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"This is the first comprehensive study of the system of literary patronage in early modern England ; and it demonstrates that far from declining by 1750, as many commentators have suggested, the system persisted, though in altered forms, throughout the eighteenth century. Combining the perspectives of literary, social, and political history, Dustin Griffin lays out the workings of the patronage system and shows how authors wrote within that system, manipulating it to their advantage or resisting the claims of patrons by advancing counter-claims of their own. Professor Griffin describes the cultural economics of patronage and argues that literary patronage was in effect always "political." Chapters on individual authors, including Dryden, Swift, Pope, and Johnson, as well as Edward Young, Richard Savage, Mary Leapor, and Charlotte Lennox, focus attention on the author's role in the system, the rhetoric of dedications, and the larger poetics of patronage."

"During the eighteenth century British critics believed that masculine values represented the best literature while feminine terms signified less important works or authors. Laura Runge argues that an understanding of the language of eighteenth-century criticism requires careful analysis of the gendered language of the era. Her exploration of why, for example, the heroic and the sublime were seen as masculine modes while the novel was viewed as a feminine genre addresses issues central to eighteenth-century studies that are still relevant today."

"The Tudor era has long been associated with the rise of nationalism in England, yet nationalist writing in this period often involved thedenigration and outright denial of Englishness. Philip Schwyzerargues that the ancient, insular, and imperial nation imagined in the works of writers such as Shakespeare and Spenser was not England but Britain. Disclaiming their Anglo-Saxon ancestry, the English sought their origins in a nostalgic vision of British antiquity.Focusing on texts including The Faerie Queene, English and Welsh antiquarian works, The Mirror for Magistrates, Henry V, and King Lear, Schwyzer charts the genesis, development, and disintegration of British nationalism in the sixteenth and early seventeenth centuries.An important contribution to the expanding scholarship on early modern Britishness, this is the first study of its kind to give detailedattention to Welsh texts and traditions, arguing that Welsh sources crucially influenced the development of English literature andidentity."

"Summary: "1611: Authority, Gender, and the Word in Early Modern England explores issues of authority, gender, and language within and across the variety of literary works produced in one of most landmark years in literary and cultural history. Represents an exploration of a year in the textual life of early modern England juxtaposes the variety and range of texts that were published, performed, read, or heard in the same year, 1611 offers an account of the textual culture of the year 1611, the environment of language, and the ideas from which the authorised version of the English Bible emerged"

"William Walker's original analysis of John Locke's An Essay Concerning Human Understanding offers a challenging and provocative assessment of Locke's importance as a thinker, bridging the gap between philosophical and literary-critical discussion of his work. He presents Locke as a foundational figure who defines the epistemological and ontological ground on which eighteenth-century and Romantic literature operate and eventually diverge. He is revealed as a crucial figure for emerging modernity, less the familiar empiricist innovator and more the proto-Nietzschean thinker whose text fosters hitherto unsuspected instabilities and promotes a new kind of rhetorical force to counterbalance them. Walker's reading of Locke is at once finely attentive to the text and engagingly resourceful in placing the Essay in its broadest philosophical and historical context."

"The period from the reformation to the English civil war saw an evolving understanding of social identity in England . This book uses four illuminating case studies to chart a shift from mid-sixteenth-century notions of an individually generated, spiritually motivated self, to civil war perceptions of the self as a site of civil control. Each centers on the work of an early modern woman writer in the act of self-definition and authorization, illustrating the evolving relationships between public and private selves and the increasing role of gender in determining different identities for men and women."

"The period from the Reformation to the English Civil War saw an evolving understanding of social identity in England. This book uses four illuminating case studies to chart a discursive shift from mid-sixteenth-century notions of an individually generated, spiritually motivated sense of identity, to Civil War perceptions of the self as inscribed by the state and inflected according to gender, a site of civil and sexual invigilation and control. Each centres on the work of an early modern woman writer in the act of self-definition and authorization, in relation to external powers such as the Church and the monarchy. Megan Matchinske's study illustrates the evolving relationships between public and private selves and the increasing role of gender in determining different identities for men and women. The conjunction of gender and statehood in Matchinske's analysis represents an original contribution to the study of early modern identity."