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"In this context, the status of psychoanalysis as a science of human experience is discussed, approached on the ‘first person’ basis of a phenomenological understanding of subjective experience. In such approaches, phenomena like incorporation, phantasy, emotion and the unconscious are discussed afresh. These topics, important for modern phenomenology as well as for psychoanalysis, are examined in the context of the constitution of the human person as well as of our intersubjective world. The analyses are also interdisciplinary, making use of connections with modern medicine, psychiatry and psychotherapy. The systematic investigations are enriched by historical analysis and research in the internal development of the disciplines involved. "

"Film Nocturnal Animals 2016 membuka perdebatan tentang keberadaan substansi dibalik mewahnya gaya yang diimplementasikan di film itu oleh sang sutradara yang juga seorang desainer terkemuka, Tom Ford. Salah satu bagian subtansi film tersebut adalah cerita bahwa dibalik modernitas dan kemewahan, kedua karakter utamanya, Edward dan Susan, adalah dua orang yang menderita trauma dan kehilangan. Disampaikan dengan dua struktur narasi yang berbeda yakni atemporal dan linear serta dikemas dalam dua dunia atau latar yang berbeda yaitu fiksional dan nyata, trauma dan kehilangan ternyata memiliki peran dalam pembentukan subjektivitas kedua karakter tersebut. Menggunakan pendekatan psikoanalisa serta konsep yang diperkenalkan oleh Todd McGowan tentang atemporal cinema dan kehilangan sebagai pembentuk subjektivitas, skripsi ini bertujuan mencari fungsi sesungguhnya dari peradaban kontemporer dan kehilangan dalam pembentukan subjektivitas seseorang. Pada akhirnya, studi ini menyimpulkan bahwa dalam pembentukan subjektivitas, seseorang harus mengalami kehilangan dan menemukan kepuasaan dari pengalaman tersebut terlepas dari pengaruh peradaban kontemporer.

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Nocturnal Animals 2016 opens a discussion on the existence of its substance underneath all the lavish style implemented by its fashion designer director, Tom Ford. One of the most pivotal substances in the movie is the story behind all the sophistication about the lead characters, Edward and Susan, who suffer from traumatic loss. Told through two different narrative structures, namely atemporal and linear as well as set in two different settings of fictional and reality, traumatic loss, in fact, has significance in constructing someone's subjectivity.

Using psychoanalytic approach and theories initiated by Todd McGowan on atemporal cinema and loss as an element of subjectivity, this study explores the function of loss in contemporary era in the construction of subjectivity. In the end, the study finds that in constructing subjectivity, one must embrace loss and find enjoyment in it regardless of the influence of civilized contemporary era. "