbuka terhadap tanggapan yang diberikan terhadap komedinya.

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Comedy is a popular entertainment that has a large fans. Besides being entertaining, comedy is also prone to the problem of offense. Comedy as a performing art with universal object often presents sensitive topics. The theory of superior humor explains that laughter arises from a sense of superiority of the object of comedy, so that the object of comedy is looked inferior. However, comedians often take refuge in the justification of the cognitive theory of comedy which states that it takes awareness that comedy is an entertainment, so that comedy performances can only be seen in the context of its purpose to entertain. This research trying to explain the relationship between comedy as entertainment and the validity of offending as a response to comedy. This research also tries to explain the comedian's responsibility towards his comedy. From the results of the analysis, it was found that comedians are free to present comedy about anything, as long as, the comedian is able to take responsibility for the consequences caused by his comedy. Comedians must also be morally open to the responses given to their comedies."

"[ABSTRAK Artikel ini menjabarkan unsur-unsur comedia dell?arte yang terkandung dalam drama berjudul Le Médecin malgré lui karya Molière. Moliére adalah seorang dramawan asal Prancis yang dianggap sebagai salah satu ahli genre komedi. Beberapa karya Molière seperti yang diangkat dalam topik ini kental dengan pengaruh comedia dell?arte. Tulisan ini akan berfokus dalam analisis unsur-unsur comedia dell?arte yang terdapat pada Le Médecin malgré lui melalui metode paratif yang mencakup analisis alur, tokoh, dan tema. Dari hasil analisis tersebut dapat ditemukan bahwa terdapat beberapa persamaan antara comedia dell?arte dengan drama Le Médecin malgré lui pada bagian tema dan alur. Sementara pada bagian tokoh terdapat sedikit perbedaan.ABSTRACT This article describes the aspects of comedia dell?arte in Le Médecin malgré lui a drama written by Molière. Molière was a french playwright who is considered to be one of the greatest masters of comedy. Many works of Molière?s were heavily influenced by comedia dell?arte, and one of them is Le Médecin malgré lui. This article scrutinizes the elements of comedia dell?arte that we may found within the Le Médecin malgré lui. The method to analyze his work mainly emphasizes in the works plot, characters, and theme of drama. Through the analysis, it was find that there is a resemblance between the Le Médecin malgré lui and comedia dell?arte, particularly in the plot and the theme. Meanwhile, in the character?s area there is a slight difference.;This article describes the aspects of comedia dell?arte in Le Médecin malgré lui a drama written by Molière. Molière was a french playwright who is considered to be one of the greatest masters of comedy. Many works of Molière?s were heavily influenced by comedia dell?arte, and one of them is Le Médecin malgré lui. This article scrutinizes the elements of comedia dell?arte that we may found within the Le Médecin malgré lui. The method to analyze his work mainly emphasizes in the works plot, characters, and theme of drama. Through the analysis, it was find that there is a resemblance between the Le Médecin malgré lui and comedia dell?arte, particularly in the plot and the theme. Meanwhile, in the character?s area there is a slight difference., This article describes the aspects of comedia dell’arte in Le Médecin malgré lui a drama written by Molière. Molière was a french playwright who is considered to be one of the greatest masters of comedy. Many works of Molière’s were heavily influenced by comedia dell’arte, and one of them is Le Médecin malgré lui. This article scrutinizes the elements of comedia dell’arte that we may found within the Le Médecin malgré lui. The method to analyze his work mainly emphasizes in the works plot, characters, and theme of drama. Through the analysis, it was find that there is a resemblance between the Le Médecin malgré lui and comedia dell’arte, particularly in the plot and the theme. Meanwhile, in the character’s area there is a slight difference.]"