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"[ABSTRAKTesis ini merupakan penelitian mengenai representasi ketokohan Hasan Saleh danketokohan Daud Beureueh di dalam novel Napoleon dari Tanah Rencong dan teksteksnonsastra. Penelitian ini bertujuan untuk mengungkapkan narasi ketokohanHasan Saleh dan ketokohan Daud Beureueh dalam novel maupun teks-teks nonsastra.Landasan pemikiran yang dipakai dalam penelitian ini menggunakan perspektif newhistoricism. Hasil penelitian menunjukkan bahwa ketokohan Hasan Saleh danketokohan Daud Beureueh dalam teks novel direpresentasikan berbeda dengan teksteksnonsastra yang menjadi sumber dalam penelitian ini. Dalam teks novel,ketokohan Hasan Saleh direpresentasikan sebagai seorang yang memiliki peran besardalam berjuang, membela, dan mempertahankan hingga menyatukan kembali Acehdengan Indonesia. Akan tetapi dalam teks-teks non-sastra tersebut, nama Hasan Salehsangat sedikit dimunculkan dan banyak dikenal sebagai Pemberontak. Sebaliknya,tokoh Daud Beureueh yang nama dan riwayat hidupnya banyak dibicarakan di dalamteks-teks nonsatra, dalam novel ini direpresentasikan berbeda dengan teks-teksnonsastra tersebut. Dengan demikian, Novel Napoleon dari Tanah Rencongmerupakan novel historis yang mengungkapkan, menginformasikan, danmempertanyakan kembali kebenaran peristiwa sosial politik yang terjadi di Acehantara tahun 1942 sampai dengan tahun 1962. Sikap mengungkapkan,menginformasikan, dan mempertanyakan kembali kebenaran sejarah sesuai denganperspektif new historicism yang memahami setiap segi realitas tertuang dalam teksdan struktur sosial ditentukan oleh ?praktik diskursif? yang dominan, sehingga harusdipertanyakan lagi kebenarannya.

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ABSTRACTThis thesis is a study on the representation of Hasan saleh and Daud Beureuehin the Napoleon dari Tanah Rencong. This study aims to reveal the figure of HasanSaleh and Daud Beureueh in the novel as literary text and also in the non-literarytexts (history texts). The frame of reference used is new historicism perspective. Theresult showed that the representation of Hasan Saleh and Daud Beureueh is revealeddifferently in both of the text. The name of Hasan Saleh as a fighter that has big partto preserve the Independence of Indonesia, is not more appeared in non-literary work(history texts). The name of Hasan Saleh in most non-literary work onlysynchronized as a rebel. On the other hand, Daud Beureueh, whose name andbiography is mentioned over and over in the most of non-literary texts, in the novel,is represented differently. Thus, this novel is a historical trying to prove, to tellinformation and to question the truth of history regarding to the history of socialpolitical events taking place in Aceh from 1942 up to 1962. The way of trying toprove, to tell information, and to question the truth of history appropriate with newhistoricism perspective that appreciate the fact in texts and social structure is basedon dominant ?discursive practice? that have to be questionable;This thesis is a study on the representation of Hasan saleh and Daud Beureuehin the Napoleon dari Tanah Rencong. This study aims to reveal the figure of HasanSaleh and Daud Beureueh in the novel as literary text and also in the non-literarytexts (history texts). The frame of reference used is new historicism perspective. Theresult showed that the representation of Hasan Saleh and Daud Beureueh is revealeddifferently in both of the text. The name of Hasan Saleh as a fighter that has big partto preserve the Independence of Indonesia, is not more appeared in non-literary work(history texts). The name of Hasan Saleh in most non-literary work onlysynchronized as a rebel. On the other hand, Daud Beureueh, whose name andbiography is mentioned over and over in the most of non-literary texts, in the novel,is represented differently. Thus, this novel is a historical trying to prove, to tellinformation and to question the truth of history regarding to the history of socialpolitical events taking place in Aceh from 1942 up to 1962. The way of trying toprove, to tell information, and to question the truth of history appropriate with newhistoricism perspective that appreciate the fact in texts and social structure is basedon dominant ?discursive practice? that have to be questionable;This thesis is a study on the representation of Hasan saleh and Daud Beureuehin the Napoleon dari Tanah Rencong. This study aims to reveal the figure of HasanSaleh and Daud Beureueh in the novel as literary text and also in the non-literarytexts (history texts). The frame of reference used is new historicism perspective. Theresult showed that the representation of Hasan Saleh and Daud Beureueh is revealeddifferently in both of the text. The name of Hasan Saleh as a fighter that has big partto preserve the Independence of Indonesia, is not more appeared in non-literary work(history texts). The name of Hasan Saleh in most non-literary work onlysynchronized as a rebel. On the other hand, Daud Beureueh, whose name andbiography is mentioned over and over in the most of non-literary texts, in the novel,is represented differently. Thus, this novel is a historical trying to prove, to tellinformation and to question the truth of history regarding to the history of socialpolitical events taking place in Aceh from 1942 up to 1962. The way of trying toprove, to tell information, and to question the truth of history appropriate with newhistoricism perspective that appreciate the fact in texts and social structure is basedon dominant ‘discursive practice’ that have to be questionable;This thesis is a study on the representation of Hasan saleh and Daud Beureuehin the Napoleon dari Tanah Rencong. This study aims to reveal the figure of HasanSaleh and Daud Beureueh in the novel as literary text and also in the non-literarytexts (history texts). The frame of reference used is new historicism perspective. Theresult showed that the representation of Hasan Saleh and Daud Beureueh is revealeddifferently in both of the text. The name of Hasan Saleh as a fighter that has big partto preserve the Independence of Indonesia, is not more appeared in non-literary work(history texts). The name of Hasan Saleh in most non-literary work onlysynchronized as a rebel. On the other hand, Daud Beureueh, whose name andbiography is mentioned over and over in the most of non-literary texts, in the novel,is represented differently. Thus, this novel is a historical trying to prove, to tellinformation and to question the truth of history regarding to the history of socialpolitical events taking place in Aceh from 1942 up to 1962. The way of trying toprove, to tell information, and to question the truth of history appropriate with newhistoricism perspective that appreciate the fact in texts and social structure is basedon dominant ‘discursive practice’ that have to be questionable, This thesis is a study on the representation of Hasan saleh and Daud Beureuehin the Napoleon dari Tanah Rencong. This study aims to reveal the figure of HasanSaleh and Daud Beureueh in the novel as literary text and also in the non-literarytexts (history texts). The frame of reference used is new historicism perspective. Theresult showed that the representation of Hasan Saleh and Daud Beureueh is revealeddifferently in both of the text. The name of Hasan Saleh as a fighter that has big partto preserve the Independence of Indonesia, is not more appeared in non-literary work(history texts). The name of Hasan Saleh in most non-literary work onlysynchronized as a rebel. On the other hand, Daud Beureueh, whose name andbiography is mentioned over and over in the most of non-literary texts, in the novel,is represented differently. Thus, this novel is a historical trying to prove, to tellinformation and to question the truth of history regarding to the history of socialpolitical events taking place in Aceh from 1942 up to 1962. The way of trying toprove, to tell information, and to question the truth of history appropriate with newhistoricism perspective that appreciate the fact in texts and social structure is basedon dominant ‘discursive practice’ that have to be questionable]"

"Tesis ini bertujuan untuk menjelaskan subjektivitas perempuan dalam novel Tempurung karya Oka Rusmini dengan memaparkan tampilan subjektivitas perempuan dalam bentuk deskripsi fisik, perilaku dan pandangan tokoh-tokoh perempuan serta persepsi tokoh utama terhadap tubuh dan otonomi dalam pembentukan subjektivitasnya. Dalam bahasan saya menggunakan pendekatan kritik sastra dengan perspektif feminis.Penelitian ini mengungkapkan bahwa tokoh-tokoh perempuan dalam Tempurung memersepsi tubuhnya sebagai bagian penting subjektivitasnya. Selain itu, subjektivitas perempuan bukanlah proyek perempuan itu sendiri melainkan suatu bentuk dialog dengan elemen-elemen lain, termasuk diantaranya adalah hubungannya dengan suaminya, anaknya, tubuhnya dan konstruk sosial budaya yang melingkupinya.Kesimpulan dari penelitian ini adalah Oka Rusmini melakukan perlawanan terhadap gagasan subjektivitas dalam pemikiran konvensional/tradisional dengan merepresentasikan narasi tentang subjektivitas perempuan yang tidak mengabaikan tubuh, tidak individual, tidak selalu rasional, tidak tunduk pada gagasan `universal` tentang subjek dan tidak selesai.

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This thesis aims to explain woman subjectivity reflected in Tempurung novel by Oka Rusmini by describing female subjectivity in the form of physical description, behavior and views of women characters as well as main character perception toward body and autonomy in the formation of female subjectivity. In discussion I use feminist literary criticism approach.

This study reveals that woman characters in Tempurung perceiving her body as a significant part of her subjectivity. Furthermore, woman subjectivity isn`t her own project but a form of dialogue with other elements including her relationship with husband, children, body and social culture construction which surrounding her.

The conclusion of this study is Oka Rusmini makes resistance to the notion of subjectivity on conventional/traditional thought by representing narrative of woman subjectivity which doesn`t neglect body, doesn`t individual, doesn`t always rational, doesn`t subject to `universal` notion of subject and doesn`t finish."

"Tesis ini bertujuan untuk menghasilkan suntingan teks naskah Wawacan Majapait (WM), dengan pendekatan filologis. Naskah WM merupakan karya Haji Hasan Mustapa (HHM) yang disalin oleh Haji Muhammad dalam bahasa Sunda dengan menggunakan aksara Pegon. Berdasarkan kajian tema, naskah WM berisi ajaran keagamaan yang mengungkapkan tema hubungan Tuhan dengan manusia dan proses pencarian Tuhan oleh manusia. Berdasarkan fungsinya, naskah WM memiliki fungsi pendidikan, sosial, praktis, dan sebagai sanggahan terhadap orang-orang yang berbeda pemahaman keagamaan dengan HHM.

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This thesis is aimed to result text edition of Wawacan Majapait (WM) manuscript, by using philological approach. WM manuscript is a work of Haji Hasan Mustapa (HHM) and was scribed by Haji Muhammad in Sundanese language using Pegon alphabet. On its theme, WM manuscript contains religion teaching which reveals God and human relationship and God search process by man. Based on the function, WM manuscript denotes educational, social, and practical function and as a respond to people who have different religion understanding with HHM."

"Skripsi ini menyajikan deskripsi dan suntingan teks naskah Serat Napoleon koleksi PNRI bernomor KBG 227 yang ditulis pada tahun 1860-an oleh juru tulis Keraton Surakarta. Teks berbentuk tembang macapat, menceritakan tentang sejarah peperangan di Eropa dan perjalanan seorang tokoh bernama Bonaparte dalam merebut tahta kerajaan. Penulisan nama tempat dan tokoh dalam teks disesuaikan dengan pelafalan orang Jawa. Metode penelitian filologi yang digunakan adalah metode edisi naskah tunggal. Suntingan teks dilakukan dengan menerapkan metode edisi kritis dilengkapi dengan catatan kaki, ringkasan cerita dan pedoman alih aksara.

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This thesis presents a description and text edits to the text of Serat Napoleon KBG 227 which is PNRI collection, written in the 1860s by the scriber of Surakarta Palace. Macapat shaped text and it is tell about the history of the war in Europe and the journey of a person called Bonaparte in seizing the throne. The name of place and figures wrote in the text adapted to the pronunciation of the Javanese people. The Philological method uses the method of single copy editions. Edits based on critical method and providing footnotes if necessary. The study comes with story summary and transliteration guidelines."